Period: 18th century / Classification: Prints - YCBA Collections Search Search Results

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Period 18th century

Classification Prints

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)

Print made by William Blake, 1757–1827

VI. "The desires & perceptions of man untaught..." (Plate 8)

ca. 1788

William Blake "Therefore God becomes as we are..." (Plate 9)

Print made by William Blake, 1757–1827

"Therefore God becomes as we are..." (Plate 9)

ca. 1788

William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)

Print made by William Blake, 1757–1827

V. "Mans desires are limited by his perceptions..." (Plate 7)

ca. 1788

William Blake Frontispiece. Albion's Angel (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece. Albion's Angel (Plate 1)

1793

William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

1793

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake Original Wrapper to The Book of Thel

William Blake, 1757–1827

Original Wrapper to The Book of Thel

1789

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

Print made by William Blake, 1757–1827

I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

ca. 1788

William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

William Blake I. "Man cannot naturally Percieve..."(Plate 3)

Print made by William Blake, 1757–1827

I. "Man cannot naturally Percieve..."(Plate 3)

ca. 1788

William Blake II. "Man by his reasoning power can only compare..." (Plate 4)

Print made by William Blake, 1757–1827

II. "Man by his reasoning power can only compare..." (Plate 4)

ca. 1788

William Blake The Divine Image (Plate 12)

Print made by William Blake, 1757–1827

The Divine Image (Plate 12)

1789

William Blake Nurse's Song (Plate 22)

Print made by William Blake, 1757–1827

Nurse's Song (Plate 22)

1789

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake The Little Black Boy (Plate 30)

Print made by William Blake, 1757–1827

The Little Black Boy (Plate 30)

1789

William Blake The Death of Juliet

Print made by William Blake, 1757–1827

The Death of Juliet

1799

William Blake The First Book of Urizen

Prints made by William Blake, 1757–1827

The First Book of Urizen

1794

William Blake Fable XLI. The Owl and the Farmer

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

William Blake Introduction to the Fables, The Shepherd and the Philosopher

Print made by William Blake, 1757–1827

Introduction to the Fables, The Shepherd and the Philosopher

1793

William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

William Blake Beggar's Opera, Act III

William Blake, 1757–1827

Beggar's Opera, Act III

c.1790

William Blake Fable VI. The Miser and Plutus

Print made by William Blake, 1757–1827

Fable VI. The Miser and Plutus

1793

William Blake Fable XVI. The Pin and the Needle

Print made by William Blake, 1757–1827

Fable XVI. The Pin and the Needle

1793

William Blake Fable XIII. The Tame Stag

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

William Blake Fable XXII. The Goat Without a Beard

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

William Blake Fable XXIV. The Butterfly and the Snail

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

William Blake Fable XXVIII. The Persian, the Sun, and the Cloud

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

William Blake Fable XXX. The Setting-dog and the Partridge

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

William Blake Fable I. The Dog and the Fox

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

William Blake Fable XII. Pan and Fortune

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

William Blake There is No Natural Religion

Print made by William Blake, 1757–1827

There is No Natural Religion

ca. 1788

William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Prints made by William Blake, 1757–1827

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

1789-1794

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake For Children. The Gates of Paradise, London, by William Blake

Prints made by William Blake, 1757–1827

For Children. The Gates of Paradise, London, by William Blake

1793

William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Prints made by William Blake, 1757–1827

Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

1793

William Blake Europe. A Prophecy

Print made by William Blake, 1757–1827

Europe. A Prophecy

1793, printed 1795

William Blake The Shepherd, from Songs of Innocence

Print made by William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

William Blake The Book of Thel

Prints made by William Blake, 1757–1827

The Book of Thel

1789

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake The Death of Demosthenes

Print made by William Blake, 1757–1827

The Death of Demosthenes

1800

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake Pericles, Frontispiece

Print made by William Blake, 1757–1827

Pericles, Frontispiece

1800

William Blake Thomas Hayley the Disciple of John Flaxman, from a Medallion

Print made by William Blake, 1757–1827

Thomas Hayley the Disciple of John Flaxman, from a Medallion

1800

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Henry Hulsberg Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Henry Hulsberg Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

William Tombleson Herstmonceux Castle, Sussex

William Tombleson, ca.1795–1835

Herstmonceux Castle, Sussex

undated

William Watts Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew

William Watts, 1752–1851

Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew

1782

Tobias Muller Palace of Whitehall, The Park Side

Tobias Muller, Died 1789

Palace of Whitehall, The Park Side

1749

Francis Jukes The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields

Francis Jukes, 1747–1812

The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields

ca. 1784

Guillaume Philippe Benoist Palace of Whitehall - The Westminster Side

Guillaume Philippe Benoist, 1725–ca. 1770

Palace of Whitehall - The Westminster Side

1748

Inigo Jones Palace of Whitehall - The Water Side

after Inigo Jones, 1573–1652

Palace of Whitehall - The Water Side

1748

Isaac Basire Cherokee Delegation to England

Print made by Isaac Basire, 1704–1768

Cherokee Delegation to England

1730, printed ca. 1748

Pierre Charles Canot Near Plymouth with the Ordinance Wharfe...

Pierre Charles Canot, ca. 1710–1777

Near Plymouth with the Ordinance Wharfe..

1756

unknown artist Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)

unknown artist

Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)

undated

Francis David Soiron St. James's Park

Francis David Soiron, Born 1764

St. James's Park

1790

Francis David Soiron A Tea Garden

Francis David Soiron, Born 1764

A Tea Garden

1793

Thomas Patch Thomaso Patch, Autore

Thomas Patch, 1725–1782

Thomaso Patch, Autore

1768

John Jones Lady Caroline Price

John Jones, ca. 1745–1797

Lady Caroline Price

1788

Robert Blyth John Hamilton Mortimer

Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Thomas Medland Ruins of St. Paul Covent Garden

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

John Maurer The Mansion House

John Maurer, active 1713–1761

The Mansion House

1750

Thomas Worlidge Self Portrait

Thomas Worlidge, 1700–1766

Self Portrait

1752

Joseph Constantine Stadler The Farm House

Joseph Constantine Stadler, active 1780–1812

The Farm House

1792

Archibald Robertson No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog

Archibald Robertson, 1748–1788

No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog

1796