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Period 19th century

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Subject Terms vines

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Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
William Turner of Oxford Shepherd Boy on a Hillside
William Turner of Oxford, 1789–1862
Shepherd Boy on a Hillside
ca. 1840
Not on view
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Edward Lear Turin, Italy
Edward Lear, 1812–1888
Turin, Italy
after 1872
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
unknown artist Carew Castle South Wales
unknown artist
Carew Castle South Wales
undated
Michel Jean Cazabon On the Cimaronero River
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
Michel Jean Cazabon Forest Scenery near Tamana
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
unknown artist Lake Maggiore
unknown artist
Lake Maggiore
ca. 1850
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
William Henry Hunt The Lecture House, Watford
William Henry Hunt, 1790–1864
The Lecture House, Watford
ca. 1820
John Linnell Netley Abbey
John Linnell, 1792–1882
Netley Abbey
1810
John Martin Adam and Eve
attributed to John Martin, 1789–1854
Adam and Eve
undated
Henry Morton Bodiam Castle
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Bradshaw & Blacklock Albanian Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
Samuel Cousins The Visionary
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Richard Parkes Bonington Ruines de Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
James Charles Armytage The Balcony
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
Louis Haghe Newstead Abbey, The Seat of the Late Lord Byron
Louis Haghe, 1806–1885
Newstead Abbey, The Seat of the Late Lord Byron
undated
Auguste Boulard A Difference of Opinion
Print made by Auguste Boulard, 1852–1927
A Difference of Opinion
1897
David Cox The Poplar Avenue, after Hobbema
David Cox, 1783–1859
The Poplar Avenue, after Hobbema
ca. 1835
Mary Darby Godesberg on the Rhine
Attributed to Mary Darby, active mid 19th century
Godesberg on the Rhine
1850
Richard Dadd Greek Woman of Asia Minor
Richard Dadd, 1817–1886
Greek Woman of Asia Minor
1880
Bradshaw & Blacklock Garden Flowers
Print made by Bradshaw & Blacklock, active ca.1850
Garden Flowers
after 1850
Bradshaw & Blacklock Garden Flowers
Print made by Bradshaw & Blacklock, active ca.1850
Garden Flowers
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815
Cottage at Diss
1811
Robert Dixon Remains of the Priory, Beeston Regis
Robert Dixon, 1780–1815
Remains of the Priory, Beeston Regis
1810
Edward Calvert The Bride
Print made by Edward Calvert, 1799–1883
The Bride
1828
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Edward Calvert The Ploughman
Print made by Edward Calvert, 1799–1883
The Ploughman
1827
Sir David Young Cameron The Abbazia, Venice
Print made by Sir David Young Cameron, 1865–1945
The Abbazia, Venice
1900
Charles Dyce Titlepage and thirteen sheets of ms. description for "Thoughts and Pencillings"
Charles Dyce, active 1848
Titlepage and thirteen sheets of ms. description for "Thoughts and Pencillings"
undated
John White Abbott Trees Overhanging a Lake
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807