Period: 19th century / Associated Places: Europe / Width [cm]: 28

1. House in Woodbridge, Suffolk

Creator:: Thomas Churchyard, 1798–1865
Date:: 1859
Materials & Techniques:: Oil on panel
Dimensions:: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

Creator:: Sir John Lavery, 1856–1941
Date:: 1890
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/4 × 7 3/4 inches (40 × 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Valley of Dolwyddelan

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, black chalk, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 1/8 inches (19.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Study of Fish, Venice

Creator:: Myles Birket Foster, 1825–1899
Date:: 1874
Materials & Techniques:: Watercolor and gouache over graphite on card on thick, moderately textured, card
Dimensions:: Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Pass-Room Bridewell

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

12. On the Banks of the Thames

Creator:: Arthur Evershed, 1836–1919
Date:: 1876
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/16 x 10 13/16 inches (17.9 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

13. Fulham on the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1858
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 16 7/8 inches (29.9 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

14. Fulham on the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 9 3/16 x 15 1/16 inches (23.3 x 38.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

15. Sunset in Ireland

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 8 x 10 13/16 inches (20.3 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

16. Wareham Bridge

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 x 10 7/8 inches (20.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

17. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

18. Netley Abbey

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 x 10 13/16in. (17.9 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Cavern on the South Sands, Tenby

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 1/8 inches (21.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 1/16 x 10 15/16 inches (15.4 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

21. Fulham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1858
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 11 9/16 inches (14 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22. The Lark at Heaven's Gate Sings

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 5 13/16 x 11 5/8 inches (14.7 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

23. The Lark at Heaven's Gate Sings

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 12 1/8 inches (14.9 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

24. The Lark at Heaven's Gate Sings

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 15/16 x 12 15/16 inches (17.6 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

25. The Lark at Heaven's Gate Sings

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 13 3/16 inches (21 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

26. The Lark at Heaven's Gate Sings

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 x 16 3/16 inches (27.9 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

27. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 15 5/8 inches (30.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

28. Sunset in Ireland

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

29. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 5 7/8 x 11 1/8 inches (14.9 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

30. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 11 1/4 inches (14.5 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

31. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Barmouth, Merionethshire

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Aquatint with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 15/16 inches (26.8 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

34. Llanerchydol Hall, Wales

Creator:: Robert Streatfeild, 1786–1852
Date:: undated
Materials & Techniques:: Watercolor on medium, smooth, white wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Scarborough

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Garden Stair, Haddon Hall

Creator:: William Callow, 1812–1908
Date:: 1849
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1815
Materials & Techniques:: Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

Creator:: after Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Cascades de Thiers, Auvergne

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 17 7/8 x 13 11/16 inches (45.4 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, smooth, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Mutton Cove, Plymouth

Creator:: Thomas Sewell Robins, 1814–1880
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

51. The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The North Prospect of the Cathedral Church of St. Mary at Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

Creator:: Charles Claude Pyne, 1802–1878
Date:: 1872
Materials & Techniques:: Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Interior of a Rom in Samlesbury Hall; Lancashire

Creator:: John Buckler FSA, 1770–1851
Date:: 1814
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. View of the Old Corn Market and Tuns Inn, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 15 1/8 inches (29.7 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and line engraving, with graphite, white chalk, and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/16 inches (20.5 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Havre

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "The National Sports of Great Britain," 1821: Owling

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Newstead Abbey, The Seat of the Late Lord Byron

Creator:: Louis Haghe, 1806–1885
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View of the Front of the New Public Buildings, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Dundry Tower, Leigh Wood, Hotwell House, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 3/8 x 12 5/16 inches (26.3 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

69. The Sea Walls, from the Leigh Wood Quarry, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

70. Rainy Day at Cookham

Creator:: Print made by Ernest Stamp, 1869–1942
Date:: 1894
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Image: 4 3/4 × 10 inches (12.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

71. Fishing Boats at Hastings

Creator:: Print made by James Dobie, 1849–1911
Date:: 1882
Materials & Techniques:: Etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

72. Hastings Castle

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 × 11 inches (22.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Bologna, View in the Strada Maggiore

Creator:: John Augustus Atkinson, 1775–1831
Date:: 1819
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 1/8 inches (21.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Stream with Trees and Cattle near Bromley Hill, Kent

Creator:: Henry Edridge, 1769–1821
Date:: 1807
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Two Fishing Boats at Brighton Beach

Creator:: Attributed to Agostino Aglio the elder, 1777–1857
Date:: 1819
Materials & Techniques:: Black chalk and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 10 7/8 inches (13.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Canal at Shenstone's, The Leasowes

Creator:: William Ellis, 1747–1810
Date:: 1806
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightlhy textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 11 1/8 inches (16.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Associated Places Europe

Width [cm] 28

Search Results

1. House in Woodbridge, Suffolk

2. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

3. An Ancient Barn at Shoreham

4. The Valley of Dolwyddelan

5. The Manse, Cults, Fife: The Artist's Old Home

6. St. Germain-en-Laye

7. Study of Fish, Venice

8. Left Bank, Meuse

9. Left Bank, Meuse

10. Meuse and Sambre, from the Gate of the Sambre

11. Pass-Room Bridewell

12. On the Banks of the Thames

13. Fulham on the Thames

14. Fulham on the Thames

15. Sunset in Ireland

16. Wareham Bridge

17. L'Eglise de St. Gervais et St. Protais

18. Netley Abbey

19. A Cavern on the South Sands, Tenby

20. Mytton Hall

21. Fulham

22. The Lark at Heaven's Gate Sings

23. The Lark at Heaven's Gate Sings

24. The Lark at Heaven's Gate Sings

25. The Lark at Heaven's Gate Sings

26. The Lark at Heaven's Gate Sings

27. A Byroad in Tipperary

28. Sunset in Ireland

29. Mytton Hall

30. A Byroad in Tipperary

31. Column at Yarmouth to the Memory of Lord Nelson

32. Thornbury Castle, Gloucestershire

33. Barmouth, Merionethshire

34. Llanerchydol Hall, Wales

35. Scarborough

36. Coombe-Martin, Devonshire

37. A View of Core's Library, Dawlish, Devon

38. Garden Stair, Haddon Hall

39. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

40. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

41. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

42. Ruines de Château d'Arlay

43. Le Repos

44. Cascades de Thiers, Auvergne

45. Lulworth Cove, Dorset

46. Dartmouth, Devon

47. Mutton Cove, Plymouth

48. The Manse, Cults, Fife: The Artist's Old Home

49. The Manse, Cults, Fife: The Artist's Old Home

50. Harfleur

51. The Watermill Above the Bridge at Charenton

52. The North Prospect of the Cathedral Church of St. Mary at Worcester

53. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

54. The Water Mill above the Bridge at Charenton

55. Blois

56. Interior of a Rom in Samlesbury Hall; Lancashire

57. On the Banks of the Marne below the Bridge at Charenton

58. On the Banks of the Marne below the Bridge at Charenton

59. View of the Old Corn Market and Tuns Inn, Guildford

60. St. Germains

61. Coteaux de Mauves

62. Havre

63. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

64. "The National Sports of Great Britain," 1821: Owling

65. Newstead Abbey, The Seat of the Late Lord Byron

66. Fingal's Cave, Staffa

67. View of the Front of the New Public Buildings, Guildford

68. Dundry Tower, Leigh Wood, Hotwell House, Clifton

69. The Sea Walls, from the Leigh Wood Quarry, Clifton

70. Rainy Day at Cookham

71. Fishing Boats at Hastings

72. Hastings Castle

73. Bologna, View in the Strada Maggiore