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Period 18th century

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1. Study for 'The Red Cross Knight'

Study for 'The Red Cross Knight'
Creator:
John Singleton Copley, 1738–1815
Date:
ca. 1793
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. David Playing the Harp

David Playing the Harp
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. "Him the dog of darkness spied..." (Design 79)

"Him the dog of darkness spied..." (Design 79)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Elizabeth. "Girt with many a Baron bold..." (Design 63)

Elizabeth. "Girt with many a Baron bold..." (Design 63)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "We the reins to slaughter give..." (Design 73)

"We the reins to slaughter give..." (Design 73)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Bard Singing Owen's Praise (Design 89)

The Bard Singing Owen's Praise (Design 89)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Three Fatal Sisters (Design 67)

The Three Fatal Sisters (Design 67)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Hurry, hurry, to the field!" Design 75)

"Hurry, hurry, to the field!" Design 75)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Prophetess Rising from Her Grave (Design 81)

The Prophetess Rising from Her Grave (Design 81)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Hie thee hence, and boast at home..." (Design 85)

"Hie thee hence, and boast at home..." (Design 85)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Studies of Groups of Heads

Studies of Groups of Heads
Creator:
John Hamilton Mortimer, 1740–1779
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 7 1/2 inches (28.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Three Soldiers in Armour Sitting on Stone Blocks

Three Soldiers in Armour Sitting on Stone Blocks
Creator:
John Hamilton Mortimer, 1740–1779
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 7 5/8 inches (17.5 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Mary, Queen of Scots, Embarking

Mary, Queen of Scots, Embarking
Creator:
William Lock II, 1767–1847
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 17 3/4 inches (30.8 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Pylades and Orestes

Pylades and Orestes
Creator:
Print made by James Basire, 1730–1802
Date:
1771
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 x 22 1/4in. (45.7 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Virgilia and Volumnia Plead with Coriolanus

Virgilia and Volumnia Plead with Coriolanus
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1795
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Andromache Bewailing the Death of Hector

Andromache Bewailing the Death of Hector
Creator:
Domenico Cunego, 1726–1803
Date:
1764
Materials & Techniques:
Line engraving
Dimensions:
Plate: 15 7/8 x 24 1/8in. (40.3 x 61.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman

19. Samson Overcome by the Philistines

Samson Overcome by the Philistines
Creator:
Print made by Johan Joseph Zoffany, 1733–1810
Date:
ca. 1758
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 10 5/8 inches (17.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. The Exposition of Cyrus

The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Tancred and Clorinda

Tancred and Clorinda
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 9 3/16 inches (28.3 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection