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Period 18th century
Remove constraint Period: 18th centuryWidth [cm] 39
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1
- Girl in a Plumed Hat
- ca. 1740
- Not on view
2
- The Kizlar Agha (Chief Black Eunuch, Head Officer of the Palace)
- ca. 1765
- Not on view
3
- The Harbour of Pulo Condere
- 1786
- Not on view
4
- Street Scene in Chorley, Lancashire, with a view of Chorley Hall
- ca. 1795
- Not on view
5
- An Unfinished Study of the Head of James Thomson
- ca. 1725
- Not on view
6
- Foxhunting in Hilly Country
- 1792
- Not on view
7
- A Turkish Woman and an Attendant Going to the Hamam (Public Baths)
- ca. 1765
- Not on view
8
- Royal Sport, Pit Ticket
- 1759
9
- A Rake's Progress, Plate III: He Revels
- 1735
10
- The Distrest(ed) Poet
- 1740
11
- A Rake's Progress, Plate IV: Goes to Court
- 1735
12
- A Rake's Progress, Plate I: He Takes Possession
- 1735
13
- A Rake's Progress, Plate II: His Levee
- 1735
14
- Landscape with Waterfall
- ca. 1796
15
- A Great Tree
- ca. 1796
16
- Landscape with Barn
- ca. 1795
17
- Borghese Gladiator
- undated
18
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
19
- Horseman of Montecavallo
- between 1773 and 1774
20
- Samson Overpowered
- undated
21
- The South-west View of Battle Abbey in the County of Sussex
- 1735
22
- The Gate of the Holy Spirit: 1. the Church of the Holy Spirit 2. the summer House in the Barbarini Gardens
23
- A Mother and Two Children
- 1786
24
- La resignation
- undated
25
- S. Matthaeus
- undated
26
- S. Paulus
- undated
27
- A Distant View of Ampthill Park
- 1825
28
- Details of Temple at Sheitla
- undated
29
- Capitol Thamugas
- undated
30
- Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices
31
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
32
- A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time
33
- The Antiquities of Africa
- 1765
34
- No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
- undated
35
- No. 22 sketch of temple at Baalbec and Palmyra
- undated
36
- Elevation of Front of most entire Temple at Baalbec
- undated
37
- Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
- undated
38
- Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
- undated
39
- Internal Order of the Cell of the most entire Temple at Baalbec
- undated
40
- Temple at Baalbec: Three Temples amongst other Ruins
- undated
41
- Temple at Baalbec: Sheet of Sketches of Columns
- undated
42
- Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
- undated
43
- Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
- undated
44
- Slight graphite sketch of ruins of Hieron of Temples at Shietla
- undated
45
- Measured drawing of section of pediments of temple Baalbec
- undated
46
- A Coat of Arms for a Stamp on Income
47
- Classical Landscape with Travellers, a Dog and House on the left
- 1741
48
- Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
- 1715 to 1725
49
- John Ashton
- 1770
50
- The Exposition of Cyrus
- 1781
51
- A School of Girls
- 1739
52
- The Social Friends
- 1768
53
- The Promenade at Carlisle House
- 1781
54
- The Tinker
- 1770
55
- Love in Her Eyes Sits Playing
- 1778
56
- Miss Harriet Powell
- 1769
57
- Diogenes
- 1771
58
- The Promenade at Carlisle House
- 1781
59
- Caroline Princess of Wales
- 1795
60
- North Parade, Bath
- 1784
61
- Sir Joshua Reynolds
- c.1784
62
- Colonel Tarleton
- 1782
63
- Alope
- 1787
64
- Rev. Sir Henry Bate Dudley
- undated
65
- George III
- 1790
66
- Henry Frederick, Duke of Cumberland
- ca. 1774
67
- Elizabeth, Countess of Derby
- ca. 1780
68
- Lord Robert Manners, Captain R.N
- 1783
69
- Hebe
- 1785
70
- John Hunter, F.R.S
- 1788
71
- Infant Vanity
- 1789
72
- Elizabeth, Duchess of Hamilton
- 1753
73
- A Flower Piece
- 1778
74
- Mary Lady Boynton
- 1770
75
- The Bridge, Walton on Thames
- ca. 1750
76
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
77
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
78
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
79
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
80
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
81
- Du Desarmement sur le Coup de Tierce
- 1763
82
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
83
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
84
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
85
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
86
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
87
- De la Passe en Quarte du Dehors des Armes
- 1763
88
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
89
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
90
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
91
- Lady Catherine Powlet
- 1778
92
- Bath: The South Parade
- 1773
93
- William Robert, second Duke of Leinster
- 1774
94
- Lady Charlotte Greville
- 1796
95
- Clara at the tomb of Eloisa
- 1786
96
- Mrs. Yates as 'Melancholy' in 'Il Penseroso'
- 1771
97
- Classical Composition
- undated
98
- Design after a Greek Vase
- undated
99
- London Cries: Last Dying Speech and Confession
- ca. 1759
100
- Headfort House, Ireland: Ceiling of the Eating Parlor
- between 1771 and 1775