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10901. A View of Ditchley in Oxfordshire, Seat of the Earl of Litchfield

A View of Ditchley in Oxfordshire, Seat of the Earl of Litchfield
Creator:
Luke Sullivan, 1705–1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10902. Interrogatories, or an Examination before the Commissioners

Interrogatories, or an Examination before the Commissioners
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/16 x 15 13/16in. (23.7 x 40.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10903. How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4)

How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/2 x 16 1/8in. (19.1 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10904. Nun Mill, Northamptonshire

Nun Mill, Northamptonshire
Creator:
Capt. Francis Grose, 1731–1791
Date:
1762
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 15 1/2in. (21.6 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

10905. A Panic on Both Side or Great Men in the Horrors

A Panic on Both Side or Great Men in the Horrors
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 15 3/8in. (25.4 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10906. A Flight of Parsons

A Flight of Parsons
Creator:
Print made by George Moutard Woodward, ca. 1760–1809
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 12 7/8in. (21.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10907. A New French Bussing Match or More Cursing and Swearing for the Assembly

A New French Bussing Match or More Cursing and Swearing for the Assembly
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13in. (21.6 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10908. Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay

Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10909. Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do)

Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 14 7/8in. (22.5 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10910. The East View of the Seat of Sir Gregory Page Turner on the Blackheath in the County of Kent

The East View of the Seat of Sir Gregory Page Turner on the Blackheath in the County of Kent
Creator:
Thomas Morris, born 1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10911. Glaucus and Scylla or the Monster in Full Cry

Glaucus and Scylla or the Monster in Full Cry
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10912. Edgar's Tower

Edgar's Tower
Creator:
Print made by Richard Bernard Godfrey, 1728–op.1794
Date:
1778
Materials & Techniques:
Engraving on medium, slightly textured cream wove paper
Dimensions:
Sheet: 7 1/4 x 10 3/4in. (18.4 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

10913. Bachelor's Hall

Bachelor's Hall
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 13/16 x 9 1/16in. (17.3 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10914. False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats

False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 15 3/4in. (22.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10915. The Political Pawn Brokers

The Political Pawn Brokers
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 14 7/8in. (21.3 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10916. A View of the Garden at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.

A View of the Garden at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.
Creator:
William Woollett, 1735–1785
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10917. Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National

Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10918. Mr. Grose's House at Wandsworth

Mr. Grose's House at Wandsworth
Creator:
Capt. Francis Grose, 1731–1791
Date:
1767
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 10 1/8 inches (23.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

10919. The Pot calling the Kettle Black A - Or Two of a Trade can never Agree

The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 14 5/8in. (22.5 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10920. Malbrouke

Malbrouke
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 13in. (21.3 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10921. Getting the Length of the Duchess's Foot

Getting the Length of the Duchess's Foot
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 15 13/16in. (26.4 x 40.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10922. A View of the Great Room etc. at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.

A View of the Great Room etc. at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.
Creator:
William Woollett, 1735–1785
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10923. The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)

The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 22 9/16in. (18.4 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10924. The Quornites Disturb'd or Startling the Game

The Quornites Disturb'd or Startling the Game
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 7/8in. (36.5 x 47.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10925. Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4)

Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 7/8in. (22.9 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10926. Assassination-Versailles, October 6, 1789

Assassination-Versailles, October 6, 1789
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 7/8in. (22.9 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10927. A View of Saltwood Castle at Hythe Kent

A View of Saltwood Castle at Hythe Kent
Creator:
James Mason, 1710–1783
Date:
1762
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10928. The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture

The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 12 5/8in. (21.3 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10929. A Royal Salute

A Royal Salute
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 19 5/8in. (27 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10930. A View of Stour Head in the Country of Wiltshire the Seat of Henry Hoare Esq. [The Lake and Pantheon]

A View of Stour Head in the Country of Wiltshire the Seat of Henry Hoare Esq. [The Lake and Pantheon]
Creator:
Francois Vivares, 1709–1780
Date:
1777
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10931. A View of the Gardens of Thomas Hart Esq. at Warfield in Berkshire

A View of the Gardens of Thomas Hart Esq. at Warfield in Berkshire
Creator:
Print made by Joseph Wood, 1720–1763 or 1764
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 9/16 x 25 1/2in. (47.1 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10932. The Serpentine River and Part of the Gardens of Thomas Hart Esq. at Warfield, as they appeared from the India House

The Serpentine River and Part of the Gardens of Thomas Hart Esq. at Warfield, as they appeared from the India House
Creator:
Print made by Joseph Wood, 1720–1763 or 1764
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10933. A View of New Waterworks at Belton in Lincolnshire belonging to the Rt. Hon. Lord Vis. Tryconnel

A View of New Waterworks at Belton in Lincolnshire belonging to the Rt. Hon. Lord Vis. Tryconnel
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10934. Lilford the Seat of Thomas Powis Esq. near Oundle in Northamptonshire, taken from Ay-Church

Lilford the Seat of Thomas Powis Esq. near Oundle in Northamptonshire, taken from Ay-Church
Creator:
Robert Pranker, active 1761
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10935. A View in Newstead Park, belonging to the Rt. Hon. Lord Byron

A View in Newstead Park, belonging to the Rt. Hon. Lord Byron
Creator:
Print made by James Mason, 1710–1783
Date:
1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10936. South East View of Netley Abbey near Southampton

South East View of Netley Abbey near Southampton
Creator:
Print made by James Mason, 1710–1783
Date:
1774
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10937. A View of the Petrifying Spring commonly called The Dropping well, at Knaresborough in Yorkshire...

A View of the Petrifying Spring commonly called The Dropping well, at Knaresborough in Yorkshire...
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10938. A View of Anchor Church...Seat of Sir Robert Burdett Bart

A View of Anchor Church...Seat of Sir Robert Burdett Bart
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10939. A View of Dunnington Cliff on the River Trent...belonging to the Earl of Huntingdon

A View of Dunnington Cliff on the River Trent...belonging to the Earl of Huntingdon
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10940. A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington

A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10941. A View in Exton Park belonging to the Rt. Hon. Earl of Gainsborough

A View in Exton Park belonging to the Rt. Hon. Earl of Gainsborough
Creator:
James Mason, 1710–1783
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10942. Design for the Mansion House of the Rt. Hon. The Lord Mayor

Design for the Mansion House of the Rt. Hon. The Lord Mayor
Creator:
Paul Fourdrinier, 1698–1758
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 24 x 17 3/4in. (61 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10943. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1775
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10944. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
Creator:
John Finlayson, 1730–1776
Date:
1768
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10945. the East Prospect of the Ruins of Furness Abbey in Lancashire

the East Prospect of the Ruins of Furness Abbey in Lancashire
Creator:
unknown artist
Date:
1727
Materials & Techniques:
Colored line engraving
Dimensions:
Sheet: 13 x 19 7/8in. (33 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10946. George III's Visit to Portsmouth

George III's Visit to Portsmouth
Creator:
unknown artist
Date:
ca. 1794
Materials & Techniques:
Hand colored (outline) etching
Dimensions:
Sheet: 15 1/16 x 23 1/4in. (38.3 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10947. John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"

John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
Creator:
James Gillray, 1756–1815
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 3/8in. (22.9 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10948. Three Actors in a Play

Three Actors in a Play
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1785
Materials & Techniques:
Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 9/16 × 16 7/8 inches (49.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10949. Kitty Coaxer driving Dupe, towards Rotten Row

Kitty Coaxer driving Dupe, towards Rotten Row
Creator:
unknown artist
Date:
1779
Materials & Techniques:
Colored mezzotint
Dimensions:
Sheet: 13 3/4 x 9 7/8in. (34.9 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10950. A Morning Frolic or the Transmutation of Sexes

A Morning Frolic or the Transmutation of Sexes
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 7/8 x 9 7/8in. (32.7 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10951. View of Jedburgh Abbey

View of Jedburgh Abbey
Creator:
Francis Jukes, 1747–1812
Date:
1793
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 18 3/8 x 25 1/8in. (46.7 x 63.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10952. Committee of Grievances and Apprehensions

Committee of Grievances and Apprehensions
Creator:
James Gillray, 1756–1815
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 x 9 3/4in. (12.7 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10953. The Feathered Fair in a Fright

The Feathered Fair in a Fright
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, smooth, cream wove paper
Dimensions:
Plate: 14 × 9 7/8 inches (35.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10954. Melania

Melania
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 x 4 9/16 inches (16.1 x 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10955. A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...

A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 3/4 x 6 1/4in. (19.7 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10956. Ah, Grant A Me Von Letel Bite

Ah, Grant A Me Von Letel Bite
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 3/8 x 5 3/8in. (13.7 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10957. The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves

The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/8in. (21 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10958. Bonus - Melior - Optimus, or the Devil's The Best of the Bunch

Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 1/2in. (21.6 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10959. Jack A Both Sides!

Jack A Both Sides!
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 8 3/4in. (33 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10960. A Block for the Wigs - or, The New State Whirligig

A Block for the Wigs - or, The New State Whirligig
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 12 3/4in. (21.9 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10961. Selling Rabbits

Selling Rabbits
Creator:
William Ward, 1766–1826
Date:
1796
Materials & Techniques:
Mezzotint, colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 26 inches (51.4 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10962. Reapers

Reapers
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving and stipple engraving with hand coloring
Dimensions:
Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10963. Mr. Garrick in the Charakter (sic) of Richard the 3D

Mr. Garrick in the Charakter (sic) of Richard the 3D
Creator:
Charles Grignion, 1717–1810
Date:
1746
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10964. Apollo and the Muses

Apollo and the Muses
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Hand colored, stipple engraving and line engraving
Dimensions:
Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10965. Queen Judith reciting to Alfred when a child

Queen Judith reciting to Alfred when a child
Creator:
Richard Westall, 1765–1836
Materials & Techniques:
Engraving, mixed method on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10966. The Pool of Bethesda

The Pool of Bethesda
Creator:
Simon François Ravenet, 1706–1774
Date:
1772
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10967. A View of Foots-Cray Place in Kent, The Seat of Bourchier Cleeve, Esq.

A View of Foots-Cray Place in Kent, The Seat of Bourchier Cleeve, Esq.
Creator:
William Woollett, 1735–1785
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 5/8 x 20 7/8in. (37.1 x 53cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10968. The Good Samaritan

The Good Samaritan
Creator:
Simon François Ravenet, 1706–1774
Date:
1772
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10969. A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)

A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
Creator:
Luke Sullivan, 1705–1771
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10970. A Reward for Past Services

A Reward for Past Services
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 7/8 x 10in. (35.2 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10971. Over Weight - or the Sinking Fund - or the Downfall of Faro

Over Weight - or the Sinking Fund - or the Downfall of Faro
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 14 1/8in. (25.1 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10972. The Sailors and the Pounded Ass

The Sailors and the Pounded Ass
Creator:
Richard Newton, 1777–1798
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10973. A Present of a Haunch of Venison!

A Present of a Haunch of Venison!
Creator:
Richard Newton, 1777–1798
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 3/4 x 9 5/8in. (34.9 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10974. The In's and the Outs of the Jesuits Treatment of his Friends

The In's and the Outs of the Jesuits Treatment of his Friends
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 16 1/8in. (21.9 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10975. Drink to me only with thine Eyes

Drink to me only with thine Eyes
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 9 1/8in. (20 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10976. Scotch Fencibles

Scotch Fencibles
Creator:
Richard Newton, 1777–1798
Date:
1796
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10977. Beheading (untitled)

Beheading (untitled)
Creator:
Richard Newton, 1777–1798
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 1/2 x 8 3/8in. (16.5 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10978. John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock

John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
Creator:
Richard Newton, 1777–1798
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 8 7/8in. (26.4 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10979. The Birth of Billy Bugaboo

The Birth of Billy Bugaboo
Creator:
Richard Newton, 1777–1798
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 5/8 x 8 1/2in. (32.1 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10980. Parsons Drowning Care

Parsons Drowning Care
Creator:
Richard Newton, 1777–1798
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10981. Dainty Nice Sprats, Ho!

Dainty Nice Sprats, Ho!
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/4 x 8 5/8in. (31.1 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10982. English Channel/ Both Sides of the Water

English Channel/ Both Sides of the Water
Creator:
Richard Newton, 1777–1798
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10983. Pull Devil - Pull Parson

Pull Devil - Pull Parson
Creator:
Richard Newton, 1777–1798
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10984. A Serious Thought of a Plain Englishman, in 1793

A Serious Thought of a Plain Englishman, in 1793
Creator:
Richard Newton, 1777–1798
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 12 7/8in. (20 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10985. Ca Ira - or John Bull studying the Graces!!---

Ca Ira - or John Bull studying the Graces!!---
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/4 x 9 1/2in. (29.8 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10986. Hibernian Sagacity and Sang Froid

Hibernian Sagacity and Sang Froid
Creator:
Richard Newton, 1777–1798
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 15in. (23.5 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10987. An Old Maid, Treating a Favorite Cat to a Duck and Green Peas

An Old Maid, Treating a Favorite Cat to a Duck and Green Peas
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 10 1/8in. (22.2 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10988. Shakespeare's Winter Tale Act III Scene III

Shakespeare's Winter Tale Act III Scene III
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1794
Materials & Techniques:
Etching and line engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 21 3/8 × 26 9/16 inches (54.3 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10989. Life School at the Royal Academy

Life School at the Royal Academy
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1773
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 x 30 3/8 inches (55.9 x 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10990. The Wrangling Friends or Opposition in Disorder

The Wrangling Friends or Opposition in Disorder
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 5/8 x 14 3/8in. (24.4 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10991. Le Gourmand, Heavy Birds fly Slow, Delay Breeds Danger, A Scene at Varennes, June 21, 1791

Le Gourmand, Heavy Birds fly Slow, Delay Breeds Danger, A Scene at Varennes, June 21, 1791
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 5/8 x 19in. (32.1 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10992. How to Avoid the Horse Duty

How to Avoid the Horse Duty
Creator:
John Nixon, ca. 1760–1818
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 5/8 x 8 3/4in. (16.8 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10993. Marriage A-La-Mode, Plate II: The Breakfast Scene

Marriage A-La-Mode, Plate II: The Breakfast Scene
Creator:
Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10994. Marriage A-La-Mode, Plate III: The Scene with the Quack

Marriage A-La-Mode, Plate III: The Scene with the Quack
Creator:
Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10995. Marriage A-La-Mode, Plate IV: The Toilet Scene

Marriage A-La-Mode, Plate IV: The Toilet Scene
Creator:
Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10996. Marriage A-La-Mode, Plate I: The Contract

Marriage A-La-Mode, Plate I: The Contract
Creator:
Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10997. A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers
Creator:
Print made by Joseph Ryland, active ca. 1775–1790
Date:
undated
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 27 1/16 inches (41.4 × 68.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10998. Widow Costard's Cow and Goods destained for Rent are redeemed by the generosity of Johnny Pearman

Widow Costard's Cow and Goods destained for Rent are redeemed by the generosity of Johnny Pearman
Creator:
William Sedgwick, 1748–1800
Date:
1784
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 12 1/8 x 10 1/8in. (30.8 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10999. African Hospitality

African Hospitality
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11000. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.
Creator:
Archibald Robertson, 1748–1788
Date:
1782
Materials & Techniques:
Sepia aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 25 1/2 inches (45.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection