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Period 19th century

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Work Type intaglio print

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Subject Terms cane

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William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
Robert Dixon Beeston Priory, Beeston Regis
Robert Dixon, 1780–1815
Beeston Priory, Beeston Regis
between 1810 and 1811
George Cruikshank Davy Jones
Print made by George Cruikshank, 1792–1878
Davy Jones
undated
George Cruikshank Untitled
Print made by George Cruikshank, 1792–1878
Untitled
undated
James Gillray A Cognocenti Contemplating ye Beauties of ye Antique
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
David Allan Sir William Worthy's Blessing
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
Samuel Bellin David Cox
Print made by Samuel Bellin, 1799–1894
David Cox
undated
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
David Allan Patie and Peggy
Print made by David Allan, 1744–1796
Patie and Peggy
1808
David Allan Sir William Worthy and Patie
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
David Allan Peggy and Patie
Print made by David Allan, 1744–1796
Peggy and Patie
1808
David Allan Jenny and Roger
Print made by David Allan, 1744–1796
Jenny and Roger
1808
David Allan Glaud and Peggy
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
Thomas Barber Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Frederick Bacon Thomas Bewick
Print made by Frederick Bacon, 1803–1887
Thomas Bewick
1852
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
George Clint Robert Haldane, Esq.
George Clint, 1770–1854
Robert Haldane, Esq
1805