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Period 18th century
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801
- Bust of a Man
- ca. 1758
- Not on view
802
- The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
- ca. 1715
- Not on view
803
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
804
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
805
- Bust of the Reverend John Wesley: in clerical collar and black robes
- ca. 1791
- Not on view
806
- Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar
- ca. 1770
- Not on view
807
- A Setter: Standing
- ca. 1775
- Not on view
808
- William Hayley
- 1795
- Not on view
809
- Sacrifice to Hercules
- ca. 1766
- Not on view
810
- Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
- ca. 1772
- Not on view
811
- Sir Isaac Newton
- ca. 1710
- Not on view
812
- A Seated Woman
- ca. 1780
- Not on view
813
- Bust of Niobe's Daughter, after the Antique
- 1780
- Not on view
814
- Samson Slaying a Philistine
- between 1740 and 1770
- Not on view
815
- Portrait of a Man, called Francois Duquesnoy
- ca. 1750
- Not on view
816
- Allegory of Geometry
- 1796
- Not on view
817
- Mr. Punch
- ca. 1760
- Not on view
818
- Ecorché Figure
- ca. 1767
- Not on view
819
- Dr. Anthony Addington
- 1790
- Not on view
820
- Father Time
- ca. 1790
- Not on view
821
- A Gardener
- ca. 1750
- Not on view
822
- The Farmer's Wife and the Raven
- 1788
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
823
- Dog [A Foxhound on the Scent]
- 1788
824
- A Sleeping Leopard
- 1791
825
- A Tiger and a Sleeping Leopard
- 1788
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
826
- A Lion [A recumbent Lion]
- 1788
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
827
- A Lion [A Lion resting on a Rock]
- 1788
828
- A Tyger (Sleeping Leopard)
- 1788
829
- Hay-Makers
- 1791
830
- A Horse Affrighted by a Lion
- 1788
831
- Tygers at Play
- 1780
832
- A Prancing Horse, Facing Right
- ca. 1790
833
- Study for the Self-portrait in Enamel
- ca. 1781
834
- A Foxhound on the Scent
- 1788
835
- Grotesque Male Head
- undated
836
- Grotesque Female Head
- undated
837
- Grotesque Female Head
- undated
838
- Grotesque Female Head
- undated
839
- The First Stage of Cruelty
- ca. 1750
840
- Grotesque Female Head
- undated
841
- Grotesque Male Head
- undated
842
- Grotesque Male Head
- undated
843
- Grotesque Male Head
- undated
844
- Grotesque Male Head
- undated
845
- Grotesque Male Head
- undated
846
- Grotesque Male Head
- undated
847
- Grotesque Male Head
- undated
848
- Grotesque Female Head
- undated
849
- Royal Sport, Pit Ticket
- 1759
850
- The Company of Undertakers
- 1736
851
- Characters and Caricatures: subscription ticket for 'Marriage à la Mode'
- 1743
852
- Simon, Lord Lovat
853
- Pit Ticket
- 1759
854
- A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'
- 1723
855
- Hudibras Vanquished by Trulla
856
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
857
- Paul before Felix
858
- Beer Street
- 1751
859
- The Distressed Poet
- 1740
860
- Southwark Fair
- 1733
861
- Mr. Garrick in the Character of Richard III
- 1746
862
- Grotesque Male Head
- undated
863
- Grotesque Male Head
- undated
864
- A Rake's Progress, Plate VI: He Gambles
- 1735
865
- A Rake's Progress, Plate IV: Goes to Court
- 1735
866
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
867
- A Rake's Progress, Plate III: He Revels
- 1735
868
- A Rake's Progress, Plate V: He Marries
- 1735
869
- The Distrest(ed) Poet
- 1740
870
- A Consultation of Physicians
- 1736
871
- Strolling Actresses Dressing in a Barn
- 1738
872
- The Enraged Musician
- 1741
873
- Gulielmus Hogarth
- 1749
874
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
875
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
876
- The Bench
- 1758
877
- Chairing the Members, Plate IV
- 1758
878
- The Laughing Audience
- 1733
879
- Hogarth Painting the Comic Muse
- 1764
880
- The Cockpit
- 1759
881
- Colombus breaking the Egg
- 1753
882
- Scholars at a Lecture (A Chorus of Singers)
- 1736
883
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
884
- Simon Lord Lovat
- 1746
885
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
886
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
887
- Analysis of Beauty, Plate II: A Country Dance
- 1753
888
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
889
- An Election Entertainment, Plate I
- 1755-58
890
- The Invasion, Plate I: France
- 1756
891
- The Polling, Plate III
- 1758
892
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
893
- A Midnight Modern Conversation
- 1733
894
- Southwark Fair
- 1733
895
- A Rake's Progress, Plate I: He Takes Possession
- 1735
896
- A Rake's Progress, Plate II: His Levee
- 1735
897
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
898
- The Stage Coach; Or Country Inn Yard
- 1747
899
- The Sleeping Congregation
- 1736
900
- The Invasion, Plate II: England
- 1756