Period: 18th century - YCBA Collections Search Search Results

9901. Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

Creator:: unknown artist
Date:: 1769-1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 3/4 x 21 7/8in. (42.5 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9902. Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow

Creator:: Pieter Schenck I, 1660–1719
Date:: 1710
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 x 7 5/8in. (25.4 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9903. Portraits of Four Indian Kings of Canada: The Four Indian Kings

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1710
Materials & Techniques:: Mezzotint; four oval busts on one sheet, each with an elaborate frame, incorporating a feathered crown and crossed weapons above.
Dimensions:: Sheet: 17 13/16 x 11 3/8in. (45.2 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9904. Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations

Creator:: Print made by John Simon, 1675–1751
Date:: ca. 1755
Materials & Techniques:: Mezzotint, third state
Dimensions:: Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9905. Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow

Creator:: John Faber the Elder, ca. 1660–1721
Date:: 1710
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 8 x 5 15/16in. (20.3 x 15.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9906. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

Creator:: Print made by Thomas Vivares, c.1735–c.1790
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9907. A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr

Creator:: Thomas Vivares, c.1735–c.1790
Date:: 1778
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/2 x 22 5/16in. (47 x 56.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9908. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

Creator:: Print made by James Mason, 1710–1783
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9909. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Creator:: Francis Jukes, 1747–1812
Date:: 1800
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 7/16 x 19in. (36.7 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9910. Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania

Creator:: Paul Sandby, 1731–1809
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Plate: 14 3/8 × 20 7/8 inches (36.5 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9911. A Rider in Armor, and Two Horses Lying Down

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 5/8 inches (15.2 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9912. Providence—The Protection of Drunken Men

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1784
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Frame: 8 1/8 × 10 5/8 × 1 1/8 inches (20.6 × 27 × 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9913. A Rhinoceros in the Peshwa's Menagerie at Poona

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1790
Materials & Techniques:: Pen and black ink, brown ink, gray wash, gouache, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 14 5/8 inches (22.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9914. A Scarlet Ibis

Creator:: Sarah Stone, ca. 1760–1844
Date:: ca. 1786
Materials & Techniques:: Watercolor heightened with white
Dimensions:: Sheet: 14 1/2 x 10 3/8in. (36.8 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9915. Portrait of Lady Marjorie Jenkins

Creator:: John Downman, 1750–1824
Date:: 1798
Materials & Techniques:: Black chalk with watercolor and stumping on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 x 8 1/2 inches (28 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

9916. Original Drawings for Choix de Vues de L'Inde and Others, Volume I

Creator:: William Hodges, 1744–1797
Date:: between 1780 and 1788
Materials & Techniques:: Album of drawings on sheets of medium, slightly textured, cream laid paper on 19th century wash mounts
Dimensions:: Spine: 30 inches (76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9917. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9918. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9919. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9920. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9921. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9922. Entrance to the House of Lords

Creator:: Attributed to William Capon, 1757–1827
Date:: 1796
Materials & Techniques:: Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9923. Plan of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9924. Details of Capitals and Arches, Painted Chamber

Creator:: unknown artist
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/16 inches (14.6 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9925. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9926. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9927. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9928. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9929. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9930. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9931. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9932. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9933. View through the South East Window of the Crypt beneath St Stephen's, Westminster

Creator:: George Johann Scharf, 1788–1860
Date:: 1852
Materials & Techniques:: Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9934. Entrance of the House of Lords with the Office of Ordnance

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9935. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9936. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9937. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9938. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9939. East Front of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9940. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9941. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9942. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9943. Paintings on the Wall by H in Plan

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9944. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9945. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9946. Details of one of the Figures

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9947. The English Lion Dismember'd

Creator:: Thomas Colley, active 1780s
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9948. Apothecaries, Taylors & c. Conquering France and Spain

Creator:: James Gillray, 1756–1815
Date:: 1779
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9949. Studies of Stags' Heads

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 6 3/8 inches (8.9 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9950. Cupid and Hymen

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 10 9/16 inches (32.4 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9951. A View of London taken off Lambeth Church

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9952. View of London from Greenwich Park

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1796
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9953. Marcus Furius Camillus Liberating Rome From Brennus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9954. Cut Two and Right Protect

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9955. The Transparency Picture at the Bank of England

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9956. Commemoration of the Victory of June 1st, 1794

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engravng and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9957. Love

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca. 1783
Materials & Techniques:: Stipple engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 × 3 5/8 inches (11.4 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9958. Painting and Sculpture

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9959. George Frideric Handel

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 12 x 9 1/2in. (30.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9960. Henryk Ludwik Lubomirski

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Stipple engraving printed in brown ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/16 x 9 1/16 inches (29 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9961. Alvise Pisani

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 3/8 inches (44.1 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9962. Outbuildings with figures

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

9963. Charles Rogers

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9964. Merchant Taylors' School and St. Paul's School

Creator:: Print made by Benjamin Cole, 1697–1783
Date:: 1756
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 9 5/8 inches (39.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9965. Head of a Lion

Creator:: unknown artist
Date:: 1756
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 9/16 x 7 1/4 inches (21.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9966. Miss Anna Brunton

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 3 7/8 inches (14.9 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9967. Jane Lady Cathcart

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9968. Catherine II Empress of Russia

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9969. Mrs. Chambers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 10 1/4 inches (31.9 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9970. Queen Charlotte

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 6 15/16 inches (25.7 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9971. Maria Cosway

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 7/8 inches (23.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9972. Miss Anna Crouch

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving, on medium, moderately textured, cream laid paper, laid on mount
Dimensions:: Mount: 12 11/16 x 8 5/8 inches (32.2 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9973. Mrs. Gautherot

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 13/16 inches (19.1 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9974. Watergate, York Buildings

Creator:: Thomas Malton, 1726–1801
Date:: 1795
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9975. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: ca. 1793
Materials & Techniques:: Line engraving with etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 11/16 inches (21.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9976. Miss Eyre

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1778
Materials & Techniques:: Line engraving and stipple engraving, printed in brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 4 inches (15.2 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9977. Mrs. Lenox

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 7/16 inches (19 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9978. Lady Sinclair

Creator:: Print made by Marino Bovi, Italian, 1758–ca.1805
Date:: 1791
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 9 1/16 inches (31.6 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9979. Mrs. Siddons

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 7 3/4 inches (25.7 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9980. Mrs. Hannah Sparke

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Etching and stipple engraving, printed in brown ink on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 x 4 3/4 inches (12.7 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9981. Herd of Eight Horses under a Tree

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9982. Georgiana, Countess Spencer

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving printed in brown ink on medium, smooth, cream laid paper
Dimensions:: Sheet: 8 5/8 x 6 1/2 inches (21.9 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9983. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9984. Georgiana, Countess Spencer

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9985. Cleone

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 10 7/8 inches (32.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9986. Sophia and Olivia

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9987. Alcander and Nerina

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9988. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9989. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9990. The Death of Cora

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 9/16 x 10 3/16 inches (34.4 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9991. Figures on a Street

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

9992. The House of William Russell, Esq., Showell Green: English and French Text

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:: Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9993. Virtuous Love

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving and etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 5/8 × 8 3/4 inches (19.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9994. Gentlemen Punting near a Country Villa/ Heathan House, Twickenham

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

9995. Ham Court, the Seat of John Martin, Esq.

Creator:: Print made by James Caldwall, 1739–1819
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9996. Hanover Square

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9997. Ticket to the Masqued Ball, New Club, Soho

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1775
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9998. Ticket to the Scavoir-Vivre Masquerade

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1775
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9999. Ticket to Mr. Fierville's Ball

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1781
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10000. Ticket: Walker's Lectures

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

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9901. Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

9902. Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow

9903. Portraits of Four Indian Kings of Canada: The Four Indian Kings

9904. Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations

9905. Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow

9906. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

9907. A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr

9908. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

9909. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

9910. Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania

9911. A Rider in Armor, and Two Horses Lying Down

9912. Providence—The Protection of Drunken Men

9913. A Rhinoceros in the Peshwa's Menagerie at Poona

9914. A Scarlet Ibis

9915. Portrait of Lady Marjorie Jenkins

9916. Original Drawings for Choix de Vues de L'Inde and Others, Volume I

9917. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9918. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9919. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9920. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9921. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

9922. Entrance to the House of Lords

9923. Plan of Painted Chamber

9924. Details of Capitals and Arches, Painted Chamber

9925. Side Window, North, Painted Chamber

9926. East End, Painted Chamber

9927. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9928. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

9929. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9930. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9931. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9932. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9933. View through the South East Window of the Crypt beneath St Stephen's, Westminster

9934. Entrance of the House of Lords with the Office of Ordnance

9935. View of the Office of Ordnance with the Entrance of the House of Lords

9936. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9937. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

9938. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

9939. East Front of Painted Chamber

9940. North Side, Painted Chamber

9941. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

9942. Door on South Side of Painted Chamber

9943. Paintings on the Wall by H in Plan

9944. Wall Paintings

9945. Enlarged Detail of Figures from Painting Shown in Previous Sketch

9946. Details of one of the Figures

9947. The English Lion Dismember'd

9948. Apothecaries, Taylors & c. Conquering France and Spain

9949. Studies of Stags' Heads

9950. Cupid and Hymen

9951. A View of London taken off Lambeth Church

9952. View of London from Greenwich Park

9953. Marcus Furius Camillus Liberating Rome From Brennus

9954. Cut Two and Right Protect

9955. The Transparency Picture at the Bank of England

9956. Commemoration of the Victory of June 1st, 1794

9957. Love

9958. Painting and Sculpture

9959. George Frideric Handel

9960. Henryk Ludwik Lubomirski

9961. Alvise Pisani

9962. Outbuildings with figures

9963. Charles Rogers

9964. Merchant Taylors' School and St. Paul's School

9965. Head of a Lion

9966. Miss Anna Brunton

9967. Jane Lady Cathcart

9968. Catherine II Empress of Russia

9969. Mrs. Chambers

9970. Queen Charlotte

9971. Maria Cosway

9972. Miss Anna Crouch

9973. Mrs. Gautherot

9974. Watergate, York Buildings

9975. Blockley Church