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Period 19th century

Remove constraint Period: 19th century

Work Type drawing

Remove constraint Work Type: drawing

Associated People Shakespeare, William (1564–1616), playwright and poet

Remove constraint Associated People: Shakespeare, William (1564–1616), playwright and poet

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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
George Henry Harlow Hecate
George Henry Harlow, 1787–1819
Hecate
1815
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
J. Jacobs Shakespeare House, Aldersgate Street
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
George Fennell Robson The Murder of Banquo
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
Thomas Grieve Design for A Winter's Tale
Thomas Grieve, 1799–1882
Design for A Winter's Tale
undated
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
Richard Parkes Bonington Studies for Shylock
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
Robert Smirke Master William Page and Sir Hugh Evans
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Robert Smirke Launce with his Dog Crab
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Stephano and Trinculo with Caliban
Robert Smirke, 1752–1845
Stephano and Trinculo with Caliban
1821
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Bust of Shakespeare
Robert Smirke, 1752–1845
Bust of Shakespeare
1825
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
Robert Smirke Lady Mortimer's Welsh Song
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
Robert Smirke Oberon and Puck
Robert Smirke, 1752–1845
Oberon and Puck
1825
Sir John Everett Millais Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
Sir John Everett Millais, 1829–1896
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
1849
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
Benjamin Robert Haydon The Murder of Duncan - Study of Sleeping Grooms
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth Stabbing Duncan
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Daggers
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - The Sleeping Groom
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - The Sleeping Groom
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845
Prospero and Ariel
1821
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
Henry Thomas Alken A Character (? Macbeth) in Renaissance Dress...
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
unknown artist A Fashion in 1845
unknown artist
A Fashion in 1845
ca. 1845
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845
Olivia and Maria
1822
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
Richard Dadd Sketch for the Passions: Pride
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
Richard Cosway Timon of Athens Before His Cave
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
unknown artist Mr. Hughes House under Shakespeare's Cliff
unknown artist
Mr. Hughes House under Shakespeare's Cliff
undated