<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Genre literary theme

Remove constraint Genre: literary theme

Image Available Available

Remove constraint Image Available: Available

Height [cm] 28

Remove constraint Height [cm]: 28

Search Results

1. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1786
Materials & Techniques:
Oil on canvas
Dimensions:
11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)

'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1786
Materials & Techniques:
Oil on canvas
Dimensions:
11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Bellman

The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Cypress Grove

The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Procris and Cephalus

Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. From Spenser's Fairy Queen

From Spenser's Fairy Queen
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Pit of Disease: The Falsifiers (Plate 6)

The Pit of Disease: The Falsifiers (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Serpent Attacking Buoso Donati (Plate 5)

The Serpent Attacking Buoso Donati (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Ciampolo the Barrator Tormented by the Devils (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Scene from Don Quixote

Scene from Don Quixote
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:
Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Tempest

Tempest
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 x 7 1/2 inches (27.9 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Field of Waterloo (with Lightning)

Field of Waterloo (with Lightning)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A Village Fair

A Village Fair
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 15/16 × 11 7/8 inches (43 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Leaving Home

Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. St. Anne's Hill, No. I

St. Anne's Hill, No. I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Shipbuilding (An Old Oak Dead)

Shipbuilding (An Old Oak Dead)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 11/16 inches (43.7 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. St. Julienne's Chapel

St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. An Old Oak

An Old Oak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Landing of Columbus

The Landing of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Columbus Setting Sail

Columbus Setting Sail
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Valombre

Valombre
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 15/16 inches (43.3 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. St. Cecilia

St. Cecilia
Creator:
James Henry Watt, 1799–1867
Date:
1834
Materials & Techniques:
Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. St. Anne's Hill, No. I

St. Anne's Hill, No. I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 6 1/8 inches (29.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 6 1/8 inches (29.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought

SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
Creator:
David Scott, 1806–1849
Date:
1848
Materials & Techniques:
Graphite, red chalk, traced on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 15/16 × 8 5/8 inches (27.8 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

34. Six Designs for Nichol's - Architecture of the Heavens: Lycho and Kepler: Observations and Generalizations

Six Designs for Nichol's - Architecture of the Heavens: Lycho and Kepler: Observations and Generalizations
Creator:
David Scott, 1806–1849
Date:
1848
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 × 8 11/16 inches (27.9 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

35. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1786
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 8 7/16 inches (27.8 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Tancred and Clorinda

Tancred and Clorinda
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 9 3/16 inches (28.3 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Garden

A Garden
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 6 5/8 inches (29.2 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Plain of Troy

The Plain of Troy
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/16 inches (28.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Ophelia: There's Rue for You, and Here's Some for Me

Ophelia: There's Rue for You, and Here's Some for Me
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving and etching on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 x 8 9/16 inches (27.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Study of a Dramatic Scene

Study of a Dramatic Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 11 1/8 × 8 5/8 inches (28.3 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Lisabetta

Lisabetta
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint (before all letters) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 11/16 × 9 15/16 inches (34.8 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Lisabetta

Lisabetta
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 9 3/8 inches (34 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Renoldo and Armida

Renoldo and Armida
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 × 12 1/16 inches (27.9 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. The Meeting of a Family in Heaven

The Meeting of a Family in Heaven
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Christ Descending into the Grave

Christ Descending into the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Day of Judgment

The Day of Judgment
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Battle of the Cataplasm

The Battle of the Cataplasm
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Columbus Setting Sail

Columbus Setting Sail
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 1/16 inches (36.2 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 8 5/8 inches (30.2 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. A Tempest – Voyage of Columbus

A Tempest – Voyage of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 9/16 × 9 3/16 inches (37 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Landing of Columbus

The Landing of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Judgement of Paris

The Judgement of Paris
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint with line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 × 12 7/16 inches (27.5 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

54. Dr. Joseph Warton

Dr. Joseph Warton
Creator:
Anthony Cardon, 1772–1813
Date:
undated
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 8 13/16 inches (28.3 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. "Antony and Cleopatra," Act III, Scene XI

"Antony and Cleopatra," Act III, Scene XI
Creator:
Georg Goldberg, 1830–1894
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 1/16 inches (28.2 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

56. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Creator:
Print made by James H. Baker, born 1829
Date:
between 1839 and 1849
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

57. A Great Actor between Tragedy and Comedy

A Great Actor between Tragedy and Comedy
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1834
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/16 x 16 5/16 inches (28.4 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

58. Alcibiades and Timon

Alcibiades and Timon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 10 5/16 inches (28.1 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Study for 'Finding of the Body of Bassanio'

Study for 'Finding of the Body of Bassanio'
Creator:
Henry Fuseli, 1741–1825
Date:
1804
Materials & Techniques:
Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Leaving Home

Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Valombre

Valombre
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/16 × 9 inches (36.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Boy of Egremond

The Boy of Egremond
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 6 1/4 inches (29.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Shipbuilding (An Old Oak Dead)

Shipbuilding (An Old Oak Dead)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Descent of Man into the Vale of Death

The Descent of Man into the Vale of Death
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Kitty Clive as Lady Easy in "The Careless Husband"

Kitty Clive as Lady Easy in "The Careless Husband"
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1739
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 13 inches (27.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Mrs. Yates in the Character of Medea

Mrs. Yates in the Character of Medea
Creator:
unknown artist
Date:
after 1771
Materials & Techniques:
Watercolor with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige laid paper
Dimensions:
Mount: 15 x 10 1/4 inches (38.1 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

69. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. A Hurricane in the Desert

A Hurricane in the Desert
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Boy of Egremond

The Boy of Egremond
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/4 × 10 1/16 inches (38.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Valombre

Valombre
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Bauldy, Symon and Sir William Worthy

Bauldy, Symon and Sir William Worthy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

75. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, open etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. A Tempest – Voyage of Columbus

A Tempest – Voyage of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, (First Published State) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 5/8 inches (43.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Cortes and Pizarro

Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Gipsy

The Gipsy
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 5 7/8 inches (27.5 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Alps at Daybreak

The Alps at Daybreak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Columbus Setting Sail

Columbus Setting Sail
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 9/16 × 6 1/8 inches (29.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Kelso

Kelso
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 17 1/8 inches (28.3 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London

Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 15 1/2 inches (30.5 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

87. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Creator:
Mary Hoare, 1744–1820
Date:
1780
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Princes in the Tower

The Princes in the Tower
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

89. Macbeth and the Apparition of the Armed Head

Macbeth and the Apparition of the Armed Head
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund