A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
2
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
3
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
4
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
5
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
6
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
7
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
8
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
9
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
10
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
11
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
12
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
13
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
14
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
15
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
16
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
17
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
18
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
19
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
20
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
21
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
22
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
23
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
24
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
25
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
26
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
27
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
28
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
29
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
30
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
31
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
32
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
33
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
34
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
35
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
36
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
37
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
38
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
39
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
40
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
41
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
44
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
45
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
46
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
47
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
48
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
49
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
50
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
51
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
52
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
53
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
54
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
55
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
56
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
57
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber