Genre: literary theme / Height [cm]: 21 / Subject Terms: literary theme - YCBA Collections Search Search Results

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Genre literary theme

Height [cm] 21

Subject Terms literary theme

Thomas Stothard The Return of Othello, 'Othello,' Act II, Scene II

Thomas Stothard, 1755–1834

The Return of Othello, 'Othello,' Act II, Scene II

ca. 1799

Not on view

Thomas Stothard Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii

Thomas Stothard, 1755–1834

Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii

ca. 1799

Not on view

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake Fettered Urizen Weeping (Plate 12)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "When those who disregard all Mortal Things..." (Plate 55)

Print made by William Blake, 1757–1827

"When those who disregard all Mortal Things..." (Plate 55)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Print made by William Blake, 1757–1827

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

Henry Le Keux Abbotsford

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Robert Smirke Illustration for Don Quixote (with figures on a donkey)

Robert Smirke, 1752–1845

Illustration for Don Quixote (with figures on a donkey)

undated

John Hamilton Mortimer Literary Characters Assembled Around the Medallion of Shakespeare

John Hamilton Mortimer, 1740–1779

Literary Characters Assembled Around the Medallion of Shakespeare

1776

James Gillray Sophia, Honour, and the Chambermaid

James Gillray, 1756–1815

Sophia, Honour, and the Chambermaid

1780

William Miller The Rhymer's Glen

Print made by William Miller, 1796–1882

The Rhymer's Glen

1835

Henry Le Keux Abbotsford

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Henry William Bunbury The Damnation of Obadiah

Print made by Henry William Bunbury, 1750–1811

The Damnation of Obadiah

between 1773 and 1817

Henry William Bunbury The Battle of the Cataplasm

Print made by Henry William Bunbury, 1750–1811

The Battle of the Cataplasm

between 1773 and 1817

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Henry William Bunbury Overthrow of Dr. Slop

Print made by Henry William Bunbury, 1750–1811

Overthrow of Dr. Slop

between 1773 and 1817

Thomas Goff Lupton Procris and Cephalus

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Valentine Green Pamela and Philoclea

Print made by Valentine Green, 1739–1813

Pamela and Philoclea

ca. 1777

Thomas Watson Sigismunda

Print made by Thomas Watson, 1743–1781

Sigismunda

1779

Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"

Print made by Henry William Bunbury, 1750–1811

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

Francesco Bartolozzi Tancred and Clorinda

Print made by Francesco Bartolozzi, 1728–1815

Tancred and Clorinda

1785

Robert Smirke Launce with his Dog Crab

Robert Smirke, 1752–1845

Launce with his Dog Crab

ca. 1821

Henry Le Keux Abbotsford

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Sir Frank Short Aesacus and Hesperie

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

Sir Frank Short Procris and Cephalus

Print made by Sir Frank Short, 1857–1945

Procris and Cephalus

1885

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

undated

George Cruikshank Jack Sheppard Gets Drunk and Orders his Mother off

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

George Cruikshank Mrs. Sheppard Expostulating with her Son

Print made by George Cruikshank, 1792–1878

Mrs. Sheppard Expostulating with her Son

1839

George Cruikshank The Name on the Beams

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Sir Frank Short Pan and Syrinx, No. 2

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Sir Frank Short Pan and Syrinx, No. 2

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Sir Frank Short Aesacus and Hesperie

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896