John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"
1796
Not on view
7
James Bruce, 1730–1794
Twenty-eight Arch at Tripoli
undated
8
James Bruce, 1730–1794
Temple of Jupiter and Minerva
undated
9
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
10
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
11
James Paine, 1717–1789
Design for the Gothic Library at Felbrigg Hall in Norfolk
ca. 1750
12
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
13
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
14
James Bruce, 1730–1794
Plate twenty-one: Arch at Zanfour
undated
15
Print made by John Murphy, ca. 1748–1820
The Brothers of Joseph Showing his Bloody Coat
1782
16
Print made by John Murphy, ca. 1748–1820
Hiram King of Tyre, Sends Presents to King Solomon
1790
17
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
18
Paul Sandby, 1731–1809
Conway Castle
1789
19
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
20
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
21
Print made by John Murphy, ca. 1748–1820
The Encampment at Brighton
1796
22
Charles Turner, 1774–1857
Lord Viscount Duncan
1798
23
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
24
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
25
James Bruce, 1730–1794
Arch of Marcus Aurelius at Tripoli
ca. 1766
26
Richard Earlom, 1743–1822
Labourers
1790
27
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
28
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
29
Robert Adam, 1728–1792
Headfort House, Ireland: Eating Parlor Ceiling
1775
30
James Lewis, 1751–1820
Design for a Country House
undated
31
James Lewis, 1751–1820
Design for a Country House
undated
32
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
33
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
34
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
35
George Vertue, 1684–1756
King Edward VI presenting the Charter for Bridewell to Sir George Barnes
1750
36
Henry Roberts, ca. 1710–1790
A South West Prospect of the City of Bath
1757
37
Robert Adam, 1728–1792
Headfort House: Ceiling Rose in Staircase
1772
38
Print made by Joseph Wood, 1720–1763 or 1764
A View of the Gardens of Thomas Hart Esq. at Warfield in Berkshire
39
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
40
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's dockyard, at Sheerness
1755
41
Print made by John Raphael Smith, 1752–1812
The Slave Trade
1791
42
Print made by John Raphael Smith, 1752–1812
African Hospitality
1791
43
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
44
Robert Adam, 1728–1792
Headfort House: Cornice and Frieze
undated
45
Robert Dodd, 1748–1816
The Royal Dockyard at Plymouth
ca. 1790
46
Print made by Daniel Orme, 1766–1837
The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
1793
47
Thomas Daniell, 1749–1840
Bijaigarh (Bidze Gur)
1788
48
Print made by Robert Pollard, 1755–1838
View of Hanover Square
1787
49
Print made by Robert Pollard, 1755–1838
View of London Bloomsbury Square
1787
50
Francis David Soiron, Born 1764
The Promenade in St. James's Park
1793
51
William Woollett, 1735–1785
A View of Walton Bridge, Venus's Temple...in the Garden of Sir Francis Dashwood, Bt. at West Wycomb, Bucks
52
David Martin, 1736/7–1798
Lord Mansfield
1775
53
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, near Plymouth
1756
54
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
55
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, Deptford
1755
56
Richard Newton, 1777–1798
Prelude to Crim Con and The Finale
1793
57
Print made by Francesco Bartolozzi, 1728–1815
The Departure Of The Sons Of Tippoo From The Zenana
1793
58
Print made by Thomas Gaugain, 1748–1812
Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
1796
59
John Murphy, ca. 1748–1820
The Encampment at Brighton
1797
60
John Murphy, ca. 1748–1820
The Departure from Brighton
1796
61
Samuel Davis, 1760–1819
Sugar Loaf, Cape of Good Hope
1779
62
Samuel Davis, 1760–1819
View of Tashichoedzong, Bhutan and Foot Bridge
1783
63
Joseph Farington, 1747–1821
View of Skiddaw and Derwentwater
ca. 1780
64
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
65
unknown artist
Yellow-eyed Babbler (Chrysomma sinense) perched on Chinese hat plant (Holmskioldia sanguinea)
ca. 1770
66
William E. Emes, 1729/30–1803
Garden Design for Northwick Park
1778
67
Print made by John Murphy, ca. 1748–1820
George III and Family
1794
68
John Bodger, Active 1770–1821
To His Royal Highness, the Prince of Wales...Trains of Running Horses...Taking their exercise up the Warren Hill. Proofs and prints in colors of J. Bodger and Mr. Weatherby. Figures by Colllyer