Period: 19th century / Width [cm]: 33 - YCBA Collections Search Search Results

Samuel Palmer, 1805–1881

Sketch from Nature in Sion Park

1819

Not on view

John Constable, 1776–1837

Study of a Cloudy Sky

ca. 1825

Not on view

Edward John Poynter, 1836–1919

Eliza Eastlake (née Bailey)

1864

Not on view

Robert Macaulay Stevenson, 1854–1952

`Reve de crepuscule'

between 1890 and 1895

Not on view

Attributed to John Sell Cotman, 1782–1842

Beach Scene

ca. 1820

Not on view

William Anderson, 1757–1837

Dutch Sailing Vessels

1814

Not on view

William Anderson, 1757–1837

A Wherry Taking Passengers out to Two Anchored Packets

1825

Not on view

James Pollard, 1792–1867

Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

1818

Not on view

James Ward, 1769–1859

An Overshot Mill

between 1802 and 1807

Not on view

Richard Parkes Bonington, 1802–1828

A Wooded Lane

ca. 1825

Not on view

John Linnell, 1792–1882

A Finished Study for 'Reaping'

1858

Not on view

Benjamin Gibson, 1811–1851

Portrait Bust of the Artist's Brother, the Sculptor John Gibson, R.A

1837 to 1838

Not on view

Sir Francis Leggatt Chantrey, 1781–1841

Alexander Knox

late 1820s

Not on view

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

John Constable, 1776–1837

A Bridge near Salisbury Court, Perhaps Milford Bridge

ca. 1829

John Constable, 1776–1837

Salisbury Plain from Old Sarum

1829

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

Print made by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

The Stork and Aqueduct

between 1813 and 1823

Edward Lear, 1812–1888

Calder Abbey, September 12. 1836

1836

Edward Lear, 1812–1888

A Ruined Tower House

1836

Edward Lear, 1812–1888

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear, 1812–1888

Gebel Sheikh Eredi

1867

Edward Lear, 1812–1888

Lorius Domicella / Black-capped Lorry (Plate 37)

1832

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

William Callow, 1812–1908

View of Paris from Charenton

1834

Albert Fleetwood Varley, 1804–1876

Swan Lake, Craven Hill, Bayswater

undated

Moses Griffith, 1747–1819

The Beautiful Vale and Mowddach River, Merionethshire

1805

George Howse, 1800–1860

Moat at the Tower of London

undated

William James Muller, 1812–1845

Pines on Hampstead Heath

1842

James Duffield Harding, 1798–1863

Lyons from Quayside on the Rhone

ca. 1824

Sir George Hayter, 1792–1871

The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water

1835

Sir George Hayter, 1792–1871

A Capriccio of Windsor Castle

1827

Samuel Howitt, 1756–1822

A Bulldog

after 1815

William Henry Hunt, 1790–1864

Aldenham Church

ca. 1817

William Henry Hunt, 1790–1864

Interior of the Belfry, Bushey Church

ca. 1822

George Pyne, 1800–1884

The Kitchen of an Oxford College

1858

Print made by William Say, 1768–1834

Love

c.1813

Print made by Samuel Cousins, 1801–1887

The Countess of Blessington

1837

Print made by Samuel Cousins, 1801–1887

Master Henry Thomas Hope

1836

Augustus Welby Northmore Pugin, 1812–1852

Designs for Gothic Ornamentation

undated

Edward Burne-Jones, 1833–1898

Studies for a Hand in The Godhead Fires

undated

unknown artist

Alpine Landscape with Figures and Bridge

undated

Alfred Henry Forrester, 1804–1872

The Guards and the Line

ca. 1851

Charles Hamilton Smith, 1776–1859

Views of Spain, Volume I

undated

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827-1838

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Charles Hamilton Smith, 1776–1859

Views of Polar Regions

undated

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

1803

Cornelius Varley, 1781–1873

Muckross Abbey, Killarney

1808

Alfred Gomersal Vickers, 1810–1837

Shipping off the Isle of Wight

undated

Thomas Shotter Boys, 1803–1874

The Pont des Arts, Paris

between 1831 and 1837

Print made by Giovanni Vendramini, 1769–1839

Sir John Thomas Duckworth, 1st Baronet of Topsham

1809

Edward Scriven, 1775–1841

George Colman, The Elder

1813

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Print made by Richard Parkes Bonington, 1802–1828

Campos sur les bords du Rio das Velhas

1827

Print made by Richard Parkes Bonington, 1802–1828

Lac de Killin

1826

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale de l'Eglise de l'Abbaye de Tournus

1825

unknown artist

King Henry VI, Second Part, Act 3, Scene 3

1801

John Henry Robinson, 1796–1871

The Mantilla

1838