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Period 18th century

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Lydia Bates Coastal Scene
Print made by Lydia Bates, active 1784
Coastal Scene
1784
Lydia Bates Little Missenden Church from the Southeast
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
Lydia Bates Landscape with Classical Ruins
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
Lydia Bates Literary Characters Assembled around the Medallion of Shakespeare
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
unknown artist An Orchestra Rehearsing
unknown artist
An Orchestra Rehearsing
undated
unknown artist St. John's Gate formerly Caelmontana, The Entrance from the Antient latin Causeway
unknown artist
St. John's Gate formerly Caelmontana, The Entrance from the Antient latin Causeway
unknown artist A Perspective View of the Quirinal or Palace of the Pope, on Mount Cavalle at Rome
unknown artist
A Perspective View of the Quirinal or Palace of the Pope, on Mount Cavalle at Rome
unknown artist A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time.
unknown artist
A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time
unknown artist A Perspective View of the Church and Hospital of the Holy Ghost at Rome
unknown artist
A Perspective View of the Church and Hospital of the Holy Ghost at Rome
unknown artist A Perspective View of St. Martins Church also the Arch of Neptimius Severus at Rome.
unknown artist
A Perspective View of St. Martins Church also the Arch of Neptimius Severus at Rome
unknown artist A Perspective View of the Seat of Belevedere in Vaticano near Rome
unknown artist
A Perspective View of the Seat of Belevedere in Vaticano near Rome
John Bacon Allegorical Female Figure: holding a flaming torch
John Bacon, 1740–1799
Allegorical Female Figure: holding a flaming torch
undated
Robert Dighton A Lesson Westward, or, A Morning Visit to Betsy Cole
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
unknown artist Robin Hood and Clarinda hunting deer in a wooded landscape
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
Isaac Weld View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
between 1795 and 1797
Jacob Hogg John Howard, Esq. Visiting and Relieving the Miseries of a Prison
Print made by Jacob Hogg, active 1751
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
1790
Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
Thomas Vivares View from Nature
Thomas Vivares, c.1735–c.1790
View from Nature
George Edwards The Cock Sparrow
George Edwards, 1694–1773
The Cock Sparrow
undated
unknown artist Gloucester Cathedral
unknown artist
Gloucester Cathedral
ca. 1795
Sir Joshua Reynolds Hooded Man Reading
Sir Joshua Reynolds, 1723–1792
Hooded Man Reading
undated
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Sir Joshua Reynolds Woman Walking
Sir Joshua Reynolds, 1723–1792
Woman Walking
undated
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
Sir Joshua Reynolds Standing Man Gesturing
Sir Joshua Reynolds, 1723–1792
Standing Man Gesturing
undated
Sir Joshua Reynolds Standing Woman with Folded Hands
Sir Joshua Reynolds, 1723–1792
Standing Woman with Folded Hands
undated
Sir Joshua Reynolds Two Figures Seated
Sir Joshua Reynolds, 1723–1792
Two Figures Seated
undated
Sir Joshua Reynolds Seated Man
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
Sir Joshua Reynolds Seated Man at Table
Sir Joshua Reynolds, 1723–1792
Seated Man at Table
undated
Sir Joshua Reynolds Man and Horse
Sir Joshua Reynolds, 1723–1792
Man and Horse
undated
Sir Joshua Reynolds Man with Raised Hand
Sir Joshua Reynolds, 1723–1792
Man with Raised Hand
undated
Sir Joshua Reynolds Hooded Figure Seated
Sir Joshua Reynolds, 1723–1792
Hooded Figure Seated
undated
Sir Joshua Reynolds Two Men Seated
Sir Joshua Reynolds, 1723–1792
Two Men Seated
undated
Sir Joshua Reynolds Seated Man
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
Sir Joshua Reynolds Woman and Child, Woman Alone
Sir Joshua Reynolds, 1723–1792
Woman and Child, Woman Alone
undated
Sir Joshua Reynolds Man at Table, Woman at Table
Sir Joshua Reynolds, 1723–1792
Man at Table, Woman at Table
undated
Sir Joshua Reynolds Ten Figures at Table
Sir Joshua Reynolds, 1723–1792
Ten Figures at Table
undated
Sir Joshua Reynolds Two Sketches of a Woman and Infant
Sir Joshua Reynolds, 1723–1792
Two Sketches of a Woman and Infant
undated
Sir Joshua Reynolds Man and Two Women
Sir Joshua Reynolds, 1723–1792
Man and Two Women
undated
Sir Joshua Reynolds Standing Figure
Sir Joshua Reynolds, 1723–1792
Standing Figure
undated
Sir Joshua Reynolds Knight 'Titian'
Sir Joshua Reynolds, 1723–1792
Knight 'Titian'
undated
Sir Joshua Reynolds Two Sketches of Man
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
Sir Joshua Reynolds Woman in Long Dress
Sir Joshua Reynolds, 1723–1792
Woman in Long Dress
undated
Sir Joshua Reynolds Woman Surrounded by Children
Sir Joshua Reynolds, 1723–1792
Woman Surrounded by Children
undated
Sir Joshua Reynolds Woman and Infant
Sir Joshua Reynolds, 1723–1792
Woman and Infant
undated
Sir Joshua Reynolds Figure
Sir Joshua Reynolds, 1723–1792
Figure
undated
John Greenwood Various Shipping off the Coast
John Greenwood, 1727–1792
Various Shipping off the Coast
undated
Sir Joshua Reynolds Woman Holding Dog
Sir Joshua Reynolds, 1723–1792
Woman Holding Dog
undated
Charles Phillips The Assassin
Charles Phillips, 1737– after 1783
The Assassin
Jacques Christophe Le Blon Alexander Pope, Poet 1744
Jacques Christophe Le Blon, 1667–1741
Alexander Pope, Poet 1744
1744
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
Dirk Langendyck British Troops Disembarking
Dirk Langendyck, 1748–1805
British Troops Disembarking
1799
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin Position de la Garde en Quarte, et le Coup de Quarte Basse
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Cinquieme Position du Salut
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade de Seconde sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
James Gwin De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Du Coupé sur Pointe de Quarte en Quarte sur les Armes
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
John Bowles Untitled
John Bowles, 1701–1779
Untitled
Anker Smith Goldsmith's "Deserted Village"
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
Sarah Stone A Red Parrot
Sarah Stone, ca. 1760–1844
A Red Parrot
1786
John Jones The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...
John Jones, ca. 1745–1797
The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..
1791
Daniel Lerpiniere A Hunting Piece in the Hunting Hall at Houghton
Daniel Lerpiniere, c.1745–1785
A Hunting Piece in the Hunting Hall at Houghton
1778
Richard Earlom Embassy of Hyderbeck to Calcutta
Richard Earlom, 1743–1822
Embassy of Hyderbeck to Calcutta
1800
George Morland Childish Amusement
George Morland, 1763–1804
Childish Amusement
1789
George Morland St. James Park
George Morland, 1763–1804
St. James Park
1790
L. Truchy Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
Pierre Charles Canot 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
Pierre Charles Canot 1. Going Out / Depart de Chasse
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
Robert Sheppard The Stag taking Soil
Robert Sheppard, active 1730–1740
The Stag taking Soil
undated
Pierre Charles Canot 6. The Death of the Fox / Mort du Renard
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
John Robert Cozens The City of Bath taken from the London Road
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
George Morland Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.
George Morland, 1763–1804
Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc
1791-1795
unknown artist Tea Room at Wentworth Woodhouse, Yorkshire
unknown artist
Tea Room at Wentworth Woodhouse, Yorkshire
undated
George Morland Set of Five: Five studies of Peddlers
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
George Morland Set of Four: Boys Skating
George Morland, 1763–1804
Set of Four: Boys Skating
1790
William Ward Domestic Happiness
William Ward, 1766–1826
Domestic Happiness
1787
George Morland A Tea Garden
George Morland, 1763–1804
A Tea Garden
1790
George Morland The First of September - Evening
George Morland, 1763–1804
The First of September - Evening
1796
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735