<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

1. A Harbor Scene in the Isle of Wight, Looking Towards the Needles

A Harbor Scene in the Isle of Wight, Looking Towards the Needles
Creator:
George Vincent, 1796–1832
Date:
1824
Materials & Techniques:
Oil on panel
Dimensions:
15 3/8 x 22 inches (39.1 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Lynmouth Harbor and Grattan Hill-Devon

Lynmouth Harbor and Grattan Hill-Devon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, over graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 18 1/8 × 21 15/16 inches (46 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Simmer Lake, near Askrig

Simmer Lake, near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and line engraving; finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. View of Valetta, Malta

View of Valetta, Malta
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Longships Lighthouse, Lands End

Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Etching and line engraving; 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Falmouth

Falmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828 to 1856
Materials & Techniques:
Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:
Sheet: 14 × 22 inches (35.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828 to 1856
Materials & Techniques:
Mezzotint; artist's proof on moderately thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:
Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Grand Canal, Venice

The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

12. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Great Britain Iron Steam Ship

The Great Britain Iron Steam Ship
Creator:
Thomas Picken, 1815–1870
Date:
1846
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 21 7/8 inches (39.7 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

15. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/4 × 22 13/16 inches (32.4 × 57.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Bell Rock Lighthouse

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1862
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Shipwreck

No cover image available
Creator:
Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:
1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Straits of Dover

No cover image available
Creator:
Print made by William Chapman, 1817–1879
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection