Genre: genre subject / Subject Terms: study (visual work) - YCBA Collections Search Search Results

1. Study of a Groom, Seen from Behind

Creator:: Attributed to William Havell, 1782–1857
Date:: ca. 1820
Materials & Techniques:: Oil on tan paper
Dimensions:: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1925
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 23 3/4 inches (47 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Lady's Mile, Kensington Gardens

Creator:: Paul Fordyce Maitland, 1863–1909
Date:: ca. 1900
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 5 inches (22.9 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

Creator:: Paul-Lucien Dessau, 1909–1999
Date:: 1953
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/8 x 13 inches (41 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Sketch for 'The Reading of a Will'

Creator:: Sir David Wilkie, 1785–1841
Date:: 1820
Materials & Techniques:: Oil on board
Dimensions:: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. A Study of 'The Schoolroom'

Creator:: Attributed to Thomas Webster, 1800–1886
Date:: ca. 1820
Materials & Techniques:: Oil on board
Dimensions:: 6 1/4 x 9 1/2 inches (15.9 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

Creator:: Sir John Lavery, 1856–1941
Date:: 1890
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/4 × 7 3/4 inches (40 × 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

8. Beads (study)

Creator:: Albert Joseph Moore, 1841–1893
Date:: ca. 1875
Materials & Techniques:: Oil on canvas
Dimensions:: 11 3/4 x 19 1/4 inches (29.8 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

9. A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading

Creator:: unknown artist
Date:: late 18th century?
Materials & Techniques:: Oil on panel
Dimensions:: 20 1/2 × 18 inches (52.1 × 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Finished Study for 'Reaping'

Creator:: John Linnell, 1792–1882
Date:: 1858
Materials & Techniques:: Oil on panel
Dimensions:: 8 1/4 x 13 inches (21 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Parham, October.13.1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 5/16 x 6 13/16 inches (26.2 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Parham, Sept. 30, 1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 12 3/8 x 10 inches (31.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. North Stoke. Oct. 21.1834.

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Qaw el Kebir

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 5 inches (14 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. Seated Men

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 2 1/4 x 3 1/2 inches (5.7 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Egpytian Man on Camel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/16 x 1 11/16 inches (5.2 x 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 8 1/2 inches (10.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Near Bajoura

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/4 x 3 1/4 inches (5.7 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Opposite Kom Ombos Abu Jer

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 x 1 5/8 inches (6.3 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Siracusa, 12. June 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Gebel Sheikh Eredi

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 3/8 x 6 inches (13.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Study of figures and a camel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/16 x 1 1/4 inches (5.2 x 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Study of an Egyptian Man on a Camel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 1 11/16 inches (5.4 x 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Zereeba, near Belbeis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 x 8 1/2 inches (7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Creator:: Robert Adam, 1728–1792
Date:: between 1770 and 1780
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Study for a Girl Reading

Creator:: William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 3 inches (11.7 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Study for "The Penny Wedding"

Creator:: Sir David Wilkie, 1785–1841
Date:: ca. 1818
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, light blue wove paper
Dimensions:: Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Study of a Group of Children

Creator:: Circle of William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Black chalk, graphite, and white chalk; verso: black chalk, white chalk, blue chalk, and brown chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Building a Stack (Study for Carrying Hay)

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and white chalk and black chalk over graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 6 7/8 x 10 3/8 inches (17.5 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

32. Study for The Mother's Bribe, or The Temptation to be Washed

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/8 x 6 7/8 inches (13.7 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Chelsea Pensioners Reading the Waterloo Dispatch

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1822
Materials & Techniques:: Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Study for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1820
Materials & Techniques:: Watercolor with gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

Creator:: James Ward, 1769–1859
Date:: 1820 to 1830
Materials & Techniques:: Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Study of a Seated Woman

Creator:: attributed to James Ward, 1769–1859
Date:: 1787
Materials & Techniques:: Gray wash over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Child Resting His Cheek on His Hand, Head and Shoulders

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 3/4 x 2 7/8 inches (12.1 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Study for "The First Ear-Ring"

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1834
Materials & Techniques:: Watercolor with graphite and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 21 1/2 x 14 3/8 inches (54.6 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Study of Trees

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 x 8 1/2 inches (30.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Sketch for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper, mounted in moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Study for "Arabian Nights"

Creator:: Sir Frank William Brangwyn, 1867–1956
Date:: undated
Materials & Techniques:: Gouache on very thick, moderately textured, brown board
Dimensions:: Sheet: 21 5/16 x 14 7/8 inches (54.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

42. Study for, In Mr. Barnard's Boat, Kingston

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Classical Study of Three Figures

Creator:: Isaac Oliver, ca. 1565–1617
Date:: undated
Materials & Techniques:: Gray wash and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 11/16 × 4 1/8 inches (6.8 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Sir Charles Blunt at the Death of the Boar

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 14 7/8 × 12 inches (37.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sir Charles Blunt Hunting the Boar and Escaping From the Tiger

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 14 × 10 1/2 inches (35.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Soldier's Knapsack: Two Studies, Side and Front View

Creator:: Michael Angelo Hayes, 1811–1880
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, white gouache, gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Adam and Eve

Creator:: Eric Gill, 1882–1940
Date:: 1926
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 1 1/4 inches (10.8 × 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. A Black Leg Detected Secreting Cards (a Study)

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/16 x 5 5/16 inches (8.7 x 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Figure Costume Study of Edward VI in 1550

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 × 2 3/4 inches (10.2 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Figure Costume Study: Noble Virgin of Bologna

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite with brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Figure Costume Study: French Lady of Quality in 1501

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite, gray wash and violet chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Seven Studies of Jockeys' Caps

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 9/16 × 10 1/16 inches (21.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Six Studies of Figures on Horses

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 6 3/8 inches (9.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Study for the Death of a Knight

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 5 3/8 inches (8.2 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

55. Sketch to Illustrate the Passions: Suspense or Expectation

Creator:: Richard Dadd, 1817–1886
Date:: 1855
Materials & Techniques:: Watercolor, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 10 1/4 inches (35.9 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Club

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 x 6 1/4 inches (15.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

57. The Duchess of Gordon's Rout

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite; verso: gray watercolor blot on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 9/16 x 8 3/4 inches (11.6 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Study for Battledore and Shuttlecock

Creator:: Albert Joseph Moore, 1841–1893
Date:: ca. 1871
Materials & Techniques:: Black chalk, white chalk, and graphite on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 9 1/4 x 14 1/2 inches (23.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Sketch for Dieppe Sands

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1919
Materials & Techniques:: Pen and black and red ink over graphite on thin, slightly textured, cream laid paper mounted on masonite
Dimensions:: Sheet: 7 1/8 x 10 5/8 inches (18.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

60. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Genre genre subject

Subject Terms study (visual work)

Search Results

1. Study of a Groom, Seen from Behind

2. Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')

3. The Lady's Mile, Kensington Gardens

4. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

5. Sketch for 'The Reading of a Will'

6. A Study of 'The Schoolroom'

7. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

8. Beads (study)

9. A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading

10. A Finished Study for 'Reaping'

11. Parham, October.13.1834

12. Parham, Sept. 30, 1834

13. North Stoke. Oct. 21.1834.

14. Qaw el Kebir

15. Seated Men

16. Egpytian Man on Camel

17. Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

18. Near Bajoura

19. Opposite Kom Ombos Abu Jer

20. Siracusa, 12. June 1847

21. Gebel Sheikh Eredi

22. Study of figures and a camel

23. Study of an Egyptian Man on a Camel

24. Zereeba, near Belbeis

25. Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

26. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

27. Study for a Girl Reading

28. Study for "The Penny Wedding"

29. Study of a Group of Children

30. Building a Stack (Study for Carrying Hay)

31. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

32. Study for The Mother's Bribe, or The Temptation to be Washed

33. The Chelsea Pensioners Reading the Waterloo Dispatch

34. Study for "Reading the Will"

35. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

36. Study of a Seated Woman

37. A Child Resting His Cheek on His Hand, Head and Shoulders

38. Study for "The First Ear-Ring"

39. Study of Trees

40. Sketch for "Reading the Will"

41. Study for "Arabian Nights"

42. Study for, In Mr. Barnard's Boat, Kingston

43. Classical Study of Three Figures

44. Sir Charles Blunt at the Death of the Boar

45. Sir Charles Blunt Hunting the Boar and Escaping From the Tiger

46. A Soldier's Knapsack: Two Studies, Side and Front View

47. Adam and Eve

48. A Black Leg Detected Secreting Cards (a Study)

49. Figure Costume Study of Edward VI in 1550

50. Figure Costume Study: Noble Virgin of Bologna

51. Figure Costume Study: French Lady of Quality in 1501

52. Seven Studies of Jockeys' Caps

53. Six Studies of Figures on Horses

54. Study for the Death of a Knight

55. Sketch to Illustrate the Passions: Suspense or Expectation

56. The Club

57. The Duchess of Gordon's Rout

58. Study for Battledore and Shuttlecock

59. Sketch for Dieppe Sands

60. Study for Hay Carts, Cumberland Market