Sir George Howland Beaumont seventh Baronet, 1753–1827
Larice
1782
102
Joseph Wright of Derby, 1734–1797
A Church in Italy
undated
103
Print made by James Walker, 1748–1808
Rochester
1794
104
Print made by James Walker, 1748–1808
Wakefield
1798
105
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
106
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
107
Richard Bernard Godfrey, 1728–op.1794
Edgar's Tower, Worcester
1786
108
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
109
Print made by James S. Storer, 1771–1853
Birmingham
1795
110
Print made by John Dixon, ca. 1740–1811
William Robertson, D.D
1772
111
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
112
Thomas Bowles III, ca. 1712–1767
A South View of Westminster Abby & St. Margarets Church
113
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
114
Print made by Thomas Bowles III, ca. 1712–1767
A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol
undated
115
unknown artist
The Prospect of ye Town of Perth
116
unknown artist
A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
117
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
118
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
119
Print made by Thomas Bowles III, ca. 1712–1767
The Inside of the Pantheon at Rome
120
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
121
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
122
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V
123
Print made by Thomas Bowles III, ca. 1712–1767
The Inside of St. Paul's Church in Rome built by Constantine the Great..
124
James Miller, active 1773–1814
Putney on Fulham
1770s
125
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
126
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
127
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
128
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
129
Capt. Francis Grose, 1731–1791
Pershore Abbey, Worcestershire
1791
130
Capt. Francis Grose, 1731–1791
South Mimms Church, Hertfordshire
1787
131
Capt. Francis Grose, 1731–1791
Chapel of St. Michael's Mount
1786
132
William Ellis, 1747–1810
Beddington
1792
133
James Miller, active 1773–1814
Church at Marlylebone
1770s
134
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
135
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
136
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
137
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
138
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
139
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
140
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
141
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
142
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
143
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
144
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
145
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
146
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
147
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
148
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
149
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
150
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
151
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
152
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
153
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
154
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
155
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
156
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
157
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
158
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
159
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
160
Thomas Girtin, 1775–1802
Jedburgh Abbey from the South East
1800
161
Willey Reveley, 1760–1799
Views in the Levant: A Ruined Byzantine Church
ca. 1785
162
Thomas Bowles III, ca. 1712–1767
A View of Somerset House with St. Mary's Church in the Strand London
163
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
164
Print made by Thomas Bowles III, ca. 1712–1767
The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
undated
165
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
166
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
167
Print made by unknown artist
A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
undated
168
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
169
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
170
James Moore, 1762–1799
The Old Church Portland
1791
171
Thomas Rowlandson, 1756–1827
The Elopement
1792
172
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
173
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
174
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
175
Thomas Girtin, 1775–1802
Chapel Church, Surrey
ca. 1799
176
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
177
James Moore, 1762–1799
Salisbury Cathedral
1791
178
James Moore, 1762–1799
Wimborne Minster, Dorset, Englad
1791
179
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
180
Samuel Scott, 1701/2–1772
A View of Bristol with Ratcilffe Church and Lime Kiln Dock
undated
181
Thomas Rowlandson, 1756–1827
A Burial at Carisbrooke, Isle of Wight
between 1797 and 1800
182
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
183
John Collet, ca. 1725–1780
River Scene with Church, Cottage and Windmill
undated
184
Samuel Davis, 1760–1819
Funchal, Madeira: A Square with a Church
1779
185
John Robert Cozens, 1752–1797
Ariccia
ca. 1783
186
Joseph Farington, 1747–1821
View of St. Nicholas Church at Valenciennes after the Siege
1793
187
Edward Dayes, 1763–1804
St. Paul's Church, Covent Garden, after the fire
1795
188
Edward Dayes, 1763–1804
Jedburgh Abbey, Roxburghshire
1792
189
Jonathan Skelton, active 1754, died 1758
The River Stour, St. Mildred's Church and the Castle of Canterbury
1757
190
unknown artist
Study of the North Side of Canterbury Cathedral
ca. 1790
191
John Robert Cozens, 1752–1797
Ariccia
undated
192
Edward Edwards, 1738–1806
Leicester, St. Mary's Church
1778
193
attributed to Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains
1742
194
imitator of Thomas Gainsborough, 1727–1788
Coastal Scene with Figures and Boats
undated
195
Thomas Gainsborough, 1727–1788
Travellers on Horseback Approaching a Village with a Spire
between 1765 and 1770
196
Thomas Gainsborough, 1727–1788
Country Lane with Gypsies Resting
between 1760 and 1765
197
Samuel Hieronymus Grimm, 1733–1794
Putney Church and Bridge
1772
198
attributed to Samuel Hieronymus Grimm, 1733–1794
Landscape with a Ruined Norman Church
undated
199
Capt. Francis Grose, 1731–1791
Hampton Court Church
undated
200
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland