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Period 18th century
Remove constraint Period: 18th centurySubject Terms angels
Remove constraint Subject Terms: angelsSearch Results
1
- The Blacksmith's Shop
- 1771
- On view at YUAG
2
- Jacob's Dream
- 1705
- Not on view
3
- The Angel Binding Satan
- ca. 1797
- Not on view
4
- The Choir, Canterbury Cathedral
- between 1712 and 1715
- Not on view
5
- The Angel of Mercy
- ca. 1746
- Not on view
6
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
7
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
8
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
9
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
10
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
11
- Spring (Plate 26)
- 1789
12
- The Lamb (Plate 8)
- 1789
13
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
14
- The Little Boy Lost (Plate 20)
- 1789
15
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
16
- Night (Plate 16)
- 1789
17
- 'We censure nature for a span too short' (Page 23)
- 1797
18
- The Christian Triumph; Title Page
- 1797
19
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
20
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
21
- Night the First. On Life, Death and Immortality; Title Page
- 1797
22
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
23
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
24
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
25
- The Little Boy Lost (Plate 16)
- 1789
26
- 'O treacherous conscience!' (Page 27)
- ca. 1797
27
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
28
- Spring (Plate 12)
- 1789
29
- Night (Plate 30)
- 1789
30
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
31
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
32
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
33
- The Christian Triumph; Title Page
- ca. 1797
34
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
35
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
36
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
37
- Pity
- ca. 1795
38
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
39
- Design for a Ceiling Decoration
- 1723
40
- The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
- 1799
41
- Niobe
- 1792
42
- The Virgin in the Clouds and Six Saints
- 1742
43
- Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
- 1790
44
- The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
- undated
45
- Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
- ca. 1723
46
- The Birth of Venus
- undated
47
- The Ceiling in the Banqueting House at Whitehall
- ca. 1720
48
- Le Ete - Der Sommer
- undated
49
- Queen Katherine's Dream - "Henry VIII"
- 1788
50
- Mrs. Sheridan as 'St. Cecilia'
- 1776
51
- Guardian Angels
- 1786
52
- The West Window of the Chapel, New College Oxford
- 1785
53
- The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
- 1720
54
- For the Benefit of Mr. Borghi
- 1789
55
- Raphael receiving the money of Tobias from Gabael: Tobit 9:5
- undated
56
- Victorious Hero Takes Occasion to Conclude Peace
- 1720
57
- Selling of Cupids
- undated
58
- Get Thee Behind Me, Satan
- between 1783 and 1787
59
- The Creation of the Heavens
- ca. 1790
60
- The Peasant's Dream, Paradise Lost, Book 1, 781-8
- 1793 to 1800
61
- Classical Figures in Battle
- undated