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1. Procession of Characters from Shakespeare's Plays

Procession of Characters from Shakespeare's Plays
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Oil on board
Dimensions:
12 1/4 x 54 1/4 inches (31.1 x 137.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. Falstaff with the Body of Hotspur

Falstaff with the Body of Hotspur
Creator:
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1786
Materials & Techniques:
Oil on paper
Dimensions:
12 x 11 1/4 inches (30.5 x 28.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

3. Lear Awakened by Cordelia

Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
between 1774 and 1775
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 19 5/16 inches (30.7 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Thel's Motto (Plate 1)

Thel's Motto (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Title Page, The Book of Thel (Plate 2)

Title Page, The Book of Thel (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Romeo and Juliet, Act IV, Scene V

Romeo and Juliet, Act IV, Scene V
Creator:
Print made by William Blake, 1757–1827
Date:
1799
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

12. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Rinaldo and Armida

Rinaldo and Armida
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 × 15 1/4 inches (31.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Elizabeth Ann Sheridan (née Linley) as St. Cecilia

Elizabeth Ann Sheridan (née Linley) as St. Cecilia
Creator:
Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 9/16 × 12 15/16 inches (42.1 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Reflections on Clarissa Harlow

Reflections on Clarissa Harlow
Creator:
Gabriel Scorodomoff, 1748–1792
Date:
1785
Materials & Techniques:
Stipple engraving on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 5/8 × 14 5/8 inches (47.3 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Mrs. Montagu

Mrs. Montagu
Creator:
Thomas Cheesman, 1760–1834/35
Date:
1809
Materials & Techniques:
Soft ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 8 5/8 inches (31.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Death of Cordelia

The Death of Cordelia
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Lady Jane Grey

Lady Jane Grey
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Gouache, oil, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 9 inches (30.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Shipbuilding (An Old Oak Dead)

Shipbuilding (An Old Oak Dead)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Bemerside

Bemerside
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Hermitage Castle

Hermitage Castle
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/4 × 10 inches (31.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Loch Katrine

Loch Katrine
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Dead Eagle, Oran

The Dead Eagle, Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Miss Elizabeth Beauclerc as 'Una'

Miss Elizabeth Beauclerc as 'Una'
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1782
Materials & Techniques:
Stipple engraving, printed in brown ink on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 16 3/8 inches (56.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Hamlet

Hamlet
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Study for 'Finding of the Body of Bassanio'

Study for 'Finding of the Body of Bassanio'
Creator:
Henry Fuseli, 1741–1825
Date:
1804
Materials & Techniques:
Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Aesacus and Hesperie

Aesacus and Hesperie
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Pan and Syrinx

Pan and Syrinx
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Mrs. Jordan in the Character of the Romp

Mrs. Jordan in the Character of the Romp
Creator:
Print made by John Ogborne the Elder, 1755–1795
Date:
1788
Materials & Techniques:
Stipple engraving (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 11 5/16 inches (37.8 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor
Creator:
Print made by William Dickinson, 1746–1823
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/16 × 11 5/16 inches (31.2 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Reverend Hugh Blair, D.D.

Reverend Hugh Blair, D.D.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Gualtherus and Griselda

Gualtherus and Griselda
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving on medium, mdoerately textured, beige laid paper
Dimensions:
Sheet: 12 1/4 × 9 5/16 inches (31.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Traitor's Gate, Tower of London

Traitor's Gate, Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof (b)
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A Scene From the Farce of "The Critic," a Little Altered.

A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jedburgh Abbey

Jedburgh Abbey
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Phryne Going to the Bath as Venus

Phryne Going to the Bath as Venus
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/4 × 8 3/4 inches (31.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and line engraving; early engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Henderson in the Character of Falstaff

Henderson in the Character of Falstaff
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 10 7/16 inches (30.6 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London

Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 15 1/2 inches (30.5 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

42. The Peasant's Dream, Paradise Lost, Book 1, 781-8

The Peasant's Dream, Paradise Lost, Book 1, 781-8
Creator:
Henry Fuseli, 1741–1825
Date:
1793 to 1800
Materials & Techniques:
Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Creator:
Mary Hoare, 1744–1820
Date:
1780
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Pan and Syrinx, No. 2

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

45. Pan and Syrinx, No.2

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

46. Pan and Syrinx, No. 2

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

47. Aesacus and Hesperie

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Counsellor, King, Warrior, Mother & Child, in the Tomb

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

No cover image available
Creator:
David Scott, 1806–1849
Date:
ca. 1831
Materials & Techniques:
Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/8 × 9 9/16 inches (31.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

52. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

No cover image available
Creator:
David Scott, 1806–1849
Date:
ca. 1831
Materials & Techniques:
Graphite and tracing on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 × 9 1/2 inches (31.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

53. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

No cover image available
Creator:
David Scott, 1806–1849
Date:
ca. 1831
Materials & Techniques:
Graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

54. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

No cover image available
Creator:
David Scott, 1806–1849
Date:
ca. 1831
Materials & Techniques:
Graphite, red chalk, and tracing on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 5/16 × 9 7/16 inches (31.3 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

55. Death of the Strong Wicked Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Soul Hovering over the Body reluctantly Parting with Life

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection