View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
1799
202
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
203
Thomas Bowles III, ca. 1712–1767
A South View of Westminster Abby & St. Margarets Church
204
Thomas Bowles III, ca. 1712–1767
A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet
205
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
206
Print made by James Smith, active 1733–1759
A View of St. James's Park, taken near the Stable Yard
207
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
208
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
209
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
210
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
211
Print made by Johannes Kip, 1653–1722
St James's House, Le Palais Royal de St James
1707
212
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
213
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
214
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
215
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
216
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
217
Charles Reuben Ryley, 1752–1798
A London Riot
undated
218
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
219
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
220
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
221
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
222
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
223
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
224
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
225
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
226
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
227
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
228
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
229
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
230
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
231
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
232
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
233
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
234
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
235
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
236
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
237
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
238
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
239
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
240
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
241
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
242
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
243
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
244
unknown artist
A view of the inside of Westminster Hall
ca. 1700
245
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
246
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
247
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
248
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
249
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
250
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
251
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
252
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
253
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
254
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
255
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
256
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
257
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
258
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
259
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
260
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
261
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
262
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
263
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
264
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
265
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
266
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
267
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
268
Samuel Scott, ca. 1702–1772
Thames Side Buildings
undated
269
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
270
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
271
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
272
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
273
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
274
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
275
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
276
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
277
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
278
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
279
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
280
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
281
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
282
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
283
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
284
Sir William Chambers, 1723–1796
Design for Ceiling
ca. 1765
285
Sir William Chambers, 1723–1796
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
286
unknown artist
Bush Hill, Edmonton, London: Plan of a Knot Garden