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Period 18th century

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William Dickinson Children Playing
Print made by William Dickinson, 1746–1823
Children Playing
1774
James McArdell Boy Spinning Top
Print made by James McArdell, ca. 1729–1765
Boy Spinning Top
1756
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin [One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
Sir David Young Cameron A Venetian Convent
Print made by Sir David Young Cameron, 1865–1945
A Venetian Convent
1895
Paul Sandby Views in the Levant: The Port of Aegina
Paul Sandby, 1731–1809
Views in the Levant: The Port of Aegina
ca. 1780
Paul Sandby Views in the Levant: Entrance of the Acropolis at Athens
Paul Sandby, 1731–1809
Views in the Levant: Entrance of the Acropolis at Athens
ca. 1780
Luigi Balugani Crab
Luigi Balugani, 1737–1770
Crab
undated
Rev. William Gilpin The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
undated
Rev. William Gilpin The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
undated
Rev. William Gilpin The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
undated
Rev. William Gilpin The evening glow now pervades the Landscape strongly (Design for Plate 24)
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
undated
Rev. William Gilpin The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
undated
Rev. William Gilpin Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
Jonathan Hall The Right Honorable Edward, Lord Hawke
Jonathan Hall
The Right Honorable Edward, Lord Hawke
1795
Rev. William Gilpin The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
Rev. William Gilpin, 1724–1804
The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
undated
Rev. William Gilpin The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
undated
Rev. William Gilpin The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
undated
Rev. William Gilpin The evening glow now pervades the Landscape strongly (Design for Plate 25)
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
Rev. William Gilpin The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated
Rev. William Gilpin The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
Rev. William Gilpin A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
James Bretherton Dancing Bear with Its Keeper, Piper, and Audience of One
James Bretherton, ca. 1730–1806
Dancing Bear with Its Keeper, Piper, and Audience of One
1774
Simon Watts The little Hunchback dining with the Taylor, is choak'd with a Fish Bone
Simon Watts, active 1812
The little Hunchback dining with the Taylor, is choak'd with a Fish Bone
1787
Rev. William Gilpin As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
William Nutter Saturday Evening, the Husbandman's Return From Labour
William Nutter, 1754–1802
Saturday Evening, the Husbandman's Return From Labour
1795
Rev. William Gilpin The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
Rev. William Gilpin Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
Rev. William Gilpin The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
undated
William Dickinson The Deserter
William Dickinson, 1746–1823
The Deserter
1784
James Barry The Fall of Satan
James Barry, 1741–1806
The Fall of Satan
1777
Paul Sandby Miletus
Paul Sandby, 1731–1809
Miletus
1780
William Pritchard [Shooting]: A View of his Grace the Duke of Kingston's House at Thoresby
Print made by William Pritchard, born ca. 1707
[Shooting]: A View of his Grace the Duke of Kingston's House at Thoresby
undated
John Dean Mercury
Print made by John Dean, 1754–1798
Mercury
1777
John Dean The Schoolboy
Print made by John Dean, 1754–1798
The Schoolboy
1777
Jacob Gole Nicolaus Boileau Despreaux
Print made by Jacob Gole, 1660–1737
Nicolaus Boileau Despreaux
1704
Valentine Green Countess of Aylesford
Print made by Valentine Green, 1739–1813
Countess of Aylesford
1783
John Lodge A View of the House of Peers
Print made by John Lodge, active 1774–1796
A View of the House of Peers
1769
George Townly Stubbs Horses Fighting
George Townly Stubbs, 1748–1815
Horses Fighting
1788
George Townly Stubbs 'Mambrino'
George Townly Stubbs, 1748–1815
'Mambrino'
1794
George Townly Stubbs Stallion and Mare
George Townly Stubbs, 1748–1815
Stallion and Mare
1776
George Townly Stubbs The Lion and Stag
George Townly Stubbs, 1748–1815
The Lion and Stag
1770
George Townly Stubbs Horses Fighting
George Townly Stubbs, 1748–1815
Horses Fighting
1788
Charles Howard Hodges Mambrino
Charles Howard Hodges, 1764–1837
Mambrino
1788
George Townly Stubbs The Horse and Lion
George Townly Stubbs, 1748–1815
The Horse and Lion
1770
John Murphy A Tiger
John Murphy, ca. 1748–1820
A Tiger
1798
Benjamin Green Brood-Mares
Benjamin Green, ca. 1736–ca. 1800
Brood-Mares
1768
George Townly Stubbs Brown Horse Mask
George Townly Stubbs, 1748–1815
Brown Horse Mask
1773
William Pether A Farrier's Shop
Print made by William Pether, ca. 1738–1821
A Farrier's Shop
1771
John Laguerre From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
John Laguerre, 1688–1746
From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
ca. 1730
John Laguerre From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
John Laguerre, 1688–1746
From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
ca. 1730
John Laguerre From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
John Laguerre, 1688–1746
From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
ca. 1730
John Laguerre From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
John Laguerre, 1688–1746
From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
ca. 1730
John Laguerre From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
John Laguerre, 1688–1746
From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
ca. 1730
John Laguerre From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
John Laguerre, 1688–1746
From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
ca. 1730
John Laguerre From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
John Laguerre, 1688–1746
From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'
ca. 1730
James McArdell Maria, Countess Waldegrave
Print made by James McArdell, ca. 1729–1765
Maria, Countess Waldegrave
undated
John Dean Master Wynn in the Character of St. John
Print made by John Dean, 1754–1798
Master Wynn in the Character of St. John
1776
John Dean Cupid in the Character of a Link Boy
Print made by John Dean, 1754–1798
Cupid in the Character of a Link Boy
1777
Valentine Green Anne Luttrell Duchess of Cumberland
Print made by Valentine Green, 1739–1813
Anne Luttrell Duchess of Cumberland
1783
Valentine Green David Garrick with a Bust of Shakespeare
Print made by Valentine Green, 1739–1813
David Garrick with a Bust of Shakespeare
1769
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
Thomas Rowlandson Set of sixteen: Outlines of Figures and Landscapes
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
George Smith Rural Scene, Chichester
George Smith, 1714–1776
Rural Scene, Chichester
William Dickinson Mary Robinson
Print made by William Dickinson, 1746–1823
Mary Robinson
1785
Valentine Green Countess of Salisbury
Print made by Valentine Green, 1739–1813
Countess of Salisbury
1781
Thomas Watson Georgiana Lady Viscountess Spencer
Print made by Thomas Watson, 1743–1781
Georgiana Lady Viscountess Spencer
1772
Thomas Park Miss Penelope Boothby
Print made by Thomas Park, ca. 1760–1834
Miss Penelope Boothby
1789
James Watson Barbara, Countess of Coventry
Print made by James Watson, 1740–1790
Barbara, Countess of Coventry
between 1765 and 1780
Valentine Green Charles William Henry Scott, Earl of Dalkeith
Print made by Valentine Green, 1739–1813
Charles William Henry Scott, Earl of Dalkeith
1778
James McArdell Lady Ann Dawson as "Diana"
Print made by James McArdell, ca. 1729–1765
Lady Ann Dawson as "Diana"
1754
John Dean Lady Gertrude Fitzpatrick as Collina
Print made by John Dean, 1754–1798
Lady Gertrude Fitzpatrick as Collina
1780
William Dickinson Jane, Duchess of Gordon
Print made by William Dickinson, 1746–1823
Jane, Duchess of Gordon
1775
Thomas Burke Eclipse
Thomas Burke, 1749–1815
Eclipse
1772
Robert Laurie Lion and Horse
Robert Laurie, 1755?–1836
Lion and Horse
1791
Benjamin Green The Lion and Horse
Benjamin Green, ca. 1736–ca. 1800
The Lion and Horse
1769
James McArdell Mrs. Bonfoy
Print made by James McArdell, ca. 1729–1765
Mrs. Bonfoy
ca. 1755
John Dean Lady Cadogan
Print made by John Dean, 1754–1798
Lady Cadogan
1787
Valentine Green Lady Betty Delme and her two Children
Print made by Valentine Green, 1739–1813
Lady Betty Delme and her two Children
1779
James McArdell Lady Charlotte Fitzwilliam
Print made by James McArdell, ca. 1729–1765
Lady Charlotte Fitzwilliam
1754
Thomas Watson David Garrick
Print made by Thomas Watson, 1743–1781
David Garrick
1779