YCBA Collections Search
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- Hayley, William, 1745–1820[remove]48
- Blake, William, 1757–182719
- Vernor, & Hood, active 1795–180714
- Payne, Thomas, 1752–183113
- Johnson, Joseph, 1738–180910
- Romney, George, 1734–180210
- Watson, Caroline, 1760–181410
- Greig, John, active 1803–18539
- Storer, James Sargant, 1771–18539
- Cadell, Thomas, 1773–18367
- Flaxman, Mary A., 1786–18337
- Flaxman, John, 1755–18262
- Lawrence, Thomas, Sir, 1769–18302
- Meen, Margaret, active ca. 1775–18242
- Cooper, Robert, active ca. 1800–18361
- Cowper, William, 1731–18001
- Denman, Maria, active 1808–18611
- Haines, William, 1778–18481
- Hayley, Thomas Alphonso, 1780–18001
- Heins, John Theodore, 1697–17561
- more Creator »
Current results range from 1802 to 1823
- 19th century[remove]48
- 20th century1
Current results range from 12 to 29
- Unknown 24
Current results range from 9 to 23
- Unknown 27
- Romney, George, 1734–1802.2
- Artists -- Great Britain -- Biography.1
- Baring, Thomas, Sir -- Bookplate.1
- Baronneau, Mrs. -- Pres. insc. to Caroline Frances Byng, 1823.1
- Beckford, William, 1760–1844 -- Binding.1
- Byng, Caroline Frances -- Pres. insc. from Mrs. Baronneau, 1823.1
- Cowing, J.J. -- Bookbinder.1
- Duncan, I.S. -- Provenance, 1877.1
- Engraving -- Specimens -- 1809.1
- Grellies, Ann O. -- Pres. insc. from her mother, 1819.1
- Guy, Tom Ferrers -- Autograph.1
- Guy, Tom Ferrers -- Stamp.1
- Guy, William -- Presentation inscription from W. Haley.1
- Hayley, Thomas Alphonso, 1780–1800.1
- Hayley, William, 1745–1820 -- Presentation inscription to W. Guy.1
- Hayley, William, 1745–1820.1
- Mason, W. -- Printer.1
- Payne, T. -- Publisher.1
- Poets, English -- 18th century -- Biography.1
- Prown, Jules David -- Provenance.1
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- The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)7
- William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)2
- William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)2
- Color Printing in England, 1486-1870 (Yale Center for British Art, April 20, 1978-June 25, 1978)1