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Period 18th century

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1. Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I

Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
Creator:
Landscape by William Hodges, 1744–1797
Date:
1790
Materials & Techniques:
Oil on canvas
Dimensions:
36 1/4 x 48 1/2 inches (92.1 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Old Water Mill

The Old Water Mill
Creator:
George Morland, 1763–1804
Date:
1790
Materials & Techniques:
Oil on canvas
Dimensions:
39 1/2 x 49 1/8 inches (100.3 x 124.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Kirkstall Abbey, Yorkshire

Kirkstall Abbey, Yorkshire
Creator:
George Lambert, 1700–1765
Date:
1747
Materials & Techniques:
Oil on canvas
Dimensions:
46 1/8 x 43 5/8 inches (117.2 x 110.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. St. Augustine's Gate, Canterbury

St. Augustine's Gate, Canterbury
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
ca. 1778
Materials & Techniques:
Oil on canvas
Dimensions:
27 1/2 x 35 1/4 inches (69.9 x 89.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Wooded Landscape with a Boy and his Dog

Wooded Landscape with a Boy and his Dog
Creator:
George Barret, ca. 1728/32–1784
Date:
ca. 1770
Materials & Techniques:
Oil on canvas
Dimensions:
19 1/2 x 24 1/2 inches (49.5 x 62.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. An Imaginary Landscape with a Wagon and a Distant View of a Town

An Imaginary Landscape with a Wagon and a Distant View of a Town
Creator:
Thomas Smith of Derby, ca. 1720–1767
Date:
ca. 1749
Materials & Techniques:
Oil on copper
Dimensions:
4 7/8 x 7 3/16 inches (12.4 x 18.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. A Wooded Landscape with a Stream and a Fisherman

A Wooded Landscape with a Stream and a Fisherman
Creator:
Thomas Smith of Derby, ca. 1720–1767
Date:
ca. 1749
Materials & Techniques:
Oil on copper
Dimensions:
4 7/8 x 7 1/8 inches (12.4 x 18.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. The Anglers' Repast

The Anglers' Repast
Creator:
George Morland, 1763–1804
Date:
1789
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. View of the Wilderness in St. James's Park

View of the Wilderness in St. James's Park
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1770 and 1775
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. Portrait of a Woman

Portrait of a Woman
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
29 7/8 x 26 1/4 inches (75.9 x 66.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Landscape with Stream and Weir

Landscape with Stream and Weir
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1750 and 1753
Materials & Techniques:
Oil on canvas
Dimensions:
31 1/2 x 37 1/4 inches (80 x 94.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. Landscape with Cattle

Landscape with Cattle
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1773
Materials & Techniques:
Oil on canvas
Dimensions:
47 1/4 x 57 1/4 inches (120 x 145.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. A Family Group Called 'The Stafford Family'

A Family Group Called 'The Stafford Family'
Creator:
unknown artist
Date:
ca. 1730
Materials & Techniques:
Oil on canvas
Dimensions:
39 × 55 inches (99.1 × 139.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

14. A View near Matlock, Derbyshire with Figures Working beneath a Wooden Conveyor

A View near Matlock, Derbyshire with Figures Working beneath a Wooden Conveyor
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
1785
Materials & Techniques:
Oil on canvas
Dimensions:
35 5/8 x 57 inches (90.5 x 144.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

15. Landscape with a Rainbow

Landscape with a Rainbow
Creator:
Joseph Wright of Derby, 1734–1797
Date:
between 1793 and 1794
Materials & Techniques:
Oil on canvas
Dimensions:
27 1/2 × 39 5/16 inches (69.9 × 99.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of Duncan Robinson, Director, Yale Center for British Art (1981–1995)
On View:
Not on view

16. "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Landscape with Classical Ruins

Landscape with Classical Ruins
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 16 9/16 inches (29.5 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Clare Castle, Suffolk

Clare Castle, Suffolk
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Ruins of the College of Lincluden

The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Wood Stream with Angler

A Wood Stream with Angler
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 8 1/2 inches (23.2 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Mrs. Abington as Thalia

Mrs. Abington as Thalia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
ca. 1783
Materials & Techniques:
Stipple engraving, with hand colored ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 7 1/8 inches (23.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Watercress Girl

The Watercress Girl
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. View of the Ruined Theater of Aezani at Tjaden

View of the Ruined Theater of Aezani at Tjaden
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. View of Maglova Aqueduct

View of Maglova Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Stream and Wooden Bridge

Stream and Wooden Bridge
Creator:
attributed to Paul Sandby, 1731–1809
Date:
between 1755 and 1757
Materials & Techniques:
Gray wash, watercolor, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 9 1/8 inches (15.7 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Ruins of the College of Lincluden, Near Dumfries

The Ruins of the College of Lincluden, Near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Travellers by a Clump of Trees in a Rocky Landscape with Stream

Travellers by a Clump of Trees in a Rocky Landscape with Stream
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beive wove paper laid in contemporary mount
Dimensions:
Mount: 11 5/16 x 14 5/16 inches (28.8 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Henry Bunbury Esqr.

Henry Bunbury Esqr.
Creator:
Print made by John Blackmore, active 1740–1780
Date:
ca. 1769
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Netting Partridges

Netting Partridges
Creator:
Thomas Ross, active from 1753
Date:
ca. 1750
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Foot Bridge

The Foot Bridge
Creator:
Francis Towne, 1740–1816
Date:
1780
Materials & Techniques:
Watercolor and black and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Horseman Fording a Stream with Cattle

Horseman Fording a Stream with Cattle
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 13/16 inches (14.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Mrs. Abington as Thalia

Mrs. Abington as Thalia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving printed in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 8 1/4 inches (26.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Potter Returning from Market

A Potter Returning from Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:
Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Ophelia's Death

Ophelia's Death
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:
Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Wooded Landscape with Figures on Horseback Crossing a Bridge

Wooded Landscape with Figures on Horseback Crossing a Bridge
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1775 and 1780
Materials & Techniques:
Gray wash, pen and gray ink, white gouache, and white chalk on medium, slightly textured, cream laid paper, mounted on card
Dimensions:
Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Landscape with Trees by a Lake

Landscape with Trees by a Lake
Creator:
Joseph Farington, 1747–1821
Date:
1780-1789
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 7 5/8 inches (14.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Woodland Pool with Rocks and Plants

A Woodland Pool with Rocks and Plants
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Watercolor, black and white chalk, and oil paint, with gum on medium, slightly textured, cream laid paper, backed with laid paper
Dimensions:
Sheet: 9 x 11 3/8 inches (22.9 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Rocky Landscape with Peasants and Cattle

Rocky Landscape with Peasants and Cattle
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1773
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 11 1/4 inches (35.9 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Cattle Watering by a Stream

Cattle Watering by a Stream
Creator:
imitator of Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Watercolor and gouache with black chalk over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. An Orchard by a Stream

An Orchard by a Stream
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 8 7/16 inches (14.3 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Warkworth Castle, Northumberland

Warkworth Castle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 5/8 inches (16.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Cottage near Newcastle, Northumberland

Cottage near Newcastle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Melville Castle, Midlothian

Melville Castle, Midlothian
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Landscape: Three cows in center foreground

Landscape: Three cows in center foreground
Creator:
Gainsborough Dupont, 1754–1797
Date:
undated
Materials & Techniques:
Oil and graphite on moderately textured, beige laid paper
Dimensions:
Sheet: 11 5/8 x 15 1/2in. (29.5 x 39.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Landscape: Cow in left foreground

Landscape: Cow in left foreground
Creator:
Gainsborough Dupont, 1754–1797
Date:
undated
Materials & Techniques:
Oil on moderately textured, laid paper
Dimensions:
Sheet: 11 5/8 x 15 5/8in. (29.5 x 39.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection