Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
7
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
8
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
9
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
10
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
11
George Romney, 1734–1802
Unidentified Subjects
undated
12
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
13
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
14
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
15
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
16
George Romney, 1734–1802
The Banquet Scene
ca. 1792
17
George Romney, 1734–1802
Tempest, Version A
undated
18
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
19
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
20
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
21
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
22
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
23
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
24
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
25
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
26
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
27
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
28
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
29
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
32
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
33
George Romney, 1734–1802
Birth of Man
undated
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
39
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
40
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
41
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
42
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
43
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
44
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
45
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
46
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
47
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
48
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
49
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
50
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
51
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
52
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
53
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
54
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
55
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
56
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
57
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
58
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
59
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
60
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
61
Robert Smirke, 1752–1845
Prospero and Ariel
1821
62
Robert Smirke, 1752–1845
Anne Page and Slender
1821
63
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
64
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
65
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
66
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
67
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
68
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
69
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
70
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
71
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
72
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
73
George Augustus Sala, 1828–1895
Mefistofile II
1880
74
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
75
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
76
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda