Period: 19th century / Subject Terms: crowd - YCBA Collections Search Search Results

1. Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 62 × 92 inches (157.5 × 233.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Scenes from a steeplechase: Near the Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Angry Scene in a Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Grand Field Day at Chobham Camp

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Crucifixion

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 5/8 × 30 15/16 inches (54.9 × 78.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Costume of the Reign of King Henry III, 1250

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1814
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 5/16 × 8 9/16 inches (16.1 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Study of Christ Raising Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 3/4 × 10 9/16 inches (14.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Study of a Religious Ceremony Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Marcus Curtius

Creator:: John Martin, 1789–1854
Materials & Techniques:: Mezzotint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 1/4 inches (56.8 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Caen - Maison Grande Rue Saint-Pierre

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 11 1/2 x 8 3/4in. (29.3 x 22.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Creator:: Print made by John Franklin, c.1800–1868
Date:: ca. 1825
Materials & Techniques:: Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

17. Westminster Abbey, Hospital &c.

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on thick, slightly textured, cream card
Dimensions:: Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

18. St. Paul's from Ludgate Hill

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

19. Study for the Proclamation of Don Carlos

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1834 and 1838
Materials & Techniques:: Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. A Fireworks Display

Creator:: John Wilson Carmichael, 1799–1868
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Rialto

Creator:: William Callow, 1812–1908
Date:: 1846
Materials & Techniques:: Watercolor with pen in brown and black ink, with graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of Castle Cornet, Guernsey, Channel Islands, with Shipping

Creator:: John Thomas Serres, 1759–1825
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 26 1/4 inches (23.8 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Pharaoh and Moses

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1813
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 4 7/16 × 7 inches (11.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Study of a Military Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 4 15/16 inches (20.3 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Study for a Gathering of People

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 8 1/16 inches (25.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. View of Tonbridge During the Late Election, December 18, 1832

Creator:: Print made by Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Private View of the Royal Academy

Creator:: William Payne, active 1850s
Date:: 1858
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/8 inches (9.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Blessing of the Suez Canal, November 16, 1869

Creator:: William Simpson, 1823–1899
Date:: after 1869
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Dandies Having a Treat

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1818
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 15 11/16 inches (25.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Walls of Jericho

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. An Elderly Man Petitioning Christ

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Chelsea Pensioners Reading the Waterloo Dispatch

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1822
Materials & Techniques:: Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hypatia Teaching at Alexandria

Creator:: Robert Trewick Bone, 1790–1840
Date:: undated
Materials & Techniques:: Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Composition Study

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 4 3/8 inches (7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Banishment of Aristides

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Opening of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. And This Was Caesar

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching and stipple engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/16 x 8 1/16 inches (16 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Pandemonium

Creator:: Print made by John Martin, 1789–1854
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 3/4 inches (56.8 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1833
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

54. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Epsom

Creator:: unknown artist
Date:: 1896
Materials & Techniques:: Watercolor with graphite and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Horse Fair in East Anglia

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1899
Materials & Techniques:: Watercolor and gouache, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 x 20 5/8 inches (34.6 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

63. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

64. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

65. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

66. The St. Leger, Doncaster: The Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. An Awkward Post

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

68. The Dance

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Vicar Preaching to the Prisoners

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 x 17 15/16 inches (30.8 x 45.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Plymouth Dock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:: Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Elect

Creator:: Conrad Martin Metz, 1749–1827
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 25 7/8 inches (28.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

76. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. New Steine and Rock Gardens

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. George Fox and the Dead Cromwell

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1898
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

79. Dr. Syntax Soliloquising

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1812 and 1820
Materials & Techniques:: Watercolor, pen and gray ink, and graphite; verso: graphite, traced and incised for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 8 inches (12.4 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Being Pulled by a Crowd

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 3 1/4 inches (10.2 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

81. A Tub Thumper

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Lismahago's Retaliation

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 × 5 3/4 inches (23.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

84. A Strong Case for Shortening the Hours of Labour

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Show

Creator:: Print made by Rowney & Forster, active 1820–1822
Date:: after 1821
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/4 inches (22.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Death of the First Born of Egypt

Creator:: John Martin, 1789–1854
Date:: 1836
Materials & Techniques:: Pen and red and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 15/16 x 27 15/16 inches (50.6 x 70.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. View of Tonbridge During the Late Election

Creator:: Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Poor Little Rose

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/16 × 5 3/4 inches (20.4 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

89. Widow Performing Sati with the Burning Corpse of her Husband, Patna

Creator:: Unknown artist (Company style)
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 3/4 inches (40.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Jack Sheppard Accuses Thames Darrell of the Theft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

91. A Mariage Procession by Night, Patna

Creator:: Unknown artist (Company style)
Date:: between 1810 and 1840
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 3/4 inches (40 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

Creator:: Upper print made by unknown artist
Date:: 1862
Materials & Techniques:: Wood-engraving and letterpress with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

93. A Professional Storyteller at Kashgar

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood-engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 1/2 inches (21.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

94. A Market Place and Crowd

Creator:: George Chinnery, 1774–1852
Date:: between 1826 and 1852
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Conjurer with Pistol and Cards

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1826
Materials & Techniques:: Pen and brown ink, black ink, watercolor, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/16 × 7 5/8 inches (13.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Fainting Fit

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Watercolor, brown ink and graphite on medium, lightly textured, cream wove paper, mounted to medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/4 x 7 11/16in. (9.5 x 19.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Dover Pier

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1807
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 16 3/16 inches (31.2 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Dover Pier

Creator:: Joshua Cristall, 1768–1847
Date:: 1807
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 19 inches (31.4 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Dead Hare

Creator:: Andrew Geddes, 1783–1844
Date:: undated
Materials & Techniques:: Black chalk, verso: black chalk and stump on medium, slightly texuted, cream laid paper
Dimensions:: Sheet: 7 7/8 x 14 3/8in. (20 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Theater at Tien-Sin

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 19th century

Subject Terms crowd

Search Results

1. Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed

2. Scenes from a steeplechase: Near the Finish

3. Angry Scene in a Street

4. Grand Field Day at Chobham Camp

5. The Crucifixion

6. Costume of the Reign of King Henry III, 1250

7. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

8. Study of the Resurrection of Lazarus

9. Study of Christ Raising Lazarus

10. Study of the Resurrection of Lazarus

11. Study For, Christ's Entry into Jerusalem

12. Study of a Religious Ceremony Scene

13. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

14. Marcus Curtius

15. Caen - Maison Grande Rue Saint-Pierre

16. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

17. Westminster Abbey, Hospital &c.

18. St. Paul's from Ludgate Hill

19. Study for the Proclamation of Don Carlos

20. A Fireworks Display

21. The Rialto

22. View of Castle Cornet, Guernsey, Channel Islands, with Shipping

23. Pharaoh and Moses

24. Study of a Military Scene

25. Study For, Christ's Entry into Jerusalem

26. Study For, Christ's Entry into Jerusalem

27. Study for a Gathering of People

28. The Great Exhibition: Exterior View from the Southwest

29. Ferdinand Reunited with his Father

30. View of Tonbridge During the Late Election, December 18, 1832

31. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

32. Christopher Sly and the Page, as His Wife

33. Isabella and Mariana Kneeling Before the Duke

34. Private View of the Royal Academy

35. The Blessing of the Suez Canal, November 16, 1869

36. Study for The Wedding Feast of Sir Degrevaunt

37. Dandies Having a Treat

38. The Walls of Jericho

39. An Elderly Man Petitioning Christ

40. The Chelsea Pensioners Reading the Waterloo Dispatch

41. Hypatia Teaching at Alexandria

42. The Rescue of Lot

43. Composition Study

44. The Banishment of Aristides

45. Opening of the Liverpool and Manchester Railway

46. And This Was Caesar

47. Pandemonium

48. Christ Church College, Oxford

49. St. Catherine's Hill, near Guildford, Surrey

50. A Crowded Race Meeting

51. The Annual Sculling Race for Doggett's Coat and Badge

52. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

53. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

54. The North Country Mails at The Peacock Inn, Islington

55. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

56. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

57. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

58. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

59. The Ceremony of Opening London Bridge, August 1, 1831

60. Epsom

61. Horse Fair in East Anglia

62. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

63. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

64. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

65. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

66. The St. Leger, Doncaster: The Finish

67. An Awkward Post

68. The Dance

69. Doctor Syntax loses his Money on the Race Ground at York

70. The Welcome

71. The Departure from Wakefield

72. The Vicar Preaching to the Prisoners

73. Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.

74. Plymouth Dock