Genre: literary theme / Width [cm]: 33 / Image Use: Free to Use

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Thomas Watson, 1743–1781

Elizabeth Ann Sheridan (née Linley) as St. Cecilia

1779

Charles Howard Hodges, 1764–1837

Reverend Thomas Warton

1786

unknown artist

King Henry VI, Second Part, Act 3, Scene 3

1801

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Giuseppe Marchi, ca. 1735–1808

Samuel Dyer

1773

Print made by John Blackmore, active 1740–1780

Sigismonda

between 1769 and 1771

Print made by John Faber the Younger, ca. 1695–1756

Kitty Clive as Lady Easy in "The Careless Husband"

1739

Print made by Bernard Lens II, 1659–1725

Venus Presenting Armour to Aeneas

undated

John Hamilton Mortimer, 1740–1779

Caliban, from The Tempest

1775

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

Edward Scriven, 1775–1841

George Colman, The Elder

1813

John Blackmore, active 1740–1780

Samuel Foote

1771

Print made by Charles Rolls, 1800–active 1830

The Brides of Venice

1830

James Watson, 1740–1790

John Hawkesworth

1773

Print made by Thomas Park, ca. 1760–1834

Saberna

1786

Print made by Giuseppe Marchi, ca. 1735–1808

Dr. Goldsmith

1770

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

Print made by Henry Fuseli, 1741–1825

O Evening thou Bringest All

1802

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

Print made by Thomas Abiel Prior, 1809–1886

The Goddess of Discord

between 1859 and 1861

Print made by James Tibbits Willmore, 1800–1863

Dido and Aeneas

between 1859 and 1861

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Print made by John Doyle ('H.B.'), 1797–1868

Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

1847

John Watts, active 1766–1786

Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

1780

Print made by Edward Goodall, 1795–1870

Ulysses Deriding Polyphemus

between 1859 and 1861

Print made by Sir Frank Short, 1857–1945

Procris and Cephalus

1885

Print made by Jacobus Houbraken, 1698–1780

James Graham Marquess of Montrose

1740

Joseph Farington, 1747–1821

Shakespearean Scene (?): A Pilgrim

1796

Mary Hoare, 1744–1820

The Apparition of the Armed Head: Macbeth

ca. 1781

Print made by Arnold Fawcus, 1917–1979

First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray

1967

Print made by Arnold Fawcus, 1917–1979

Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

1972

Thomas Watson, 1743–1781

The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's

1775

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Width [cm] 33

Image Use Free to Use

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