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Genre architectural subject

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Associated Places Marne

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1. The Porch, Reims Cathedral

The Porch, Reims Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1840
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
Creator:
after Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper, (two sheets mounted together)
Dimensions:
Sheet: 7 11/16 x 12 3/4 inches (19.5 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 1/4 × 10 1/8 inches (15.9 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, beige wove paper, pasted on thick, smooth, cream card
Dimensions:
Sheet: 5 1/2 x 12 7/16 inches (14 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection