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William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake Frontispiece, "What is Man!" (Plate 2)
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake "He meets his Saviour in the Grave..." (Plate 20)
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
John Faber the Younger Sir Richard Steele
John Faber the Younger, ca. 1695–1756
Sir Richard Steele
1733
George Vertue Sir John Suckling
George Vertue, 1684–1756
Sir John Suckling
1744
George Vertue Sir Philip Sidney
George Vertue, 1684–1756
Sir Philip Sidney
1741
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
unknown artist Falstaff Reproved by King Henry
unknown artist
Falstaff Reproved by King Henry
1792
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
Bernard Lens II Diana and Acteon
Print made by Bernard Lens II, 1659–1725
Diana and Acteon
undated
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
Robert Blyth The Captive
Print made by Robert Blyth, 1750–1784
The Captive
1781
Philip Dawe Gadshill
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
unknown artist The Young Roscius
Print made by unknown artist
The Young Roscius
1804
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
Richard Purcell Garrick Between Tragedy and Comedy (David Garrick)
Richard Purcell, active 1746–1766
Garrick Between Tragedy and Comedy (David Garrick)
undated
John Raphael Smith Love in Her Eyes Sits Playing
Print made by John Raphael Smith, 1752–1812
Love in Her Eyes Sits Playing
1778
Thomas Macklin Fallstaff Playing the Prince, The Prince Playing the King
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
John Faber the Younger William Congreve Esq.
John Faber the Younger, ca. 1695–1756
William Congreve Esq
1733
John Faber the Younger Joseph Addison Esq.
John Faber the Younger, ca. 1695–1756
Joseph Addison Esq
1733
James McArdell Lisabetta
Print made by James McArdell, ca. 1729–1765
Lisabetta
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
George Vertue William Cavendish of Newcastle
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
George Vertue William Cavendish, Duke of Newcastle
Print made by George Vertue, 1684–1756
William Cavendish, Duke of Newcastle
1739
Lewis Morley Front of House Display, Hadrian the Seventh
Lewis Morley, 1925–2013
Front of House Display, Hadrian the Seventh
1960s
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
John Keyse Sherwin James Macpherson
John Keyse Sherwin, c.1751–1790
James Macpherson
1775
Thomas Uwins Gil Blas Practicing Medicine Under Dr. Sangrado
Thomas Uwins, 1782–1857
Gil Blas Practicing Medicine Under Dr. Sangrado
between 1820 and 1822
William John Chamberlayne Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain
undated