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Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum
Creator:
Print made by James Basire II, 1769–1822
Date:
1785
Materials & Techniques:
Etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 6 13/16 inches (22.2 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Medallions of F. Hutcheson and L. Natter
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket: Walker's Lectures
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket: For the Benefit of Mr. Salomon
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 7 5/8 inches (25.6 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
Creator:
Print made by Charles Rosenberg, active 1828–1848
Date:
1837
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Market Place, Wisbech Isle of Ely, Cambridgeshire..., June 28, 1838
Creator:
George Johann Scharf, 1788–1860
Date:
1838
Materials & Techniques:
Colored lithograph on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 11/16 × 22 13/16 inches (37.3 × 57.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Handbill of Bermondsey Spa Gardens
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Letterpress on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 10 7/16 × 7 inches (26.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glasgow Exhibition: Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:
Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Glasgow Exhibition: Entrance from the Piazza
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Battle Abbey, The spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; later engraver's proof india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on thin, slightly textured, orange wove paper, laid on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 11 x 8 9/16 inches (27.9 x 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Death of Chatham
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, and stipple engraving, published state
Dimensions:
Plate: 25 3/8 x 31 3/4in. (64.5 x 80.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Key To The Figures In "The Death Of Chatham"
Creator:
Abraham Raimbach, 1784–1868
Date:
1794
Materials & Techniques:
Etching and engraving, published state
Dimensions:
Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
The Meeting Of Edward V And His Brother, The Duke Of York
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of a Horseman, From the Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Rameses II

Rameses II
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching with drypoint on wove paper
Dimensions:
Sheet: 13 × 7 1/2 inches (33 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798
Creator:
Richard Livesay, 1753–1826
Date:
1799
Materials & Techniques:
Aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fall of Ninevah
Creator:
John Martin, 1789–1854
Date:
1829
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 3/16 × 35 3/8 inches (64 × 89.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Francis Bacon, 1st Viscount St. Alban
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir David Baird, 1st Baronet
Creator:
Anthony Cardon, 1772–1813
Date:
1806
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Admiral Charles Middleton, 1st Baron Barham
Creator:
Maria Anne Bourlier, active 1807
Date:
1809
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene from Roman History
Creator:
circle of Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Gray wash, black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/16 x 8 15/16 inches (33.2 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Anne W. and David T. Mininberg, Yale BA 1957
A Morning Ride
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle
The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Etching and drypoint
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coronation of King George IV in Westminster Abbey
Creator:
Charles Turner, 1774–1857
Date:
1822
Materials & Techniques:
Mezzotint and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hitch in the Roman Triumph
Creator:
Sir David Low, 1891–1963
Date:
undated
Materials & Techniques:
Pen and black ink, white gouache, blue chalk and graphite on moderately thick, slightly textured, beige wove paper, mounted on card
Dimensions:
Mount: 14 7/16 × 21 1/16 inches (36.7 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles and Jennifer Monaghan
Studies From a French MSS Bible Registry
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 × 15 1/16 inches (24.9 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unidentified Periodical / Play Illustration
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 9/16 × 5 5/8 inches (9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Goetz Von Berlichingen Before The Imperial Magistrate
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Pen and brown ink and brown wash with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 4 inches (12.1 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Morton Morris
Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies from a French MSS Bible Register
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 1/4 inches (23.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
figure Studies for Medieval Noble Life
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 5/16 inches (23.2 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: The Sacred Cave of Archidamus
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Revolt of the Fleet, 1642
Creator:
John Harris, active 1686–1740
Date:
ca. 1710
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The History of the Blind Beggar of Bethnal Green
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 inches (15.9 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Merry Tales of the Wise Man of Gotham
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 5 3/16 inches (13.7 x 13.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Arms of Glasgow
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1909
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 3 3/4 inches (7.8 x 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies of Figures and Seals from Sandfords Geneal History
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 9/16 × 15 1/8 inches (24.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monte Cassino
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 7 inches (14 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Inscription in the Post House at Argos
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vesuvius from the Bay of Naples
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1895
Materials & Techniques:
Mezzotint, trial proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 20 3/8 inches (35.2 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell
Ancient Inscriptions in Greek Alphabet
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 4 3/8 inches (18.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Pen and brown ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 7/16 inches (18.4 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Castalian Spring
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 8 15/16 inches (28.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Robert Smirke's Continental Tour
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris From the Hospital of Bicêtre
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Dido
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 23 9/16 inches (49.8 × 59.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Count Ugolino della Gherardesca and His Sons in Prison
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Battle of the Boyne, July 1st 1690
Creator:
Thomas Kitchin, 1719–1784
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 27 5/8 inches (45.1 × 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, white gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 10 3/8 inches (30.5 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving with graphite and scraping out; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tomb of Gregory Lovell and his Wife Anne, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monument to Jennett Hamilton, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, white gouache, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, Warwickshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, Warwickshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Battle of the Baltic
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lochiel's Warning
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hohenlinden
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heriot's Hospital
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1822
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gertrude of Wyoming - The Valley
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Etching and line engraving; engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gertrude of Wyoming - The Waterfall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Camp Hill, Hastings
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Etching and line engraving; engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Simplon
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field of Waterloo, with Lightning
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"It's Auld Ailie Hersell"
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Vincennes

Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Killiecrankie
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Petrarch's Tomb
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flight of James II
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and gray ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of the Brandenburg House Theatre, Hammersmith
Creator:
Henry Wigstead, ca. 1745–ca. 1800
Date:
ca. 1792
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
James II Receiving the Mathematical Scholars of Christ's Hospital
Creator:
Studio of Antonio Verrio, ca. 1639–1707
Date:
undated
Materials & Techniques:
Gouache, watercolor, and graphite on moderately thick, slightly textured, cream laid paper mounted on canvas and nailed to wooden strainer
Dimensions:
Sheet: 18 1/16 × 92 3/4 inches (45.9 × 235.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newgate Prison, the Fire of London
Creator:
Thomas Wyck, 1616–1677
Date:
undated
Materials & Techniques:
Black ink with gray wash and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Workmen at Refreshment (Banditti?)
Creator:
Mather Brown, 1761–1831
Date:
1819
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 11 1/4 inches (19.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Rush Light
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1798
Materials & Techniques:
Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
Print made by Thomas Tagg, died 1809
Date:
1795
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 5 7/8 inches (7.9 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 2. A. Table of Hieroglyphics found at Axum
Creator:
James Bruce, 1730–1794
Date:
1771
Materials & Techniques:
Pen and brown ink and black wash on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection