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Period 18th century

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unknown artist John Locke
unknown artist
John Locke
ca. 1750
Not on view
unknown artist John Locke
unknown artist
John Locke
ca. 1775
Not on view
William Hackwood King George III
Modeled by William Hackwood, died 1836
King George III
ca. 1776
Not on view
unknown artist Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
unknown artist
Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
18th century
Not on view
Staffordshire pottery Bust of the Reverend John Wesley: in clerical collar and black robes
Staffordshire pottery
Bust of the Reverend John Wesley: in clerical collar and black robes
ca. 1791
Not on view
Staffordshire pottery Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar
Staffordshire pottery
Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar
ca. 1770
Not on view
unknown artist A Setter: Standing
unknown artist
A Setter: Standing
ca. 1775
Not on view
Josiah Wedgwood Sir Charles Linnaeus
Josiah Wedgwood, 1730–1795
Sir Charles Linnaeus
undated
Not on view
William Hackwood Queen Charlotte
Modeled by William Hackwood, died 1836
Queen Charlotte
ca. 1776
Not on view
unknown artist Father Time
unknown artist
Father Time
ca. 1790
Not on view
John Cheere Mr. Punch
John Cheere, 1709–1787
Mr. Punch
ca. 1760
Not on view
John Cheere Samson Slaying a Philistine
John Cheere, 1709–1787
Samson Slaying a Philistine
between 1740 and 1770
Not on view
William Hogarth Frontispiece and its Explanation (no.1)
William Hogarth, 1697–1764
Frontispiece and its Explanation (no.1)
1726
William Hogarth Hudibras's First Adventure (no.3)
William Hogarth, 1697–1764
Hudibras's First Adventure (no.3)
William Hogarth Hudibras Sallying Forth (no.2)
William Hogarth, 1697–1764
Hudibras Sallying Forth (no.2)
William Hogarth Hudibras in Tribulation (no.6)
William Hogarth, 1697–1764
Hudibras in Tribulation (no.6)
William Hogarth Hudibras Vanquish'd by Trulla (no.5)
William Hogarth, 1697–1764
Hudibras Vanquish'd by Trulla (no.5)
William Hogarth Hudibras Triumphant (no.4)
William Hogarth, 1697–1764
Hudibras Triumphant (no.4)
William Hogarth Hudibras Catechiz'd (no.9)
William Hogarth, 1697–1764
Hudibras Catechiz'd (no.9)
William Hogarth Burning ye Rumps at Temple-Barr (no.11)
William Hogarth, 1697–1764
Burning ye Rumps at Temple-Barr (no.11)
William Hogarth Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth, 1697–1764
Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth Hudibras Encounters the Skimmington (no.12)
William Hogarth, 1697–1764
Hudibras Encounters the Skimmington (no.12)
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth Pit Ticket
William Hogarth, 1697–1764
Pit Ticket
1759
William Hogarth Simon, Lord Lovat
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth The Distressed Poet
William Hogarth, 1697–1764
The Distressed Poet
1740
William Hogarth Beer Street
William Hogarth, 1697–1764
Beer Street
1751
William Hogarth Paul before Felix
William Hogarth, 1697–1764
Paul before Felix
William Hogarth Mr. Garrick in the Character of Richard III
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Original Wrapper to The Book of Thel
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake There is No Natural Religion
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Blake Beggar's Opera, Act III
Print made by William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake May-Day in London
Print made by William Blake, 1757–1827
May-Day in London
1784
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
Henry Kingsbury The Beggar and his Dog
Henry Kingsbury, active 1750–1780
The Beggar and his Dog
Isaac Basire Cherokee Delegation to England
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
Pierre Charles Canot Near Plymouth with the Ordinance Wharfe...
Pierre Charles Canot, ca. 1710–1777
Near Plymouth with the Ordinance Wharfe..
1756
unknown artist Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
unknown artist
Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
undated
Samuel Buck The Southwest view of Hertsmonceux Castle in the County of Sussex
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
Hamlet Winstanley Sketchbook containing 81 drawings and 2 engravings of self-portraits
Hamlet Winstanley, 1698–1756
Sketchbook containing 81 drawings and 2 engravings of self-portraits
1715 to 1720
James Heath Rachamah
James Heath, 1757–1834
Rachamah
1790
James Heath Sheregrig
James Heath, 1757–1834
Sheregrig
1789
James Heath Abou Hannes
James Heath, 1757–1834
Abou Hannes
1789
James Heath Canja Undersail
James Heath, 1757–1834
Canja Undersail
1789
James Heath Painting in Fresco in the Sepulchres of Thebes
James Heath, 1757–1834
Painting in Fresco in the Sepulchres of Thebes
1789
James Heath Arab of Loheia, Tribe Beni Koreish
James Heath, 1757–1834
Arab of Loheia, Tribe Beni Koreish
1789
James Heath Painting in the Sepulchres of Thebes
James Heath, 1757–1834
Painting in the Sepulchres of Thebes
1789
James Heath Section of the Canja
James Heath, 1757–1834
Section of the Canja
1789
James Heath Arab Shekh, Tribe Beni Koreish
James Heath, 1757–1834
Arab Shekh, Tribe Beni Koreish
1789
James Heath No. 1 - A Table of Hieroglyphics found at Axum
James Heath, 1757–1834
No. 1 - A Table of Hieroglyphics found at Axum
1771-1789
James Heath Statue of a Man
James Heath, 1757–1834
Statue of a Man
ca. 1804
James Heath No. 2 A Table of Heiroglyphics found at Axum
James Heath, 1757–1834
No. 2 A Table of Heiroglyphics found at Axum
1771-1789
James Heath Mikeas
James Heath, 1757–1834
Mikeas
1789
James Heath Obelisk at Axum
James Heath, 1757–1834
Obelisk at Axum
1789
Luigi Balugani Paesto 2nd period
Luigi Balugani, 1737–1770
Paesto 2nd period
Archibald Robertson No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
1796
Archibald Robertson No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
1769