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Period 18th century

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Topic subjectplace ss Palace of Westminster

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unknown artist A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
Charles J. Hullmandel View of Palace Yard on the day of the Coronation of His Majesty George IV
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
James Basire Plate IX: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
James Basire Plate VIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
James Basire Plate X: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
unknown artist Entrance of the House of Lords with the Office of Ordnance
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
unknown artist Plan of Westminster Showing the Coronation Route of George II
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
unknown artist Entrance Doorway in the Tower, St Stephen's Chapel
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
unknown artist Details of the Screen of Entrance Porch, St Stephen's Chapel
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
James Basire Plate XI: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
John Carter Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
John Thomas Smith Geometrical Construction of the Freeze and Battlements in the House of Commons
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
unknown artist View of the Office of Ordnance with the Entrance of the House of Lords
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
William Capon Entrance to the House of Lords
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
George Johann Scharf View through the South East Window of the Crypt beneath St Stephen's, Westminster
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
Charles Grignion House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
John Collins The North Prospect of Westminster Abbey
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
William Henry Toms The South-East Prospect of King Henry The VII's Chapel at Westminster
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
John Carter North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
John Carter Seats in Henry VII Chapel, Westminster Abbey
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
John Carter East Front of Painted Chamber
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
John Carter Plan of Painted Chamber
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
John Carter North Side, Painted Chamber
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
John Carter Side Window, North, Painted Chamber
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
John Carter East End, Painted Chamber
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
unknown artist Details of Capitals and Arches, Painted Chamber
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
John Carter Door on South Side of Painted Chamber
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
John Carter Paintings on the Wall by H in Plan
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
John Carter Enlarged Detail of Figures from Painting Shown in Previous Sketch
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
Edward Rooker Henry the Seventh's Chapel
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
John Carter South East View of the Towers of the Abbey, &c. from College St. Westminster
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
John Carter Door-way in Wall of South Precints of Westminster Abbey
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
John Carter South View of the Abbey Church, Westminster, Taken from Dean's Yard
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
John Carter Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
John Carter Window, Dean's Yard
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
unknown artist A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
John Carter Continuation of the Preceeding Ornaments
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
William Capon Henry VII Chapel
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
George Barret Jr. Marriage of Henry the seventh
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
John Carter Figure study, Henry VII Chapel
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
John Carter Wall Paintings
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
John Carter Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
John Carter Details of one of the Figures
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795