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Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Search Results
101
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
102
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
103
- 'Where sense runs savage broke from reason's chain' (Page 46)
- 1797
104
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
105
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
106
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
107
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
108
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
109
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
110
- Title Page, The First Book of Urizen (Plate 1)
- 1794
111
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
112
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
- 1794
113
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
114
- Urizen Swims through Dark Waters (Plate 5)
- 1794
115
- "In living creations appear'd..." (Plate 6)
- 1794
116
- Chapter III, "As the stars are apart from the earth..." (Plate 7)
- 1794
117
- Urizen (Plate 8)
- 1794
118
- Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
- 1794
119
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
120
- Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
- 1794
121
- Fettered Urizen Weeping (Plate 12)
- 1794
122
- From a Globe of Blood Rises Enitharmon (Plate 16)
- 1794
123
- Chapter V, "The globe of life blood trembled..." (Plate 15)
- 1794
124
- "They call'd her Pity, and fled..." (Plate 17)
- 1794
125
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
126
- Chapter IX, "They lived a period of years..." (Plate 25)
- 1794
127
- Frontispiece (Plate 1)
- ca. 1788
128
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
129
- Frontispiece. Albion's Angel (Plate 1)
- 1793
130
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
131
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
132
- Title Page. America, A Prophecy (Plate 2)
- 1793
133
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
134
- From a Globe of Blood Rises Enitharmon (Plate 11)
- 1794
135
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
136
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
137
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
138
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
139
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
140
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
141
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
142
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
143
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
144
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
145
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
146
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
147
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
148
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
149
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
150
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
151
- "To the Jews..." (Plate 27)
- 1804 to 1820
152
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
153
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
154
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
155
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
156
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
157
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
158
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
159
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
160
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
161
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
162
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
163
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
164
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
165
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
166
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
167
- Title Page, The Book of Thel (Plate 2)
- 1789
168
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
169
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
170
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
171
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
172
- The Baffled Devils Fighting (Plate 3)
- 1827
173
- The Pit of Disease: The Falsifiers (Plate 6)
- 1827
174
- The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
- 1827
175
- Dante Striking against Bocca Degli Abati (Plate 7)
- 1827
176
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
177
- Rev. John Caspar Lavater
- 1800
178
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
179
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
180
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
181
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
182
- Mary Magdalen at the Sepulchre
- ca. 1805
183
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
184
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
185
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
186
- Abraham and Isaac
- 1799 to 1800
187
- The Parable of the Wise and Foolish Virgins
- ca. 1825
188
- Job Reproved by his Friends
- 1777
189
- The Phoenix or the Resurrection of Freedom
- 1776
190
- William Blake in Youth and Age
- ca. 1830
191
- Death on a Pale Horse
- 1784
192
- The Shepherd
- 1827
193
- Presages of the Millenium
- 1795
194
- Queen Katherine's Dream
- 1788
195
- The Witch of En-Dor
- 1788
196
- Pylades and Orestes
- 1771
197
- The Deposition
- undated
198
- Get Thee Behind Me, Satan
- between 1783 and 1787
199
- Ancient Ballads, Tailpiece
- 1783
200
- Miscellaneous Songs, Headpiece
- 1783