The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
5
L. Truchy, 1721–1764
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
1762
6
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
7
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
8
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
9
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
10
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
11
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
12
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
13
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
14
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
15
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
16
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
17
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
18
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
19
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
20
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower