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William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
Edward Lear Yewbarrow, Wastwater, 16 September 1836
Edward Lear, 1812–1888
Yewbarrow, Wastwater, 16 September 1836
1836
Edward Lear Brothers Water from Patterdale
Edward Lear, 1812–1888
Brothers Water from Patterdale
1836
Edward Lear Bassenthwaite
Edward Lear, 1812–1888
Bassenthwaite
1836
Edward Lear Crummock Water
Edward Lear, 1812–1888
Crummock Water
1836
Edward Lear Tollygunge, Calcutta
Edward Lear, 1812–1888
Tollygunge, Calcutta
undated
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear Salonica, from my Room Window, 11 Sept. 1848, after Sunset
Edward Lear, 1812–1888
Salonica, from my Room Window, 11 Sept. 1848, after Sunset
1848
Edward Lear Mt. Orfano
Edward Lear, 1812–1888
Mt. Orfano
1867
Edward Lear Kurayim
Edward Lear, 1812–1888
Kurayim
1867
Edward Lear Amada, 7:30 am, 12 February 1867 (423)
Edward Lear, 1812–1888
Amada, 7:30 am, 12 February 1867 (423)
1867
Edward Lear Dendour
Edward Lear, 1812–1888
Dendour
1867
Edward Lear River pass, between barren rock cliffs
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
Thomas Shotter Boys View at Swiss Cottage, London
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
Sir Francis Seymour Haden Out of Study Window
Sir Francis Seymour Haden, 1818–1910
Out of Study Window
1859
Sir Francis Seymour Haden Out of Study Window
Sir Francis Seymour Haden, 1818–1910
Out of Study Window
1859
Samuel Freeman Iris
Print made by Samuel Freeman, 1773–1857
Iris
1808
George Cruikshank Frontispiece: The Progress of a Midshipman
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
Thomas Shotter Boys Brussels from the Paris Road
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
Thomas Shotter Boys The Pont Neuf
Thomas Shotter Boys, 1803–1874
The Pont Neuf
undated
Frederick Bacon The Penitent
Print made by Frederick Bacon, 1803–1887
The Penitent
between 1842 and 1887