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Period 19th century

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Subject Terms cravats

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Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
Creator:
William Mulready, 1786–1863
Date:
1831
Materials & Techniques:
Oil on panel
Dimensions:
21 × 17 inches (53.3 × 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Spoiled Child, Scene III
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eight colour prints
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Justice
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Hamlet

Hamlet
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Grouse Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pheasant Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Partridge Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Snipe Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. David Cox

David Cox
Creator:
Print made by Samuel Bellin, 1799–1894
Date:
undated
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 1/2 x 16 9/16 inches (52 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.6 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (30.9 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 5/16 x 17 3/8 inches (31.2 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rivals: Extremes Meet
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 9/16 × 13 7/8 inches (24.3 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection