Period: 18th century / Image Use: Free to Use / Subject Terms: vines - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Period 18th century

Image Use Free to Use

Subject Terms vines

John Hamilton Mortimer Man attacking a monster

Attributed to John Hamilton Mortimer, 1740–1779

Man attacking a monster

between 1770 and 1780

Not on view

William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

William Blake, 1757–1827

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

between 1797 and 1798

William Blake Songs of Innocence, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

William Blake Infant Joy (Plate 14)

Print made by William Blake, 1757–1827

Infant Joy (Plate 14)

1789

William Blake Night (Plate 16)

Print made by William Blake, 1757–1827

Night (Plate 16)

1789

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake Laughing Song (Plate 28)

Print made by William Blake, 1757–1827

Laughing Song (Plate 28)

1789

William Blake A Dream (Plate 4)

Print made by William Blake, 1757–1827

A Dream (Plate 4)

1789

William Blake The Little Girl Found (Plate 6)

Print made by William Blake, 1757–1827

The Little Girl Found (Plate 6)

1789

William Blake A Prophecy. "The deep of winter came..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The deep of winter came..." (Plate 5)

1794

William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 6)

1794

William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)

Print made by William Blake, 1757–1827

"Silent as despairing love, and strong as jealousy..." (Plate 4)

1793

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)

Print made by William Blake, 1757–1827

VI. "The desires & perceptions of man untaught..." (Plate 8)

ca. 1788

William Blake "Therefore God becomes as we are..." (Plate 9)

Print made by William Blake, 1757–1827

"Therefore God becomes as we are..." (Plate 9)

ca. 1788

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake "In living creations appear'd..." (Plate 8)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 8)

1794

William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Print made by William Blake, 1757–1827

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

1793

William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Print made by William Blake, 1757–1827

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

1793

William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Print made by William Blake, 1757–1827

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

1793

William Blake "Enitharmon slept. ..." (Plate 10)

Print made by William Blake, 1757–1827

"Enitharmon slept. ..." (Plate 10)

1794

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)

William Blake, 1757–1827

"A brace of warriors... rustling in their silks and tissues..."(Design 27)

between 1797 and 1798

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake The Bard Weaving Edwards Fate (Design 55)

William Blake, 1757–1827

The Bard Weaving Edwards Fate (Design 55)

between 1797 and 1798

William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

William Blake, 1757–1827

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

between 1797 and 1798

William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

William Blake, 1757–1827

The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

between 1797 and 1798

William Blake The Little Boy Lost (Plate 20)

Print made by William Blake, 1757–1827

The Little Boy Lost (Plate 20)

1789

William Blake The Lamb (Plate 8)

Print made by William Blake, 1757–1827

The Lamb (Plate 8)

1789

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake A Cradle Song (Plate 18)

Print made by William Blake, 1757–1827

A Cradle Song (Plate 18)

1789

William Blake Nurse's Song (Plate 22)

Print made by William Blake, 1757–1827

Nurse's Song (Plate 22)

1789

William Blake On Anothers Sorrow (Plate 24)

Print made by William Blake, 1757–1827

On Anothers Sorrow (Plate 24)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake The Little Girl Lost (Plate 20)

Print made by William Blake, 1757–1827

The Little Girl Lost (Plate 20)

1789

William Blake The Little Girl Found (Plate 22)

Print made by William Blake, 1757–1827

The Little Girl Found (Plate 22)

1789

William Blake Nurses Song (Plate 37)

Print made by William Blake, 1757–1827

Nurses Song (Plate 37)

1794

William Blake London (Plate 39)

Print made by William Blake, 1757–1827

London (Plate 39)

1794

William Blake A Little Boy Lost (Plate 43)

Print made by William Blake, 1757–1827

A Little Boy Lost (Plate 43)

1794

William Blake A Little Girl Lost (Plate 44)

Print made by William Blake, 1757–1827

A Little Girl Lost (Plate 44)

1794

William Blake The Human Abstract (Plate 46)

Print made by William Blake, 1757–1827

The Human Abstract (Plate 46)

1794

William Blake The Chimney Sweeper (Plate 45)

Print made by William Blake, 1757–1827

The Chimney Sweeper (Plate 45)

1794

William Blake The Fly (Plate 48)

Print made by William Blake, 1757–1827

The Fly (Plate 48)

1794

William Blake The Little Boy Lost (Plate 16)

Print made by William Blake, 1757–1827

The Little Boy Lost (Plate 16)

1789

William Blake Holy Thursday (Plate 38)

Print made by William Blake, 1757–1827

Holy Thursday (Plate 38)

1794

William Blake The Tyger (Plate 42)

Print made by William Blake, 1757–1827

The Tyger (Plate 42)

1794

William Blake My Pretty Rose Tree (Plate 47)

Print made by William Blake, 1757–1827

My Pretty Rose Tree (Plate 47)

1794

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

1793

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 4)

1794

William Blake Songs of Innocence, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

William Blake Introduction (Plate 3)

Print made by William Blake, 1757–1827

Introduction (Plate 3)

1789

William Blake Spring (Plate 12)

Print made by William Blake, 1757–1827

Spring (Plate 12)

1789

William Blake Laughing Song (Plate 14)

Print made by William Blake, 1757–1827

Laughing Song (Plate 14)

1789

William Blake The Lamb (Plate 18)

Print made by William Blake, 1757–1827

The Lamb (Plate 18)

1789

William Blake Infant Joy (Plate 28)

Print made by William Blake, 1757–1827

Infant Joy (Plate 28)

1789

William Blake Night (Plate 30)

Print made by William Blake, 1757–1827

Night (Plate 30)

1789

William Blake A Cradle Song (Plate 26)

Print made by William Blake, 1757–1827

A Cradle Song (Plate 26)

1789

William Blake Earth's Answer (Plate 35)

Print made by William Blake, 1757–1827

Earth's Answer (Plate 35)

1794

William Blake The Clod & the Pebble (Plate 36)

Print made by William Blake, 1757–1827

The Clod & the Pebble (Plate 36)

1794

William Blake The Divine Image (Plate 24)

Print made by William Blake, 1757–1827

The Divine Image (Plate 24)

1789

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake "In living creations appear'd..." (Plate 6)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

1794

William Blake "They call'd her Pity, and fled..." (Plate 17)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 17)

1794

William Blake The Little Black Boy (Plate 30)

Print made by William Blake, 1757–1827

The Little Black Boy (Plate 30)

1789

William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Prints made by William Blake, 1757–1827

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

1789-1794

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

Anthony Cardon Credulity

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

George Bickham the Elder Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

James Gillray Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Richard Earlom The Enchantress

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Robert Dunkarton Sisters Contemplating on Mortality

Print made by Robert Dunkarton, 1744–1811

Sisters Contemplating on Mortality

1770

John Raphael Smith Master Henry George Herbert as the 'Infant Bacchus'

Print made by John Raphael Smith, 1752–1812

Master Henry George Herbert as the 'Infant Bacchus'

1776