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10301. Gallion near Vernon the Palace of the Archbishop of Rouen

Gallion near Vernon the Palace of the Archbishop of Rouen
Creator:
Print made by William Thomas, active 1783– died 1800
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10302. The House of the Cevaliere D'eon at Tonnerrel

The House of the Cevaliere D'eon at Tonnerrel
Creator:
Print made by William Thomas, active 1783– died 1800
Date:
1791
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10303. Philip Dormer Stanhope, Earl of Chesterfield

Philip Dormer Stanhope, Earl of Chesterfield
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1777
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10304. M. Darly. P.O.A.G.B.

M. Darly. P.O.A.G.B.
Creator:
Print made by unknown artist
Date:
1775
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10305. The Fair Virginian and the Devoted General

The Fair Virginian and the Devoted General
Creator:
Print made by unknown artist
Date:
1779
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10306. William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.

William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.
Creator:
Print possibly made by George Vertue, 1684–1756
Date:
1713
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 1/2 × 8 5/8 inches (29.2 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10307. Thomas Pelham-Holles, first Duke of Newcastle-under-Lyne

Thomas Pelham-Holles, first Duke of Newcastle-under-Lyne
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10308. Queen Philippa Interceding for the Brave citizens of Calais

Queen Philippa Interceding for the Brave citizens of Calais
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1792
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10309. View of the Inside of the Vestibulum

View of the Inside of the Vestibulum
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10310. The Famous Battle of Crecy, in France

The Famous Battle of Crecy, in France
Creator:
Print made by Tukey
Date:
1783
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10311. John Egerton, third Earl of Bridgewater

John Egerton, third Earl of Bridgewater
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1702
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10312. Prospectus Oppidi Dumblani, The Prospect of the Town of Dumblane

Prospectus Oppidi Dumblani, The Prospect of the Town of Dumblane
Creator:
Print made by unknown artist
Date:
1748
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10313. View of the Port of Havre de Grace

View of the Port of Havre de Grace
Creator:
Print made by unknown artist
Date:
1782
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10314. Five Ships of the Line and a Frigate Engaging off Portipea

Five Ships of the Line and a Frigate Engaging off Portipea
Creator:
Print made by unknown artist
Date:
1748
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10315. A View of the Harbour of Nantes

A View of the Harbour of Nantes
Creator:
Print made by unknown artist
Date:
1790
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10316. Position of the English and French Fleets, When the French Fleet Began the Engagement

Position of the English and French Fleets, When the French Fleet Began the Engagement
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10317. Bitford, Warwickshire

Bitford, Warwickshire
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10318. Bewdley in Worcestershire

Bewdley in Worcestershire
Creator:
Print made by Francis Chesham, 1749–1806
Date:
1779
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10319. The Adressers

The Adressers
Creator:
Print made by unknown artist
Date:
1769
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10320. Amusement for John Bull and His Cousin Paddy, or the Gambols of the American Buffalo, in St. James's Street

Amusement for John Bull and His Cousin Paddy, or the Gambols of the American Buffalo, in St. James's Street
Creator:
Print made by unknown artist
Date:
1783
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10321. A Recorder on his Pilgrimage

A Recorder on his Pilgrimage
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10322. The English Jesuit

The English Jesuit
Creator:
Print made by Matthew Darly, active 1754–1778
Date:
1771
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10323. The Mother and the Child

The Mother and the Child
Creator:
Print made by unknown artist
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10324. Political Reformation

Political Reformation
Creator:
Print made by unknown artist
Date:
1780
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10325. Sir Francis Drake

Sir Francis Drake
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10326. The Chapel of King Henry VII in Westminster Abbey

The Chapel of King Henry VII in Westminster Abbey
Creator:
Print made by unknown artist
Date:
ca. 1770
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10327. Valenciennes

Valenciennes
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10328. The Excise Office

The Excise Office
Creator:
Print made by unknown artist
Date:
1756
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10329. M. Darly, P.O.A.G.B

M. Darly, P.O.A.G.B
Creator:
Print made by unknown artist
Date:
1771
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10330. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10331. Scene at a Banking House in 1745

Scene at a Banking House in 1745
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10332. The Unfortunate Death of Major André

The Unfortunate Death of Major André
Creator:
Print made by John Goldar, 1729–1795
Date:
1783
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10333. For Sale by the Candle at Garraways

For Sale by the Candle at Garraways
Creator:
Print made by unknown artist
Date:
1733
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10334. Dublin Fireworks

Dublin Fireworks
Creator:
Print made by unknown artist
Date:
1749
Materials & Techniques:
Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10335. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10336. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10337. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10338. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10339. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10340. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10341. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10342. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10343. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10344. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10345. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10346. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10347. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10348. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10349. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10350. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10351. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10352. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10353. The Right Hon. Gustavus Lord Viscount Boyne &c

The Right Hon. Gustavus Lord Viscount Boyne &c
Creator:
Print made by A. M. Ireland, active before 1801
Date:
before 1800
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10354. Jasmnium Dichtomum

Jasmnium Dichtomum
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 7 7/8 inches (30.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10355. The Truants

The Truants
Creator:
William Ward, 1766–1826
Date:
1796
Materials & Techniques:
Mezzotint, in color on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 25 15/16 inches (51.8 × 65.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10356. Smugglers Attacked

Smugglers Attacked
Creator:
Richard Earlom, 1743–1822
Date:
ca. 1793
Materials & Techniques:
Color mezzotint
Dimensions:
Sheet: 20 x 26 1/4in. (50.8 x 66.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10357. Sunday Morning, A Cottage Family Going to Church

Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10358. Smugglers Defeated

Smugglers Defeated
Creator:
Print made by Richard Earlom, 1743–1822
Date:
ca. 1798
Materials & Techniques:
Color mezzotint
Dimensions:
Sheet: 20 x 26 1/4 inches (50.8 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10359. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10360. A French Petit Maître and His Valet

A French Petit Maître and His Valet
Creator:
Charles Grignion, 1717–1810
Date:
1771
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper, pasted on medium, moderately textured, cream Asian paper
Dimensions:
Mount: 16 1/4 x 11 5/16 inches (41.3 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10361. A French Physician with His Retinue Going to Visit His Patients

A French Physician with His Retinue Going to Visit His Patients
Creator:
Print made by James Caldwall, 1739–1819
Date:
1771
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/16 x 13 3/4 inches (28.1 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10362. Night

Night
Creator:
Print made by John Boydell, 1720–1804
Date:
1756
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10363. A Calm

A Calm
Creator:
Print made by John Boydell, 1720–1804
Date:
1754
Materials & Techniques:
Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10364. The Taking of the Marquese de Antim and Louis Erasme

The Taking of the Marquese de Antim and Louis Erasme
Creator:
Simon François Ravenet, 1706–1774
Date:
ca. 1753
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 11 1/4 x 17 3/4in. (28.6 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10365. The Wreck of the Nuestra Senora de los Remedios

The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10366. Bristol High Cross

Bristol High Cross
Creator:
Print made by Samuel Buck, 1696–1779
Date:
1734
Materials & Techniques:
Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10367. A Band of Savoyards

A Band of Savoyards
Creator:
Charles Knight, 1743–c.1826
Date:
1785
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 13 7/8 x 18 1/16in. (35.2 x 45.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10368. The Gardens of Carleton House with Neapolitan Ballad Singers

The Gardens of Carleton House with Neapolitan Ballad Singers
Creator:
William Dickinson, 1746–1823
Date:
1784
Materials & Techniques:
Stipple engraving, brown ink
Dimensions:
Sheet: 16 x 24 7/16in. (40.6 x 62cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10369. John Jehu L'Inghilterra

John Jehu L'Inghilterra
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1772
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 8 1/4 inches (29.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10370. The Judgement of Paris

The Judgement of Paris
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
1771
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 8 3/8 inches (18.2 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10371. The Origin of Gout

The Origin of Gout
Creator:
unknown artist
Date:
1785
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10372. Postiglione Inglese

Postiglione Inglese
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1772
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 11/16 x 8 3/8 inches (27.2 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10373. Prospero Disarming Ferdinand, Act I, Scene II

Prospero Disarming Ferdinand, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10374. The Sailors' Present or, The Jealous Clown

The Sailors' Present or, The Jealous Clown
Creator:
unknown artist
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 3/4 x 9 3/4in. (32.4 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10375. Tight Lacing, or Fashion before Ease

Tight Lacing, or Fashion before Ease
Creator:
unknown artist
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 3/4 x 9 7/8in. (32.4 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10376. The Magicians Marching off After the Success of their Incantations

The Magicians Marching off After the Success of their Incantations
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10377. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10378. View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo

View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo
Creator:
Richard Cooper the Elder, 1701–1764
Date:
1779
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 14 3/8 x 19 7/8in. (36.5 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10379. View of Part of Tivoli and Adjacent Hills

View of Part of Tivoli and Adjacent Hills
Creator:
Richard Cooper the Elder, 1701–1764
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 14 3/8 x 20 1/8in. (36.5 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10380. View of the Ruins of Dioclesian's Baths

View of the Ruins of Dioclesian's Baths
Creator:
Richard Cooper the Elder, 1701–1764
Materials & Techniques:
Soft ground etching with aquatint
Dimensions:
Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10381. Abraham Offering up His Son

Abraham Offering up His Son
Creator:
Robert Dunkarton, 1744–1811
Date:
1797
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 23 3/4 x 19 1/2in. (60.3 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10382. Mrs. Cosway

Mrs. Cosway
Creator:
Print made by Valentine Green, 1739–1813
Date:
1787
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 9/16 x 13 9/16 inches (47.1 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10383. Mrs. Sandby

Mrs. Sandby
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 x 9in. (30.5 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10384. Mrs. Agneta Yorke

Mrs. Agneta Yorke
Creator:
Valentine Green, 1739–1813
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10385. The Antique Architect

The Antique Architect
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10386. The Auretian Macaroni

The Auretian Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10387. A Temple Macaroni

A Temple Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10388. The Tiger Macaroni

The Tiger Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10389. The Novicate

The Novicate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10390. The Surry

The Surry
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10391. The Unfortunate

The Unfortunate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10392. A Law

A Law
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10393. The Harrogate

The Harrogate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10394. The Hunting

The Hunting
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10395. The Iris

The Iris
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10396. Gaguedi

Gaguedi
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10397. Kolquall 1789

Kolquall 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10398. Wooginoos or Bruces Antidysenterica

Wooginoos or Bruces Antidysenterica
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 14 1/16 x 10 5/8in. (35.7 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10399. Walkuffa 1789

Walkuffa 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10400. Farek 1789

Farek 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection