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Genre literary theme

Height [cm] 30

Subject Terms literary theme

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

William Blake Urizen (Plate 22)

Print made by William Blake, 1757–1827

Urizen (Plate 22)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 23)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 23)

1794

William Blake Urizen (Plate 14)

Print made by William Blake, 1757–1827

Urizen (Plate 14)

1794

William Blake Praying Child and Howling Dog (Plate 24)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 24)

1794

William Blake Urizen (Plate 21)

Print made by William Blake, 1757–1827

Urizen (Plate 21)

1794

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 4)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Print made by William Blake, 1757–1827

Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

1794

William Blake Urizen Swims through Dark Waters (Plate 5)

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 5)

1794

William Blake "In living creations appear'd..." (Plate 6)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 7)

1794

William Blake Urizen (Plate 8)

Print made by William Blake, 1757–1827

Urizen (Plate 8)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

1794

William Blake Fettered Urizen Weeping (Plate 12)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 16)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 16)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 15)

1794

William Blake "They call'd her Pity, and fled..." (Plate 17)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 17)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 25)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 25)

1794

Edward Fisher Edwin

Print made by Edward Fisher, 1722–1785

Edwin

1776

William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

William Hamilton, 1751–1801

Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

undated

Robert Smirke Virgilia and Volumnia Plead with Coriolanus

Robert Smirke, 1752–1845

Virgilia and Volumnia Plead with Coriolanus

ca. 1795

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Charles Ansell Hamlet

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt

Edward Burne-Jones, 1833–1898

Study for The Wedding Feast of Sir Degrevaunt

undated

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Samuel Howitt, 1756–1822

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Samuel Howitt, 1756–1822

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Edward Goodall Bolton Abbey

Print made by Edward Goodall, 1795–1870

Bolton Abbey

1834

Dame Elisabeth Frink The Miller's Tale I

Print made by Dame Elisabeth Frink, 1930–1993

The Miller's Tale I

1974

Dame Elisabeth Frink The Miller's Tale II

Print made by Dame Elisabeth Frink, 1930–1993

The Miller's Tale II

1974

Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Mary Hoare, 1744–1820

The Three Witches from Macbeth: Though the Bark Cannot be Lost..

ca. 1781

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Sir Frank Short Pan and Syrinx, No. 2

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Luigi Schiavonetti Death's Door

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Luigi Schiavonetti Death's Door

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808