Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
2
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
3
Print made by Thomas Creswick, 1811–1869
The Terrace
ca. 1844
4
Print made by Austin, Robert, 1895-1973, 1895–1973
Plane Tree Cottage
1926
5
unknown artist
The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)
6
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
7
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
8
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
9
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
10
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
11
Print made by Austin, Robert, 1895-1973, 1895–1973
Autumn
1922
12
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
13
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
14
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
15
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
16
William Ellis, 1747–1810
Beddington
1792
17
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower