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1. Gray Mare and a Chestnut Foal

Gray Mare and a Chestnut Foal
Creator:
John Frederick Lewis, 1804–1876
Date:
1846
Materials & Techniques:
Watercolor, white gouache and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 16 1/4 inches (28.9 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Charcoal on medium, slightly textured, brown wove paper
Dimensions:
Mount: 11 1/4 × 15 5/16 inches (28.6 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
1827
Materials & Techniques:
Black chalk and white chalk on medium, smooth, brown wove paper
Dimensions:
Sheet: 9 5/8 x 12 1/2 inches (24.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Two Studies: a Foal, and a Mare and Foal

Two Studies: a Foal, and a Mare and Foal
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 × 6 3/8 inches (25.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection