<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Period 18th century

Remove constraint Period: 18th century

Subject Terms vines

Remove constraint Subject Terms: vines

Search Results

John Hamilton Mortimer Man attacking a monster
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake The Chimney Sweeper (Plate 45)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 45)
1794
William Blake The Human Abstract (Plate 46)
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
William Blake My Pretty Rose Tree (Plate 47)
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake "They call'd her Pity, and fled..." (Plate 17)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Nurses Song (Plate 37)
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
William Blake Earth's Answer (Plate 35)
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake London (Plate 39)
Print made by William Blake, 1757–1827
London (Plate 39)
1794
William Blake A Little Boy Lost (Plate 43)
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
William Blake A Little Girl Lost (Plate 44)
Print made by William Blake, 1757–1827
A Little Girl Lost (Plate 44)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake The Fly (Plate 48)
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
Thomas Hearne The Ruins of Leiston Abbey
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
Richard Earlom A Shepherd Boy
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
John Dixon A Peasant Family
Print made by John Dixon, ca. 1740–1811
A Peasant Family
between 1765 and 1771
Richard Earlom The Exposition of Cyrus
Print made by Richard Earlom, 1743–1822
The Exposition of Cyrus
1781
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
Johann Jacobus Haid Rhetorica. Die Redekunst.
Print made by Johann Jacobus Haid, 1704–1767
Rhetorica. Die Redekunst
undated