Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
12
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
13
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
14
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
15
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
Birth of Man
undated
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
26
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
27
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
28
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
29
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
30
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
31
George Romney, 1734–1802
Tempest, Version A
undated
32
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
33
George Romney, 1734–1802
Unidentified Subjects
undated
34
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
35
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
36
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
37
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
38
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
39
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
40
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
41
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
42
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
43
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
44
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
45
George Romney, 1734–1802
The Banquet Scene
ca. 1792
46
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
47
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
48
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
49
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
50
George Romney, 1734–1802
Daphnis and Chloe
undated
51
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
52
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
53
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
54
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
55
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
56
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
57
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
58
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
59
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
60
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
61
Robert Smirke, 1752–1845
Oberon and Puck
1825
62
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
63
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
64
Robert Smirke, 1752–1845
Claudio and Isabella
1823
65
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
66
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
67
Robert Smirke, 1752–1845
Viola and Olivia
1822
68
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
69
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
70
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
71
Robert Smirke, 1752–1845
Katherina and Grumio
1821
72
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
73
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
74
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
75
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
76
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
77
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
78
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
79
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
80
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
81
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
82
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
83
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck