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Period 18th century

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Subject Terms study (visual work)

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An Unfinished Study of the Head of James Thomson
Creator:
William Aikman, 1682–1731
Date:
ca. 1725
Materials & Techniques:
Oil on canvas
Dimensions:
19 7/16 x 15 5/16 inches (49.4 x 38.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Portrait of an Unknown Man
Creator:
Francis Wheatley, 1747–1801
Date:
ca. 1778
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Studies of a Classical Bust
Creator:
Joseph Wright of Derby, 1734–1797
Date:
1774 to 1775
Materials & Techniques:
Oil on paper, laid on canvas
Dimensions:
20 × 16 7/8 inches (50.8 × 42.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Poppies and Tradascanthus
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Oil on paper
Dimensions:
17 x 14 inches (43.2 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study of a Grey Horse
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
ca. 1800
Materials & Techniques:
Oil on paper
Dimensions:
8 1/2 x 12 1/8 inches (21.6 x 30.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study of the Lamentation on the Dead Christ
Creator:
Benjamin West, 1738–1820
Date:
ca. 1785
Materials & Techniques:
Oil on paper on panel
Dimensions:
11 1/2 x 9 1/4 inches (29.2 x 23.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
Creator:
unknown artist
Date:
late 18th century?
Materials & Techniques:
Oil on panel
Dimensions:
20 1/2 × 18 inches (52.1 × 45.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Marmoset in Three Attitudes
Creator:
George Garrard, 1760–1826
Date:
1793
Materials & Techniques:
Oil on panel
Dimensions:
15 x 19 1/4 inches (38.1 x 48.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study for 'The Red Cross Knight'
Creator:
John Singleton Copley, 1738–1815
Date:
ca. 1793
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study for the Self-portrait in Enamel
Creator:
George Stubbs, 1724–1806
Date:
ca. 1781
Materials & Techniques:
Graphite on medium, smooth, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 12 x 9 1/8 inches (30.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Clouded Moonlit Sky
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Lady Standing
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash over graphite on medium slightly textured cream laid paper
Dimensions:
Sheet: 18 x 11 1/2 inches (45.7 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Seated Woman
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: Study of Figures From a Frieze or Panel
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Creator:
Joseph Wilton, 1722–1803
Date:
Between 1747 and 1755
Materials & Techniques:
Graphite, pen and brown ink and brown wash on medium, moderately textured cream laid paper
Dimensions:
Sheet: 10 × 6 1/8 inches (25.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Seated Woman
Creator:
attributed to James Ward, 1769–1859
Date:
1787
Materials & Techniques:
Gray wash over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for a Portrait of a Woman
Creator:
Allan Ramsay, 1713–1784
Date:
undated
Materials & Techniques:
Black chalk with graphite on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 8 1/2 x 6 1/4 inches (21.6 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for the Portrait of a Woman
Creator:
Allan Ramsay, 1713–1784
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 8 5/8 x 7 1/4 inches (21.9 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Man
Creator:
Nathaniel Smith, 1740–1787
Date:
1743
Materials & Techniques:
Black chalk and white chalk on thin, slightly textured, blue laid paper
Dimensions:
Sheet: 17 × 10 1/2 inches (43.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 7/16 inches (22.7 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountain Tops (A Mountain Study)
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brown wash, gray wash, graphite, and brown ground on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 12 1/4 inches (23.5 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Costume Study of Edward VI in 1550
Creator:
Thomas Girtin, 1775–1802
Date:
between 1793 and 1795
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 2 3/4 inches (10.2 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Costume Study: French Lady of Quality in 1501
Creator:
Thomas Girtin, 1775–1802
Date:
between 1793 and 1795
Materials & Techniques:
Graphite, gray wash and violet chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Costume Study: Noble Virgin of Bologna
Creator:
Thomas Girtin, 1775–1802
Date:
between 1793 and 1795
Materials & Techniques:
Graphite with brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Costume Study of Henry VIII
Creator:
Thomas Girtin, 1775–1802
Date:
between 1793 and 1795
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/4 x 2 7/8 inches (10.8 x 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for the Figure of Gulliver
Creator:
Sawrey Gilpin, 1733–1807
Date:
ca. 1769
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 6 7/8 inches (29.2 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Two Willows
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1760
Materials & Techniques:
Brushed black ink, brushed brown ink, yellowish-brown ground and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Galleria di Sopra, Albano
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1778
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 18 3/8 x 24 1/2 inches (46.7 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and black ink, and gray ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 5 1/16 inches (17.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and gray ink, red ink, and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/16 × 4 11/16 inches (18.9 × 11.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 5 7/16 inches (19.7 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 4 11/16 inches (17.3 × 11.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Barbara Regina Dietzsch, 1706–1783
Date:
ca. 1740
Materials & Techniques:
Watercolor, gouache, and gold leaf on vellum
Dimensions:
Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000