Period: 19th century / Topic subjectplace ss: United Kingdom - YCBA Collections Search Search Results

James McNeill Whistler, 1834–1903

Battersea Reach

1863

Print made by James Dobie, 1849–1911

Fishing Boats at Hastings

1882

Print made by unknown artist

Plate I. Memorials of the Commissioners for Improving Westminster, 1811

1811

Thomas Rowlandson, 1756–1827

The Vicar of Wakefield: Frontispiece

1817

Thomas Rowlandson, 1756–1827

The Welcome

ca. 1817

Thomas Rowlandson, 1756–1827

The Esquire's Intrusion

ca. 1817

Thomas Rowlandson, 1756–1827

Fortune-Telling

ca. 1817

Thomas Rowlandson, 1756–1827

The Dance

ca. 1817

Thomas Rowlandson, 1756–1827

The Vicar Selling his Horse

ca. 1817

Thomas Rowlandson, 1756–1827

The Vicar's Family on the Road to Church

ca. 1817

Thomas Rowlandson, 1756–1827

The Fair Penitent

ca. 1817

Thomas Rowlandson, 1756–1827

The Scold, with News of Olivia

ca. 1817

Attributed to John Carter, 1748–1817

Continuation of Detail

between 1806 and 1815

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

unknown artist

The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809

1809

unknown artist

Bideford, from the Bridge

undated

William Parrott, 1813–ca. 1869

Windsor Castle

undated

John Glover, 1767–1849

St. Davids Head, Pembrokeshire

ca. 1805

Print made by James McNeill Whistler, 1834–1903

Visitors' Boat

1887

Print made by James McNeill Whistler, 1834–1903

Dry Dock, Southampton

1887

Print made by James McNeill Whistler, 1834–1903

Troop Ships

1887

Print made by James McNeill Whistler, 1834–1903

The Turret-Ship

1887

Print made by James McNeill Whistler, 1834–1903

Monitors

1887

Print made by James McNeill Whistler, 1834–1903

Portsmouth Children

1887

Print made by James McNeill Whistler, 1834–1903

Return to Tilbury

1887

Print made by James McNeill Whistler, 1834–1903

Ryde Pier

1887

Print made by James McNeill Whistler, 1834–1903

The Fleet: Evening

1887

Print made by Thomas Hall, active early 19th century

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

1808

unknown artist

View of the Coronation Procession of George IV

ca. 1821

Studio of Sir John Soane, 1753–1837

Section of the Court of Common Pleas and the Robery Room

1823

Print made by Day & Co., 1824–1913

North side of the Star Chamber, Westminster

ca. 1845

Print made by unknown artist

Part of Westminster

ca. 1850

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

unknown artist

House of Commons Restored Giving Additional Sitting Room for 100 Members

ca. 1800

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Print made by Robert William Billings, 1813–1874

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by unknown artist

Part of the Front of the Vestibule

1843

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Attributed to John Carter, 1748–1817

View in Basement Story under House of Lords

between 1800 and 1807

Print made by Henry Melville, active 1826–1841

House of Commons, the Speaker Reprimanding a Person at the Bar

after 1850

Print made by unknown artist

Plate XXXIX: House of Commons as Fitted Up in 1835

ca. 1836

unknown artist

Exterior of Painted Chamber, North View

undated

Print made by unknown artist

Staircase at Southeast Angle, Painted Chamber, Westminster

1835

Attributed to John Carter, 1748–1817

Palace at Westminster

between 1800 and 1807

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXIX

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

George Birch, 1842–1904

Plan and View of Room under the Painted Chamber

1827

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

George Harley, 1791–1871

Ruins of Westminster Palace

1834

Print made by T. Kearnan, active 1821–1850

The House of Lords, as Restored after the Fire

1835

Attributed to John Carter, 1748–1817

Princes Chamber

between 1800 and 1807

George Birch, 1842–1904

View of Guy Fawkes' Tower

1827

Attributed to John Carter, 1748–1817

South Side of Princes Chamber West

between 1800 and 1807

Attributed to John Carter, 1748–1817

Door near Painted Chamber

between 1800 and 1807

Frederick Mackenzie, 1788–1854

Old Palace Yard

1809

Attributed to William Capon, 1757–1827

Elevation of Buildings Fronting Westminster Hall

1822

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Charles James Richardson, 1806–1871

Decoration between Windows of Parlor, No. 3 Old Palace Yard

1871

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

Charles James Richardson, 1806–1871

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

1871

Print made by unknown artist

Chance. The London Firemen's Dog

1834

Print made by unknown artist

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

undated

Print made by T. Kearnan, active 1821–1850

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827