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1. Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
Creator:
Richard Ansdell, 1815–1885
Date:
before 1841
Materials & Techniques:
Oil on millboard
Dimensions:
Overall: 5 1/8 × 4 1/8 inches (13 × 10.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. From Antique Coins

From Antique Coins
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Caius Julius Cæsar

Caius Julius Cæsar
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Christening

A Christening
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Mrs. Mary Cawse

Mrs. Mary Cawse
Creator:
Alfred Edward Chalon, 1780–1860
Date:
1831
Materials & Techniques:
Watercolor and gouache on ivory mounted on card
Dimensions:
Frame: 5 x 4 1/4 x 1/8 inches (12.7 x 10.8 x 0.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Richmond Hill

Richmond Hill
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1826
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 16 7/16 inches (26.8 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof (c) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Cavalier and Maid in Spanish Costume

Cavalier and Maid in Spanish Costume
Creator:
George Augustus Sala, 1828–1895
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 4 3/8 inches (13.2 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

11. Bolton Abbey, Wharfdale

Bolton Abbey, Wharfdale
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1826
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Buckfastleigh Abbey, Devonshire

Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Vesuvius in Eruption

Vesuvius in Eruption
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/16 × 16 15/16 inches (28.4 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Malvolio abusing Maria, Fabian and Sir Toby

Malvolio abusing Maria, Fabian and Sir Toby
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Capulet Railing at his Daughter, Juliet

Capulet Railing at his Daughter, Juliet
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 x 4 1/2 inches (16.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Master William Page and Sir Hugh Evans

Master William Page and Sir Hugh Evans
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Falstaff at Herne's Oak

Falstaff at Herne's Oak
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Clerk's Well, Clerkenwell

The Clerk's Well, Clerkenwell
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 x 4 1/4in. (12.7 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Destruction of Job's Sons

The Destruction of Job's Sons
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Fire at Sea

Fire at Sea
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Mount: 11 3/16 × 15 1/4 inches (28.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Satan Going Forth from the Presence of the Lord

Satan Going Forth from the Presence of the Lord
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Girl at a Window

Girl at a Window
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 7/8 x 5 11/16 inches (20 x 14.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Ferdinand Reunited with his Father

Ferdinand Reunited with his Father
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Feste, as Sir Topas, addressing Malvolio

Feste, as Sir Topas, addressing Malvolio
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Christopher Sly and the Page, as His Wife

Christopher Sly and the Page, as His Wife
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Katherina and Grumio

Katherina and Grumio
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Study of Trees on the Banks of the Yare

Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with beige chine collé
Dimensions:
Sheet: 11 1/16 × 16 1/2 inches (28.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Chapel and Founder's Tomb, Charterhouse

The Chapel and Founder's Tomb, Charterhouse
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
between 1894 and 1910
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 8 3/8 inches (34.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

30. The Towers of Charterhouse, Godalming

The Towers of Charterhouse, Godalming
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
between 1894 and 1910
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 8 3/8 inches (34.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

31. Francis Chantrey

Francis Chantrey
Creator:
Print made by Thomas Fairland, 1804–1852
Date:
1841
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 5/16 x 12 inches (44 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Salome on Settle, The Conductor

Salome on Settle, The Conductor
Creator:
Aubrey Vincent Beardsley, 1872–1898
Date:
between 1892 and 1898
Materials & Techniques:
Pen and ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 4 3/8 in. (12.7 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

33. The Captain on Full Pay

The Captain on Full Pay
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A. More

A. More
Creator:
Print made by Robert Cooper, active ca. 1800–1836
Date:
1826
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 4 5/16 inches (14.4 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. "That aint him!"

"That aint him!"
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 5 11/16 inches (20.4 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

36. Pisces - Too Deep!

Pisces - Too Deep!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 11/16 × 4 5/16 inches (17 × 10.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

37. Shakspeare

Shakspeare
Materials & Techniques:
Line engraving on heavy wove paper
Dimensions:
Image: 5 1/8 x 4 3/16in. (13 x 10.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. William Shakespeare

William Shakespeare
Creator:
William Holl II, 1807–1871
Materials & Techniques:
Etching, line engraving and stipple engraving on wove paper
Dimensions:
Image: 5 1/8 x 4in. (13 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. The Sower

The Sower
Creator:
Alfred Stevens, 1817–1875
Date:
ca. 1860
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 4 1/8 inches (12.7 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Portrait of a Couple in Doorway

Portrait of a Couple in Doorway
Creator:
Calvert Richard Jones, 1802–1877
Date:
between 1845 and 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 × 4 1/2 inches (13 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Major General Sir Henry Havelock, K.C.B.

Major General Sir Henry Havelock, K.C.B.
Creator:
Print made by Edward William Stodart, 1841–1914
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 6 1/8 inches (24.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

42. Mill near Newbury

Mill near Newbury
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 4 3/8 inches (13 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection