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Period 19th century

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Subject Terms procession

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A Mountain Chieftain's Funeral
Creator:
Francis Danby, 1793–1861
Date:
ca. 1848
Materials & Techniques:
Oil on canvas
Dimensions:
14 × 21 3/4 inches (35.6 × 55.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”)
Creator:
John Constable, 1776–1837
Date:
1829 to 1831
Materials & Techniques:
Oil on canvas
Dimensions:
24 × 39 inches (61 × 99.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Corso Sant'Anastasia, Verona
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1828
Materials & Techniques:
Oil on millboard
Dimensions:
25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
Procession of Characters from Shakespeare's Plays
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Oil on board
Dimensions:
12 1/4 x 54 1/4 inches (31.1 x 137.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Costume of the Reign of King Henry III, 1250
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1814
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Venetian Fountain [North Italian Set: No. 7]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1894
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral Procession at Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cleopatra on the Cydnus to Meet Antony
Creator:
Alfred Edward Chalon, 1780–1860
Date:
ca. 1821
Materials & Techniques:
Brown ink with gray wash and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 14 3/8 inches (49.6 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Royal Procession
Creator:
George Augustus Sala, 1828–1895
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 9/16 × 10 5/8 inches (31.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
Isherah - Water Procession of the Image of Doorga Previous to Her Immersion at Sunset
Creator:
William Prinsep, active 1819–1850
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 12 1/16 inches (12.7 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Religious Procession
Creator:
David Cox, 1783–1859
Date:
between 1829 and 1832
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Temple, Hurdwar
Creator:
Print made by William Finden, 1787–1852
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
A Church Near Alicante
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 7/8 inches (11.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Festival of Al-Mohurram
Creator:
Print made by Francis William Topham, 1808–1877
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
Creator:
Upper print made by unknown artist
Date:
1862
Materials & Techniques:
Wood-engraving and letterpress with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
Devotees in India Sacrificing Themselves to the Idol Juggernaut
Creator:
Print made by T. Kelly, active ca. 1837
Date:
1837
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/2 inches (20.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

25. Calcutta

Calcutta
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
ca. 1845
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 10 1/4 inches (16.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

26. Pilgrims

Pilgrims
Creator:
Print made by John Luard, 1790–1875
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
No cover image available
Creator:
Print made by unknown artist
Date:
1867
Materials & Techniques:
Chromolithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas Kenny and Susan Phillips, In Memory of Richard Kressler and Leland Sweet
No cover image available
Creator:
Print made by unknown artist
Date:
1867
Materials & Techniques:
Chromolithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas Kenny and Susan Phillips, In Memory of Richard Kressler and Leland Sweet