One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
3
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
4
Agostino Brunias, 1728–1796
Free West Indian Dominicans
ca. 1770
Not on view
5
Henry Walton, 1746–1813
A Country Gentleman
ca. 1776
Not on view
6
John Raphael Smith, 1752–1812
Reverend Richard Robinson, Archibishop of Armagh
1775
7
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
8
Print made by John Dean, 1754–1798
Moses in the Bulrushes
1786
9
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
10
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ruins Outside Rome
ca. 1783
11
Richard Wilson, 1713/4–1782
The Falls at Tivoli
between 1752 and 1757
12
Richard Wilson, 1713/4–1782
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
undated
13
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
14
Sir George Howland Beaumont seventh Baronet, 1753–1827
Larici
1782
15
Sir George Howland Beaumont seventh Baronet, 1753–1827
Hermitage Near Albano
1782
16
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus Monday, March 18th, 1782
1782
17
Giovanni Battista Borra, 1713–1770
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
18
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
19
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
20
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
21
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
22
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
23
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
24
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
25
Jean B. C. Chatelain, 1710–1771
Landscape Composition
undated
26
Print made by Thomas Gainsborough, 1727–1788
Travellers by a Clump of Trees in a Rocky Landscape with Stream
undated
27
Thomas Daniell, 1749–1840
Marmalong Bridge
ca. 1792
28
Samuel Howitt, 1756–1822
Racing Scene
1792
29
Thomas Daniell, 1749–1840
Temple Ruins at Plessey
undated
30
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
31
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
32
Francis Towne, 1740–1816
A Bridge Between Florence and Bologna
1781
33
Willey Reveley, 1760–1799
Views in the Levant: View of a Harbour and Town From the Sea, Turkey
ca. 1785
34
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
35
George Lambert, 1700–1765
A Village Pond with Farm Buildings
undated
36
George Lambert, 1700–1765
A Woody Landscape
undated
37
Alexander Cozens, 1717–1786
The Glade
ca. 1750
38
John Robert Cozens, 1752–1797
Upon the Aare between Unterseen and the Lake of Brientz
1776
39
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
40
imitator of Thomas Gainsborough, 1727–1788
Cattle Watering by a Stream
undated
41
Thomas Gainsborough, 1727–1788
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
42
pupil of Alexander Cozens, 1717–1786
A Road in a Mountain Landscape with Trees to the Right