The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
202
unknown artist
The Race
ca. 1850
203
James Ward, 1769–1859
A Horseman in a Landscape
1814
204
unknown artist
Fish Market, Boulogne
undated
205
Samuel Francis Marryat, 1826–1855
Scene at the City of Bruni, Bornia
1848
206
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
207
Sir George Hayter, 1792–1871
Netting Deer in Richmond Park
undated
208
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
209
Print made by Remi Parr, 1743–after 1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
210
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
211
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
212
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
213
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
214
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
215
Thomas Collier, 1840–1891
Pentre Ddu Bridge, North Wales
1863
216
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
217
Charles Williams, active 1796–1830
Northern Bears Taught to Dance
1801
218
Charles Williams, active 1796–1830
A Meeting of Monopolizers, or the Good Effect of Peace
1801
219
Charles Williams, active 1796–1830
A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting
1802
220
Charles Bentley, 1806–1854
[Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832
1832
221
Richard Gilson Reeve, 1803–1889
Fox Hunters - Gone Away
1828
222
Richard Gilson Reeve, 1803–1889
Fox Hunters - In Full Cry
1828
223
Richard Gilson Reeve, 1803–1889
Fox Hunters - Throwing Off
1828
224
Richard Gilson Reeve, 1803–1889
Fox Hunters - The Death
1828
225
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
226
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
227
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
228
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
229
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
230
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
231
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
232
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard III
1825
233
Print made by Francesco Bartolozzi, 1728–1815
King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I
1800
234
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
235
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
236
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
237
unknown artist
Set of four: 2. Partridge Shooting
1801
238
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
239
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
240
unknown artist
Set of four: 4. Woodcock Shooting
1804
241
unknown artist
Set of four: 3. Pheasant Shooting
1801
242
Print made by Thomas Goff Lupton, 1791–1873
Warkworth Castle on the River Coquet
1823 to 1827
243
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
244
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
245
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
246
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
247
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
248
Print made by William Bernard Cooke, 1778–1855
Plymouth Sound
1823
249
William Leighton Leitch, 1804–1883
Castallemare
1836
250
Robert MacPherson, 1814–1872
Ponte Lucano and the Tomb of Plautii, Tivoli
1860s
251
John Leech, 1817–1864
A Jockey-Cart
undated
252
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
253
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
254
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
255
unknown artist
The Chinese Pagoda and Bridge in St. James's Park, (previous to the fire)
1814
256
unknown artist
View of the Bridge and Pagoda from the Canal, St. James's Park
1814
257
unknown artist
The Fortress (which inclosed the Grand Pavilion) in the Green Park, with the ascent of the Balloon
1814
258
unknown artist
The Jubilee Naval Action on the Serpentine in Commemoration of the Battle of the Nile
1814
259
unknown artist
The Grand Pavilion in the Green Park
1814
260
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
261
Print made by Sir Frank Short, 1857–1945
The Mildmay Sea-Piece
1886
262
John Ruskin, 1819–1900
The Great Square at Torcello
1850
263
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Seven Designs for a Stable
undated
264
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: East View
1826
265
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1815
266
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1823
267
Print made by James C. Allen, active 1821–1831
Aldborough
1819-1826
268
John Raphael Smith, 1752–1812
Edward Jenner, M.D. F.R.S. & c
1801
269
Print made by David Lucas, 1802–1881
Hadleigh Castle
1830 to 1832
270
Sir Hubert von Herkomer, 1849–1914
Alfred, Lord Tennyson
1879
271
Print made by Sir David Young Cameron, 1865–1945
Perth Bridge
1889
272
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
273
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802, published 1806
274
Print made by Samuel William Reynolds, 1773–1835
Dartmouth, on the River Dart
1823 to 1827
275
Print made by William Say, 1768–1834
Brougham Castle, near the Junction of the Rivers Eamont and Lowther
1825
276
Print made by Frederick Bromley, active 1856–1860
Sir Robert Chambers
1862
277
David Roberts, 1796–1864
The Tower of London
1864
278
Rev. James Bulwer, 1794–1879
Oare Church, Architectural Details
undated
279
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
280
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
281
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
282
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
283
John Buckler FSA, 1770–1851
North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
284
John Buckler FSA, 1770–1851
South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
285
Print made by John Doyle ('H.B.'), 1797–1868
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure