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Period 19th century

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Edward Goodall Columbus and his Son
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
James H. Kernot Wolf's Hope
Print made by James H. Kernot, 1802–1858
Wolf's Hope
1836
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
Robert Smirke Oberon and Puck
Robert Smirke, 1752–1845
Oberon and Puck
1825
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1833
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
Robert Thew Shakespeare's Tempest Act IV Scene I. Prospero's Cell.
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
Florence Claxton L'Allegro
Florence Claxton, active 1855–1889
L'Allegro
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
Sir David Young Cameron John Hunter's Book Plate with Armorial Bearings and Mrs. Hunter's Book Plate with her Monogram
Print made by Sir David Young Cameron, 1865–1945
John Hunter's Book Plate with Armorial Bearings and Mrs. Hunter's Book Plate with her Monogram
1893
Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
George Cruikshank The Name on the Beams
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
George Cruikshank Jack Sheppard and Blueskin in Mr. Woods Bedroom
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
George Cruikshank Mrs. Sheppard Expostulating with her Son
Print made by George Cruikshank, 1792–1878
Mrs. Sheppard Expostulating with her Son
1839
George Cruikshank Audacity of Jack Sheppard
Print made by George Cruikshank, 1792–1878
Audacity of Jack Sheppard
1839
George Cruikshank Jack Sheppard Gets Drunk and Orders his Mother off
Print made by George Cruikshank, 1792–1878
Jack Sheppard Gets Drunk and Orders his Mother off
1839
George Cruikshank Jack Sheppard Exhibits a Vindictive Character
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church
Print made by George Cruikshank, 1792–1878
Jack Sheppard Committing the Robbery in Willesden Church
1839
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878
Jonathan Wild Discovers Darrell in the Loft
1835
George Cruikshank Mr. Wood Offers to Adopt Little Jack Sheppard
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
George Cruikshank The Murder on the Thames
Print made by George Cruikshank, 1792–1878
The Murder on the Thames
1839
George Cruikshank Jack Sheppard's Escape from the Cage at Willesden
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft
Print made by George Cruikshank, 1792–1878
Jack Sheppard Accuses Thames Darrell of the Theft
1839
George Cruikshank Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
unknown artist Grandpapa's Story or The Witches Frolick
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
Thomas Ryder Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.
Thomas Ryder, 1746–1810
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
Thomas Ryder Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc.
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
M. H. Long St. Herbert's Chapel
Print made by M. H. Long, active mid-19th century
St. Herbert's Chapel
1884
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
David Cox Pirate's Isle
David Cox, 1783–1859
Pirate's Isle
1826
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845
Olivia and Maria
1822
Thomas Rowlandson Dr. Syntax and his Counterpart
Thomas Rowlandson, 1756–1827
Dr. Syntax and his Counterpart
1820
Thomas A. Woolnoth Mrs. W. West as Cordelia
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Richard Dadd Sketch for the Passions: Pride
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated